Blutige Schreie

Chock full of haunting images, chilling murders, and good performances this slow, laconic but amazingly effective horror flick has stayed with me since I saw it when it was originally released. The film is best in its portrayal of teen life in a small college town in the midwest (though it was shot in New Zealand). Taking it's cue from there, the film moves along at a leisurely, but ultimately disquieting pace revealing that all is not so sleepy and calm in this rural environment.

Co-written by Academy Award-winner Bill Condon ("GODS AND MONSTERS") the story shows remarkable intelligence and wit in the vein of some of the best Roman Polanski flicks (e.g. "THE TENANT" and "REPULSION").

Best if seen in the movie theater to appreciate it's glorious widescreen landscapes. Wish this picture was out on DVD.

In the late 70s/early 80s during the Australian film "renaissance", when historical dramas like 'Picnic At Hanging Rock' and 'Gallipoli' were all the rage, a producer named Antony Ginnane attempted to go against the tide and get some thrillers and horror movies made Down Under. He dreamed of being Australia's Roger Corman. Sadly it wasn't to be but hats off to him for helping movies like 'Patrick', 'Thirst' and 'Turkey Shoot' get to the big screen! 'Dead Kids' (a.k.a. 'Strange Behavior') is another underrated movie from this period that he co-produced. This time Ginnane and friends went to New Zealand instead of Australia, something to do with union hiccups I believe. The movie was actually filmed in Auckland, but set in the US with a mostly American cast, including Dan Shor ('Wise Blood'), Michael Murphy ('Manhattan'), Louise Fletcher ('One Flew Over The Cuckoo's Nest'), Marc McLure ('Superman'), and Dey Young ('Rock'n'Roll High School'). Also appearing were the British born Fiona Lewis ('The Fury') and Aussie character actor Arthur Dignam ('The Devil's Playground'), who plays the enigmatic Dr Le Sangel, a role originally intended for Klaus Kinski. As well as a great cast this movie is noteworthy because it was directed by Michael Laughlin, the producer of Monte Hellman's 70s road classic 'Two-Lane Blacktop', and co-written by Laughlin and Bill Condon, who went on the write and direct the excellent James Whale biopic 'Gods And Monsters'. There are two outstanding bits in 'Dead Kids' which anyone who watches it will never forget: the syringe-in-the-eyeball scene, and the party sequence with a bunch of kids dancing to the Lou Christie oldie "Lightning Strikes". Music buffs will also appreciate the score from Tangerine Dream, and Aussies will get a kick out of (briefly) hearing The Boys Next Door's post-punk classic "Shivers" on the soundtrack. 'Dead Kids' is one of the my favourite horror movies of the late 70s/early 80s, a golden age filled with some very inventive and original shockers e.g. 'Evil Dead', 'Phantasm', 'Dead & Buried', 'Basket Case', to name a few. Eli Roth's super-hyped 'Cabin Fever' claimed to be inspired by some of these movies but totally missed the point in my opinion. Forget Roth, go for the real thing like this, which is both more entertaining AND scarier.

A small town Sheriff (Michael Murphy) finds himself involved in a deadly mystery while investigating a string of brutal murders.

Mixing slasher sensibilities with sci-fi, STRANGE BEHAVIOR is ultimately a novel, entertaining horror film. Turning teens into mindless killing machines, the mad science aspect is preposterous, but allows for some nice, eeevil characters to emerge, like Gwen Parkinson (Fiona Lewis), complete with her perfect, (pre-) Sean Young in BLADE RUNNER hairstyle! Murphy is, as always, solid in his role, bringing a believable, down-to-earth feel to his character. One always senses that he's just being himself.

This Aussie / Kiwi co-production was the template for the pallid American remake decades later...

Known most everywhere (outside the US) as DEAD KIDS, this is the film by which "strange flicks" are measured. To some extent, comparable to MY BLOODY VALENTINE in as much as what we have here is majorly weird goings-on in a small township.

You would never pick that this was filmed in New Zealand - it LOOKS like a small Nebraska township with a Pontiac Le Mans, Thunderbird, Chevy and assorted 60's Yank tanks on view as well as your all-american college dudes. Only the dedicated viewer may pick up the cinematography and Tangerine Dream soundtrack as revealing its New Zealand ancestry - very reminiscent at times of BATTLE TRUCK! Actually in large part an Australian endeavour also - witness Arthur Dignam as Dr Weird-In-The -extreme!

Agreed, as a slasher movie it doesn't cut it....as a thinking man's thriller it never rates. As an 80's time-capsule..its a winner ("Friday the 13th" vintage) What makes the film, is its very weirdness and the musical score from Tangerine Dream. Those shots of the car moving along the town's main drag are utterly cool and absorbing. For some reason also the fancy dress party and the kids dancing to Lou Christie's great 60's hit, "Lighting strikes," just hits a nerve somewhere down memory lane. Interesting also to see McClure as a zappy college student. Some of you may recall him as reporter-pup Jimmy Olsen in the four-part SUPERMAN series as well as SUPERGIRL

Not great by a long shot but way left field enough to stake a claim to horror immortality.

dead kids is very well made and unusual addition to horror cinema. it is an australian/new zealend production, and was made with the intention to sell it to an american market. so you get a film that looks very much like an american film, is shot and crafted like an american film with american actors (who are often better than any australian actor that gets into this kind of film, neighbours and home and away are rarely good casting grounds) but the script has a definite australian feel to it. from the odd, sly humour, to the way it deals with the murders and the almost complete lack of morality in the film. not to say it is immoral, but themes of morality never come into it, which is not often seen in american horror.

for the most part, it is wonderfully directed, one that has to be seen in widescreen to appreciate. however, the murders are somewhat lacklustre, they are directed with very little bite. it is obvious that the director has no idea of hot to show "action". most of the time it does not drastically effect the overall film as this is not a typical slasher film. in a few scenes however, this "relaxed" view of violence heightens the horror, such as the final murder and the "human experiments" carried out on the main character. as mentioned above, the script is quite interesting and entertaining. however, there is a 2 minute ending tacked on after the final showdown which drastically decreases the power of the film.

while not being a classic, it is still one of the better and more interesting horror films of the 80s that deserves a far wider audience than it has recieved.