Ritter auf heißen Öfen

OK, besides Ed Harris and Tom Savini, who else is in this amazing biker film from the early 80s? Well, it doesn't really matter because sometimes things just come together in a way that transcends what the likely original intent was, to patch together a biker movie about jousting knights who engage in feudal combat from motorcycles instead of horses. Yep. The costumes are a bit cheesy, the acting is a bit raw and amateurish and the story..., ah, the story: The story is the Arthurian tragedy of innocence, self sacrifice, honor and unfaithfulness. The tale works around the triad of the King, the very young Ed Harris, the villain, the wonderful Tom Savini and the knight protector, Lancelot, Gary Lahti. Each of these figures represents an archetype which very likely unbeknown to the film makers and they come through wonderfully in the way in which this tale is patched together. Billy,as the King Arthur prototype is idealistic, uncompromising loyal to his own mythology and like the legendary Arthur, ego-less. His loyal knight retainer, Alan, is Lancelot in his nobility and loyalty to his sovereign while coveting his wife all the time. Savini is purely delightful as the Modred counterpart, even taking Morgan le Fay's name as a pun. Morgan covets the crown and tries to usurp it by going off only to discover his new realm is a forest of paper tigers. The final scene and resolution of the tragedy works wonderfully, giving a the only glimpse of the famous story-teller and raconteur, Brother Blue as the wizard, Merlin.

As an anthropologist and mythologist, I saw this tale back in the early 80s and was impressed how the underlying mythology of an essentially low budget film held together in such a wonderful way in spite of a few flaws. I consider it a cult classic.

Sometimes it's too long.

Sometimes it's just right.

But even when i watch it and say -Yup, too long!- i can never decide what to cut.

I love to put this on for people who have never seen it and have no idea of what they're in for -- the careful arrangements, compositions and camerawork of the opening sequence, as the King and his Queen tarry a while in the (probably enchanted) woods, in the lovely golden sunlight, then dress themselves, he girds on his armor, he mounts his mighty steed (shot composed so that we see only his torso, the steed being out of shot at the bottom), she mounts side-saddle on the pillion...

And BARRROOOOMMMM!!!! that huge bike roars into life and the camera pulls back as we see them ride away...

It's almost as much of a jolt as the narrow-to-wide cut at the beginning of "Road Warrior"... and just as important to see (if possible) on a big screen the first time.

Kings and queens, knights and heroes; a wizard... even a faithful Indian companion; it's all here.

Action, adventure, humor, treachery and heroism -- all here.

Love and hate, jealousy and heart break? Present and accounted for.

Bad guys get theirs, hero vindicated in the end? What do you think?

And incredible, incredible action work. This film equals or even surpasses "The Road Warrior" in its motorcycle work. I'm still not sure if the final stunt is faked or whether they actually did it -- either way, my hat's off to the people who put it on the screen.

Ed Harris, as King Billy, whose vision forms the kingdom, whose unhealing wound signifies danger ahead, and whose malaise may well doom the kingdom, is brilliant.

Brother Blue as Merlin is indescribable -- but in a good context.

Patricia Tallman, who has gone on to a dual career as actress and stuntwoman (recurring on "Babylon 5" as telepath "Lita" and doing stunts in the film "Long Kiss Goodnight") has what i believe is her first screen appearance, playing a townie girl who is temporarily admitted into the kingdom's magic, but must eventually go home if only to tell the world what she's seen, is good...

Tom Savini as Morgan, the villain (hiss, boo) is Jes' Fine...

I have always described this film as the one film i know of that gets the closest to the truths that underlie the King Arthur legends...

In between all of the horror from "Dawn Of The Dead" (1978) and "Creepshow" (1982), George Romero directed the ambitious and unusual "Knightriders" (1981). This greatly overlooked film is quite clearly one of Romero's more personal and mature film efforts to date.

A very youthful Ed Harris plays Billy, a self-styled King Arthur-type, who's the "crowned" leader of the Knightriders. This travelling troupe of performers stage jousts (in full armor) while on motorcycles for the entertainment of all the thrill-seeking spectators at county fairs.

As the story goes - Billy tries to persuade his followers to live under an old-fashioned code of honor, but the constant pressure of balancing ideals against realities, and the financial problems of running The Knightriders as a business, inevitably leads to conflicts and trouble.

Yes. "Knightriders" is a bit silly at times. But, all-in-all, it is pretty good entertainment, even though it is a tad long with a running time of 145 minutes.

I think that Romero did a fine job with the "Knightrider's" story, which reflects the choice that many artists make between "pure" expression of their vision (whatever that might be) and a compromise to achieve commercial success.

I'd wanted to see Romero's KNIGHTRIDERS for a long time for the sake of completeness, but its rarity works against it even for fans of the director. Thankfully Amazon Prime have rectified things by making it available for viewing. Seen today, it's a heavily dated production that feels quite rural and low budget, very much a product of its era, but not without merit. For novelty alone, fans will enjoy seeing lots of horror stars making appearances, including DAWN OF THE DEAD's Ken Foree, Scott H. Reiniger, and Tom Savini. The latter has possibly the biggest acting role of his career and is good in the part too. The narrative plays out as a modern-day character study of bikers and actors reenacting the old tales of King Arthur and his Round Table, and deserves kudos for offering up something original. Ed Harris is very good as the lead but the film is about an hour overlong, and the impressive motorbike jousting scenes only go so far.

I saw this film when it first came out as a kid and just recently found an out-of-print video on it. The movie still holds up. The acting is quite good, especially Ed Harris, who stands out as the "King Arthur" leader, Billy. Tom Savinni did a good job during the scenes where he "sold out" his image. You could see the transition in his face, sans dialogue. Yes, it does need to be shortened by about twenty minutes, but overall its an enjoyable film with many underlying lessons to learn from. Two outstanding, bittersweet scenes are the "Lancelot" character having to return the woman that loves him back to her home and the transition at the end where Ed Harris gives a young boy, who hero worships him, his sword. The stunts are fantastic as well. Sit back with some popcorn and enjoy! Look for the cameo by Stephen King as the "Loudmouth Spectator."