IMDb-BEWERTUNG
3,7/10
995
IHRE BEWERTUNG
In New Mexico entführt ein außerirdisches Raumschiff zwei kleine Kinder und einen alten Mann. 25 Jahre später kehren die Kinder als Erwachsene in dieselbe Stadt zurück, die nun von seltsamen... Alles lesenIn New Mexico entführt ein außerirdisches Raumschiff zwei kleine Kinder und einen alten Mann. 25 Jahre später kehren die Kinder als Erwachsene in dieselbe Stadt zurück, die nun von seltsamen Viehverstümmelungen heimgesucht wird.In New Mexico entführt ein außerirdisches Raumschiff zwei kleine Kinder und einen alten Mann. 25 Jahre später kehren die Kinder als Erwachsene in dieselbe Stadt zurück, die nun von seltsamen Viehverstümmelungen heimgesucht wird.
- Regie
- Drehbuch
- Hauptbesetzung
Hilary Farr
- Lee Ann
- (as Hilary Labow)
Robert Magnus
- Town Drunk
- (as Robert M. Magnus)
Empfohlene Bewertungen
The Return (1982)
** 1/2 (out of 4)
Jennifer (Cybill Shepherd) is a scientist who goes to a small New Mexico town after seeing some bizarre images. Once there she begins to notice that a few things aren't quite right and she teams up with the Deputy Wayne (Jan-Michael Vincent). At first some strange cattle mutilations are happening but before long humans are being killed and it all might be connected to something Jennifer and Wayne witnessed as children.
Despite a terrific cast, Greydon Clark's THE RETURN has pretty much been forgotten and overlooked. It was certainly an attempt to try and cash-in on the sci-fi boom that took off after the success of Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND and I think this film was meant to try and be in the same league. With that said, there's no question that they were dealing with a very small budget here that prevented that but on the whole THE RETURN was more entertaining than I thought it would be.
The film certainly has some flaws and I will start with them. This includes the ending, which I won't spoil here but I think it fell well short of the emotional punch that the director was going for. I'd also argue that the film started to drag during the final twenty-minutes, which was another problem. The special effects certainly aren't as good as one would hope for but considering the budget this here can be forgiven. With all of that being said, the film does start off pretty strong and hold your attention throughout most of it.
I thought the cattle mutilation sub-plot was actually interesting and it was done in a good manor. I liked how the townspeople, backwards rednecks, were more worried about the scientist and their dumb fears that she was the ones killing the cows. We get some very familiar faces here so this also helps hold your attention throughout. Vincent and Shepherd make for a good team but we also get veteran actors like Martin Landau, Raymond Burr and Neville Brand. Vincent Schiavelli, the one and only, also appears in a good role.
I'm sure a higher budget would have allowed the film to do a bit more but if you look at THE RETURN the same way you would the "B" sci-fi movies of the 1950s then you should find enough to keep you entertained.
** 1/2 (out of 4)
Jennifer (Cybill Shepherd) is a scientist who goes to a small New Mexico town after seeing some bizarre images. Once there she begins to notice that a few things aren't quite right and she teams up with the Deputy Wayne (Jan-Michael Vincent). At first some strange cattle mutilations are happening but before long humans are being killed and it all might be connected to something Jennifer and Wayne witnessed as children.
Despite a terrific cast, Greydon Clark's THE RETURN has pretty much been forgotten and overlooked. It was certainly an attempt to try and cash-in on the sci-fi boom that took off after the success of Steven Spielberg's CLOSE ENCOUNTERS OF THE THIRD KIND and I think this film was meant to try and be in the same league. With that said, there's no question that they were dealing with a very small budget here that prevented that but on the whole THE RETURN was more entertaining than I thought it would be.
The film certainly has some flaws and I will start with them. This includes the ending, which I won't spoil here but I think it fell well short of the emotional punch that the director was going for. I'd also argue that the film started to drag during the final twenty-minutes, which was another problem. The special effects certainly aren't as good as one would hope for but considering the budget this here can be forgiven. With all of that being said, the film does start off pretty strong and hold your attention throughout most of it.
I thought the cattle mutilation sub-plot was actually interesting and it was done in a good manor. I liked how the townspeople, backwards rednecks, were more worried about the scientist and their dumb fears that she was the ones killing the cows. We get some very familiar faces here so this also helps hold your attention throughout. Vincent and Shepherd make for a good team but we also get veteran actors like Martin Landau, Raymond Burr and Neville Brand. Vincent Schiavelli, the one and only, also appears in a good role.
I'm sure a higher budget would have allowed the film to do a bit more but if you look at THE RETURN the same way you would the "B" sci-fi movies of the 1950s then you should find enough to keep you entertained.
