Henker des Shogun

This film is not for the faint of heart. It's also not extremely realistic, what with blood spurting in all directions at almost every turn. However, it's not intended to be realistic. It's a fantasy ride. It's intended to be entertaining to those who enjoy film making of this genre, and to serve as a vehicle for a hero. And Lone Wolf is a hero of grand stature with a talent for defending himself and his own. And throughout the film, as he's pursued by hired assassins he defends himself and his child with style and brutal grace. Throughout the film, the glorious examples of extreme bloodshed are observed by his young son who accompanies his father... the son narrates the film in a manner that's almost mesmerizing in its effectiveness as events unfold.

This film has some of the most stylish and expressive swordsmanship you're ever likely to see. And throughout the bloody brutality and edged weaponry action there are some examples of the kindest and most humane exchanges you could ever imagine, particularly between father and son... some profound, some humorous, some just simply ordinary.

This film is hard to find and it's almost never seen on pay cable anymore, although Cinemax used to run it on occasion some years ago. However, it's still around in some video rental stores and on some of the auction sites now and then, so if you spot this film somewhere grab it. It's an amazing way to spend an evening, watching Lone Wolf and child take on the world. I looked a long time before I found my copy in an older video rental store that was going out of business and was selling off tapes. I bought it for four dollars... I'd have paid MUCH more for this obscure little gem of a film that was actually edited together from episodes of a Japanese TV series that aired in the early 1970s.

Watch this film with an open mind and with acceptance. It's a journey into furious bloodletting, subtle glory, and profound dignity.

I think this film is almost as famous for its tour de force editing,taking a min-series and making it into a coherent masterpiece of 86 min as it is for its action sequences.

The basic story is about a Lone Wolf. A very proud samurai who worked as the official decapitator for the shogun.The paranoid shogun sends out his ninja to kill lone wolf, but get his wife instead.At this point there is the classic "choose the(toy) ball and join your mother, choose the sword and join me" the son joins him and we hear the story from his eyes from this point.It is pure carnage from here on in, as the evil shogun sets his ninja out on Lone Wolf along with the brutal Masters of death.

There is a lot of carnage and blood in this movie...I MEAN a lot. But the father son relationship is touching and strongly developed.

This movie is a classic that is only just starting to show its age, my 8 might be a bit low of a vote really.

If you like fast sword play and quick deaths watch this movie.

For a film edited from highlights of two films in a series of six, SHOGUN ASSASSIN is far, FAR better than it has any right to be. That said, track down the originals since they are all available on video in widescreen, subtitled editions. The cinematography will make you drool, and the swordfighting is probably the most impressive samurai-type swordwork ever put on film. Another plus is Lone Wolf, played by Tomisaburo Wakayama. Casting him for a handsome comic book hero is not what would come to mind immediately, but it is his middle-aged dumpiness that makes him utterly believeable during his fight scenes. Swordfight fans, you will reach Nirvana during this orgy of carnage! For a more impressive display of Wakayama's skills, check out LIGHTNING SWORDS OF DEATH (frequently found in rental shops as LUPINE WOLF), the third film in the Lone Wolf series which was actually released in the states six years before SHOGUN ASSASSIN during the kung fu movie craze. In LIGHTNING SWORDS, the film remains totally unedited from the original and features a showdown between Lone Wolf and army that is equipped with not just swords, but arrows and rifles as well!!!

I was working for Mark Lindsay at wonderland, when the project fell in his lap. most of the additional soundtrack was performed on a Prophet 5 synthesizer along with a jupiter 8 keyboard. the zings and sound effects as weapons are used was created on a EMU (a wall sized synthe made of individual modules) and was recorded on a Trident flexymix console. Michael Lewis and Mark Lindsay worked so cohesively as if they were one and the same. The working title for one of the longer songs was "chinks in armor"

this movie was banned in 1983 in the USA because of the scene where wet and freezing the three travelers huddle together naked an the little boy flicks the nipples of the fem fatal and the nipple gets hard. fairly risqué for the time.

years later the only place i could get a copy was from England.

I imagine that many Japanese cinema purists look down on Shogun Assassin, viewing it as bastardised art, the film consisting of the juiciest bits from the first two classic Lone Wolf and Cub films edited together and re-dubbed for the US market. I, however, see the film as a fond reminder of the video nasty era when, against the wishes of the BBFC, I proudly owned an ex-rental, big box VIPCO VHS copy of the movie; it was one of the highlights of my collection, a gloriously violent saga that introduced me to the world of unflappable samurais and arterial spray, for which I will be ever grateful.

Of course these days the censors have seen sense and all of the Lone Wolf and Cub movies are available in their entirety on DVD (pristine prints in their original language with English subtitles, no less); but while it's great to see the movies as the filmmakers intended, I still get a kick out of Shogun Assassin's incongruous American voice-over, grimy 80s synth score and erratic editing, elements that take me back to a time when collecting banned movies was a challenge and the viewing seemed more rewarding as a result. As soon as Daigoro's narration kicks in, I'm back in the darkened bedroom of my youth, revelling in all the stylish blood and violence wreaked by super cool rōnin for hire Ogami Itto (Tomisaburô Wakayama), enjoying the fact that I'm sampling forbidden fruit, and it tastes good.