Der ungeratene Sohn

This is one of the most beautiful movies I have seen in a long time. In fact, the credit of finding it goes to late Patrick Dewaere whose film "Going Places" made me such a big fan of his that I set out to watch all his great works. This is among his best. Indeed, French movies carry something that goes straight to the heart transcending all borders and boundaries. This saga of father son relationship is told with such relaxed pace without dramatizing the situations. Both father and the son are humans who love each other and care for each other, yet unable to come to terms with their own demons. It's strange why that great actor like Patrick Dewaere despite living a short life left behind a volume of exemplary performances has not been awarded his due place amongst the greatest stars of the world. I give this film 9 out of 10

It is not a film to be explained, it is a film to be lived! It goes straight to the heart, simply to the essential. Exceptional in truth and authenticity with a great casting of exceptionnal actors. Wonderful!

Claude Sautet's films are always rich in introspective thought, whether the subject is the fragility of existence (Les choses de la vie), the unconditional love of a man toward a woman that wants out of a relationship (César et Rosalie) or the everyday struggles to make it through ordinary existences (Vincent, François, Paul et les autres). In Un mauvais fils, Patrick Dewaere is paradoxely a good person who has made very bad decisions, but now wants to make amends and get a better life, all the while his father is still grieving the death of his wife.

Remarkably, while being usually casted in loser roles, Dewaere redeems himself from loser status to become a good son, a reliable worker and a strong support of his addicted girlfriend. It's too bad that we lost this prodigious actor too early, struggling himself with addiction and depression.

I'm the second to review this? I borrowed this film from a local French library. I sat down with a coffee and was entranced with from beginning to end.

The film is about the relationship between a father and son. The son returns to France and to life after several years in an American gaol. The son wants to begin relations with his father anew but the father has trouble with that idea.

You could say that the father is someone who is strict and has trouble expressing his feelings and opening himself up. He is ruthlessly unforgiving with his son. This is not a one dimensional character and thats what makes him so intriguing.

Equally Partick Deweare, whom I've come to know and love, is enchantic as the son. He oozes charm and his mere presence on the screen without saying a word conveys so many things.

The two fight and make up then fight and make up, and like another reviewer said the director takes the time to film them preparing coffee. Even that is fascinating in this film. A true find for me and pure cinematic gem. Enjoy!

This film has a beautiful density. Dramatic density, with each of the characters who are human beings, not clichés or stereotypes. Each one of them contributes to this story, simple, but rich, dense, where family, friends, lovers contribute to produce a beautiful drama. Patrick Dewaere returns from prison in the USA; he finds his father, Yves Robert, who could give the title of "a bad father" to the film, even if we understand him. The police help Patrick Dewaere to reintegrate. He then crosses the path of Brigitte Fossey (very good performance), also in rehabilitation following his drug addiction. He also meets Jacques Dufilho, who will help him to reintegrate.

The film could be called a beautiful story, with beautiful characters, poignant at times, but gripping, which accepts that everyone has good sides, or weaknesses, and are able to overcome them, or not. The script also mixes, without condescension or judgment, the universe of the father, a public works worker, and the employer for the reintegration, Jacques Dufilho, who is a bookseller and music lover. These worlds are articulated through the character of Patrick Dewaere.

In its kind, a perfect film, which does not leave indifferent, which knots the stomach of the spectator.