This movie is one of those obscure films that most people in the world probably have never seen and probably should not bother trying to find unless they like to laugh at poor cinema. It is akin to the film Laserblast, only that one is more well known due to the fact it was played more back in the day and would later become riffed on the cult television show Mystery Science Theater 3000. This one, too, could have been on that show and made a rather good episode as it is just ripe for the riffing! Instead, it became a film most have never seen or heard of even though there are several decent actors in this one including Jean Michael Vincent, Raymond Burr, Martin Landeau and Cybil Shepard. However, they could not make up for the fact that this movie seems to almost have not discernible plot...
The story, what little there is, starts out with two kids and a prospector encountering strange lights in the sky and they are seemingly imbued with something or another. The little girl was just passing through, but the little boy lived in town. Years later, they are all grown up and in the town where the encounter took place strange occurrences have happened as cows have been mutilated. The boy is now a deputy and drinking beer while pursuing annoying young folk driving while the girl now works for her dad's vague institute that seems to be exploring space and possible aliens, but are not experts on cow mutilations. Well the prospector is now wielding a lightsaber and carving up cows for some purpose and soon the former kids will have to confront him!
The film seems like it was trying to do both Star Wars and Close Encounters with a touch of horror thrown into the mix. It could've worked, but it takes itself way too seriously. They needed more of the horror element as watching drunk deputy and pretty new girl in town interact throughout the movie got very tiresome. So instead of being entertaining like those two movies, it is only really entertaining as a film to be made fun of as you are watching it unfold.
The story, what little there is, starts out with two kids and a prospector encountering strange lights in the sky and they are seemingly imbued with something or another. The little girl was just passing through, but the little boy lived in town. Years later, they are all grown up and in the town where the encounter took place strange occurrences have happened as cows have been mutilated. The boy is now a deputy and drinking beer while pursuing annoying young folk driving while the girl now works for her dad's vague institute that seems to be exploring space and possible aliens, but are not experts on cow mutilations. Well the prospector is now wielding a lightsaber and carving up cows for some purpose and soon the former kids will have to confront him!
The film seems like it was trying to do both Star Wars and Close Encounters with a touch of horror thrown into the mix. It could've worked, but it takes itself way too seriously. They needed more of the horror element as watching drunk deputy and pretty new girl in town interact throughout the movie got very tiresome. So instead of being entertaining like those two movies, it is only really entertaining as a film to be made fun of as you are watching it unfold.
" The Return" views like a puzzle that is impossible to solve. It features some intriguing actors including, Neville Brand, Martin Landau, and Vincent Schiavelli, in supporting roles. A small New Mexico town is visited by aliens, putting on a light show. Two children and Schiavelli, are "contacted" for an unknown purpose. Fast forward twenty five years when Cybil Shepherd and Jan Michael Vincent, are enlightened that they were the two chosen children. Chosen for what is of course unknown. Meanwhile Neville Brand, playing a local rancher, is dealing with cattle mutilations, that he blames on scientist Shepherd. Raymond Burr, Shepherd's Father, deduces that the aliens left some sign carved on a rock for an unknown purpose. "The Return" is a movie asking all questions while revealing zero answers, and is a very frustrating viewing experience. - MERK
THE RETURN stars Cybill Shepherd and Jan Michael-Vincent as adults who meet again, years after a childhood incident involving extraterrestrial activity. Jennifer (Shepherd) is now a scientist, and Wayne (Jan-Michael Vincent) is a lawman who enjoys shooting car stereos. Events lead the duo to remember what happened to them that fateful night.
Jennifer's dad (Raymond Burr) arrives in town, pontificating furiously due to a local cattle mutilation epidemic. Enter rancher / hot head, Walt (Neville Brand), who yells a lot in a gruff voice. This man definitely knows his cows!
Simultaneously, the sheriff (Martin Landau) is on the case, while trying to figure out how to dunk doughnuts in a can of beer. Could alien mischief be behind all this? Can Waynifer figure things out, before the sheriff dunks his first doughnut? And, what about the peculiar prospector, his mini- light saber, and his devil dog? And, why does he have a black hole in his cave? Annnd, just why did Wayne drive his motorcycle through that window, in slow-motion? Was Mr. Vincent symbolically recreating his final scene from WHITE LINE FEVER?
Regardless, this is one hilariously funny movie, and you will believe! In aliens? No, in the power of love, doughnuts, light sabers, Raymond Burr, and the ability to float elegantly in black holes!...
Jennifer's dad (Raymond Burr) arrives in town, pontificating furiously due to a local cattle mutilation epidemic. Enter rancher / hot head, Walt (Neville Brand), who yells a lot in a gruff voice. This man definitely knows his cows!
