Nach einer bizarren und fast tödlichen Begegnung mit einem Serienmörder wird eine Fernsehnachrichtensprecherin in ein abgelegenes Berggebiet geschickt, dessen Bewohner vielleicht nicht das s... Alles lesenNach einer bizarren und fast tödlichen Begegnung mit einem Serienmörder wird eine Fernsehnachrichtensprecherin in ein abgelegenes Berggebiet geschickt, dessen Bewohner vielleicht nicht das sind, was sie zu sein scheinen.Nach einer bizarren und fast tödlichen Begegnung mit einem Serienmörder wird eine Fernsehnachrichtensprecherin in ein abgelegenes Berggebiet geschickt, dessen Bewohner vielleicht nicht das sind, was sie zu sein scheinen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
- Lew Landers
- (as Jim McKrell)
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It's always been a toss up between THE HOWLING and AN AMERICAN WEREWOLF IN LONDON for the most effective lycanthropy picture of postmodern horror cinema (anything since Psycho). Where John Landis used comedy more blatantly, the humour in THE HOWLING is far more satirical and subversive. Undoubtedly, Rob Bottin's effects steal the show as well as they did for John Carpenter's THE THING. The transformation of Eddie Quist, especially on the revamped DVD is something to behold.
For anyone with a passing interest in the horror genre this is a film to include on that 'TO SEE' list. For fans of werewolf movies this should go on that 'MUST SEE' list.
While not as good as 'An American Werewolf in London', not quite a classic and not without imperfections, 'The Howling' managed to be a highly effective and solid film of the genre and as an overall film. If asked whether it seems like it has held up well, my answer would be it seems as though it has. It's entertaining and has unsettling moments, while also being surprisingly well made and made by someone with a clear love for the genre with quite a number of affectionate touches. As far as 'The Howling' franchise goes, this is by far the best having found the follow-ups a very mixed bag. When it comes to films centred around werewolves, it's also one of the better ones.
'The Howling' may take too long to get going, with a relatively uneventful first stretch, and is not without its dull spots.
Regarding the acting, it is variable with Christopher Stone looking as though he was not very interested in his role or the film, his acting resembles that of sleep-walking. Dee Wallace fares much better, she is appealing and looks engaged but she is not without her not so good spots, particularly in some of her reactions.
On the other hand, 'The Howling' does look great. There is a lot of atmosphere and it is very stylishly photographed, the secluded setting also adding a lot. In this regard though, faring best are the pretty amazing special effects/make-up. The score looms ominously very effectively and Joe Dante directs with an assured hand, never ill at ease or losing control of the material, and with clear affection of the genre.
Standing out too are the sharp and witty script, a very successful attempt at turning genre cliches on their heads and doing things fresh with them and some quite decent characters that don't bore or annoy, some named after horror incons such as Freddie Francis and Terrence Fisher. In particularly the second half when things do properly get going, there is a suspenseful and unsettling atmosphere and actually did think there were some nicely timed scares. The werewolf transformations are highly imaginative and look great even today. Although the acting is variable, the horror stalwarts involved fare very well, they are accomplished and clearly know what they were doing. John Carradine is the clear standout here.
In conclusion, solid atmospheric fun with bite. 7/10 Bethany Cox
A classy horror movie that gives the quirkness and wit of the vintage wolfman genre. The motion picture displays action, suspense, terror with fun touches. Crammed with inside jokes, this horror-comedy pioneered the use of the body-altering prosthetic make-up (by Rob Bottin) now essential for on-screen man-to-wolf transformations. In ¨The Howling¨ stands out a great support cast cast with plenty of familiar faces, such as: Patrick Macnee, Belinda Balaski, Dennis Dugan John Carradine, Slim Pickens, Elisabeth Brooks, Noble Willingham, Robert Picardo, Kevin McCarthy,Kenneth Tobey, Dick Miller, among others. The motion picture was competently directed by Joe Dante. Rating: 7.5/10, better than average.
Followed by six sequels: ¨The Howling 2, your sister is a werewolf¨ 1985 by Philippe Mora with Christopher Lee, Sybil Danning, Marsha Hunt, Reb Brown. ¨Howling 3, The marsupials¨ 1987 by Philippe de Mora with Barry Otto, Michael Pate, Frank Thring Jr. ¨The Howling 4, The original nightmare¨ 1988 by John Hough with Romy Windsor, Michael T Weiss, Anthony Hamilton. ¨Howling 5, The Rebirth¨ 1989 by Neal Sundstrom with Philip Davis, Ben Cole, Victoria Catlin. ¨The Howling 6, The Freaks¨ 1990 by by Hope Perello with Michelle Matheson, Brendan Hughes, Antonio Fargas. ¨The Howling 7, New moon rising¨ 1995 by Clive Turner with Romy Windsor, Jacqueline Armitage, Clive Turner, Elizabeth She.
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- WissenswertesRick Baker was originally doing the special effects for this movie, but he left to do American Werewolf (1981), leaving the effects job for this movie in the hands of assistant Rob Bottin. Both this movie and "American Werewolf" were released the same year and both received praise for their makeup work.
- PatzerSlim Pickens is shot twice with the shots coming almost on top of each other in quick succession. However, he is shot with a manual bolt-action rifle making that impossible.
- Zitate
Boy watching TV: Wow!
Mother's voice (offscreen): What are you kids watching?
Girl watching TV: The newslady's turned into a werewolf!
- Crazy CreditsAt the very end of the credits, there is a brief clip from Der Wolfsmensch (1941).
- Alternative VersionenIn the French video version (TF1) The scene where "Eddie" rips a bullet out of his forehead just before turning into a werewolf is missing. The theater version was uncut though.
- SoundtracksHowling Chicken
Written by Rick Fienhage and Joyce Fienhage
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- Budget
- 1.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.985.893 $
- Weltweiter Bruttoertrag
- 17.985.893 $