Füge eine Handlung in deiner Sprache hinzuAlcoholic billionaire playboy Arthur Bach must marry a woman he does not love, or he will be cut off from his $750,000,000 fortune. But when Arthur falls in love with a poor waitress, he mus... Alles lesenAlcoholic billionaire playboy Arthur Bach must marry a woman he does not love, or he will be cut off from his $750,000,000 fortune. But when Arthur falls in love with a poor waitress, he must decide if he wants to choose love or money.Alcoholic billionaire playboy Arthur Bach must marry a woman he does not love, or he will be cut off from his $750,000,000 fortune. But when Arthur falls in love with a poor waitress, he must decide if he wants to choose love or money.
- 2 Oscars gewonnen
- 12 Gewinne & 7 Nominierungen insgesamt
- Gloria
- (as Anne De Salvo)
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The standard complications ensue but in a most endearing way with loads of alcohol-fueled slapstick executed with classic élan by Moore. That he makes such a spoiled character likable is a credit not only to his comic talents but to Gielgud's feisty, acidic turn as Hobson, Arthur's devoted but reality-grounded valet. It's the type of role he could play in his sleep, but Gielgud makes Hobson such a truly memorable character that his fate in the film brings a welcome injection of poignancy in the proceedings. In probably her most likable film role, Liza Minnelli hands the picture to her male co-stars by toning down her usual razzle-dazzle personality and making Linda quite genuine in motivation.
A pre-"LA Law" Jill Eikenberry plays Susan just at the right passive-aggressive note, while Barney Martin (Jerry's dad on "Seinfeld") steals all his scenes as Linda's slovenly father Ralph. The one fly in the ointment is veteran actress Geraldine Fitzgerald, who overdoes the eccentricities of the grandmother. And I have to admit that I still can't stand the very dated, overplayed Christopher Cross song that inevitably won the Oscar for that year's best song. Unfortunately, the 1997 DVD, certainly in need of remastering, has no extras worth noting except some photos and production notes.
The sequel was so and so.
Arthur is a film with a lot of heart. Its storyline is sincere and its characters are believable. You'll instantly fall in love with the wild and exuberant Arthur, but more so his sarcastic and witty servant Hobson, played by John Gielgud in a magnificent Oscar winning performance. Liza Minnelli plays Linda, Arthur's love interest and she does just as excellent job and delivers a heartwarmingly funny performance with the rest of the cast.
Arthur also reminds us of a time when comedies didn't have to be so crude to be funny. Laughs are always about shock value these days, but Arthur manages to be clever and it's comedy comes from an intelligent script and great actors. Arthur isn't hilarious but it's sufficiently entertaining and is good for plenty of sincere laughs. Obviously the film as a whole is no masterpiece, but as far as romantic comedies go it's better than anything we might see today. It's a little sappy, very predictable, and it's characters are pretty easy to dissect on the base level. But Arthur isn't striving to be much. It's aim is to make us laugh and give us a heartwarming story. It does both of these things, so I would say it is a very successful film.
All the best lines belong to Gielgud, and the Academy Award was hardly adequate for such a legendary performance. Moore's lovable drunk would wear thin in later years, but here it is a fresh and delightful tour de force in the most politically incorrect way. Liza is flawless, but one hates to see her in a non-musical role, for fear of squandering such an immense talent. But the chemistry, the synergy between these legends is palpable.
The laughs never get old. It is, however, a tragedy that the DVD is not available in cinematic aspect.
Wusstest du schon
- WissenswertesDudley Moore was said to have based his performance partly on Peter Cook, whose excessive drinking had soured his and Moore's comedic partnership in the 1970s.
- PatzerLinda steals the tie from Bergdorf-Goodman's by itself, yet when Arthur helps her into the Rolls-Royce, he hands her a box that contains the tie; she still has the box with her when Bitterman helps her out of the car. When Arthur and Hobson walk up to Linda during her confrontation with the security guard, Hobson is carrying a bag with a large box in it. That's the box Linda was given. Since it contains the tie she stole, presumably the tie was put in that box off-camera.
- Zitate
Arthur: Hobson?
Hobson: Yes.
Arthur: Do you know what I'm going to do?
Hobson: No, I don't.
Arthur: I'm going to take a bath.
Hobson: I'll alert the media.
Arthur: [rises] Do you want to run my bath for me?
Hobson: That's what I live for.
[Arthur exits]
Hobson: Perhaps you would like me to come in there and wash your dick for you, you little shit.
- VerbindungenFeatured in 39th Annual Golden Globe Awards (1982)
- SoundtracksArthur's Theme (Best That You Can Do)
Written by Burt Bacharach, Carole Bayer Sager, Christopher Cross, and Peter Allen
Performed by Christopher Cross
Produced by Michael Omartian
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Arturo, el millonario seductor
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 7.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 95.461.682 $
- Eröffnungswochenende in den USA und in Kanada
- 2.719.534 $
- 19. Juli 1981
- Weltweiter Bruttoertrag
- 95.461.682 $
- Laufzeit
- 1 Std. 37 Min.(97 min)
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1