Simultaneously, the sheriff (Martin Landau) is on the case, while trying to figure out how to dunk doughnuts in a can of beer. Could alien mischief be behind all this? Can Waynifer figure things out, before the sheriff dunks his first doughnut? And, what about the peculiar prospector, his mini- light saber, and his devil dog? And, why does he have a black hole in his cave? Annnd, just why did Wayne drive his motorcycle through that window, in slow-motion? Was Mr. Vincent symbolically recreating his final scene from WHITE LINE FEVER?
Regardless, this is one hilariously funny movie, and you will believe! In aliens? No, in the power of love, doughnuts, light sabers, Raymond Burr, and the ability to float elegantly in black holes!...
"The Return" has to rank as one of the lesser efforts of veteran cult director Greydon Clark. It's not that it's all THAT incompetent, but a weak script, co-written by brothers Ken and Jim Wheat ("The Silent Scream", "Pitch Black") prevents it from working all that well. The audience is going to end up scratching their heads while they try to make some sense out of the strange goings-on. As for the rest, it's all just silly and cheesy enough to rate as acceptable B movie entertainment. This reviewer knows that he throws out the word "amusing" an awful lot, but there's really no other way to describe this thing. And it's that amusement factor that manages to keep this watchable.
The actors are remarkably sincere. Jan-Michael Vincent and Cybill Shepherd star as Wayne and Jennifer, a deputy in a small New Mexico town and hottie scientist respectively, who as children had had a close encounter. Also witness to the aliens' arrival was a prospector (the late, great character actor Vincent Schiavelli, one of those people who you always recognize but whose name you may never remember). The kids grow up, of course, but Schiavelli remains the same age. Shepherds' character gets wind of strange fog activity in this small town and soon after she gets there cattle begin to be mutilated. Then, people get mutilated as well.
Things take a pretty goofy turn when a character is seen to carry around a lightsaber type weapon, except it's held in the middle. Add to this a light show that is actually fairly impressive as well as some decent makeup effects and solid rural atmosphere, and the viewer gets what amounts to a mild hoot of a movie. Also in the cast are Martin Landau, who's wasted as Vincents' comedy-relief sheriff, Raymond Burr as Shepherds' father, who looks like he's reading his lines at times (and indeed he was), Neville Brand as a hostile rancher, Brad Rearden (who'd acted in "The Silent Scream") as Brands' bratty son, and Clark regular Darby Hinton ("Malibu Express") as one of Reardens' trouble making pals. Undeniable assets are cinematography by Daniel Pearl ("The Texas Chain Saw Massacre") and nice music by Dan Wyman.
Clark also did the well regarded "Without Warning" that was released the same year as this, and that one is recommended more than "The Return", which even B movie enthusiasts might find underwhelming.
Clark appears on screen as a city slicker victim.
Six out of 10.
The actors are remarkably sincere. Jan-Michael Vincent and Cybill Shepherd star as Wayne and Jennifer, a deputy in a small New Mexico town and hottie scientist respectively, who as children had had a close encounter. Also witness to the aliens' arrival was a prospector (the late, great character actor Vincent Schiavelli, one of those people who you always recognize but whose name you may never remember). The kids grow up, of course, but Schiavelli remains the same age. Shepherds' character gets wind of strange fog activity in this small town and soon after she gets there cattle begin to be mutilated. Then, people get mutilated as well.
Things take a pretty goofy turn when a character is seen to carry around a lightsaber type weapon, except it's held in the middle. Add to this a light show that is actually fairly impressive as well as some decent makeup effects and solid rural atmosphere, and the viewer gets what amounts to a mild hoot of a movie. Also in the cast are Martin Landau, who's wasted as Vincents' comedy-relief sheriff, Raymond Burr as Shepherds' father, who looks like he's reading his lines at times (and indeed he was), Neville Brand as a hostile rancher, Brad Rearden (who'd acted in "The Silent Scream") as Brands' bratty son, and Clark regular Darby Hinton ("Malibu Express") as one of Reardens' trouble making pals. Undeniable assets are cinematography by Daniel Pearl ("The Texas Chain Saw Massacre") and nice music by Dan Wyman.
Clark also did the well regarded "Without Warning" that was released the same year as this, and that one is recommended more than "The Return", which even B movie enthusiasts might find underwhelming.
Clark appears on screen as a city slicker victim.
Six out of 10.
Wusstest du schon
- WissenswertesCybill Shepherd recalled in her autobiography "Cybill Disobedience" (2000) that it was "not quite the worst movie ever made but close" and that the cast were "a rather sad group of actors, all trying to resurrect our diminished careers. [Raymond Burr] read his lines off a TelePrompter."
- VerbindungenFeatured in Katarina's Nightmare Theater: The Return (2013)
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- Erscheinungsdatum
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- Auch bekannt als
- The Return - Tödliche Bedrohung
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- 750.000 $ (geschätzt)
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What is the Brazilian Portuguese language plot outline for Tödliche Bedrohung (1980)?
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