Shock Treatment

As people have said, this film got a horribly bad rap, and made very little money. The reason, as people have also said, is that it was expected to be in the same vein as RHPS, which it simply was not. Sure, it had Richard O'Brien's trademark musical style and whimsy, but it wasn't the campy kitsch people were expecting. It was, in fact, an intellectual movie with a serious message, a brilliant satire of life in the late 20th century. O'Brien takes jabs at the hallmarks of the decline of modern Western civilisation; conformity, machismo, brainwashing, and the absurdity of the "American Dream".

The plot can be a little hard to discern on the first viewing, but, as with many great intellectual films, more nuances of what O'Brien is trying to say are picked up with each subsequent viewing. The film is certainly surreal, to say the least; and I would suspect psychedelics were somehow involved in the writing of the script. Denton, the picaresque happy U.S. everytown, is actually just a television studio; and all the residents are characters on television shows or are in the audience. Enter Brad and Janet, who, after experiencing the "horrors" of RHPS, are having marital difficulties. This works perfectly into the plan of a mysterious fast food magnate, who intends to steal Janet away from her husband and use her to promote his business. He conspires to have Brad locked up in the local mental hospital/soap opera, while promoting Janet as a new bombshell sensation, and taking the whole town under his thumb.

In short, if you're looking for more of RHPS, you will be sorely disappointed. But if you want a thought-provoking yet whimsical, tongue-in-cheek attack on all that is mind-numbing and soul crushing in our modern world, definately check this film out. Jonathan Swift would be proud.

This movie does match and surpass "The Rocky Horror Picture Show" in many ways. You can tell that Richard O'Brien and the film's producers had a bigger budget to work with. The songs are a match to the original (same song writer, same style...). Visually, a little too heavy on the reds, but this WAS 1981, after all. This movie will be enjoyed by those who will get the Rocky Horror references that are scattered throughout. Too bad Barry Bostwick and Susan Sarandon weren't there to provide a little more continuity to their characters. Jessica Harper does a great job though, she appeared in several off-beat movies in the 70s ("Phantom Of The Paradise" and "Suspiria" spring to mind) so playing in a Richard O'Brien movie was not too much of a stretch for her it seems. This sequel was, to me, a lot sexier than RHPS. The original seemed to center on campiness and shock value, it's here as well, but there is a lot more eye-candy in this sequel.

I'm still waiting for a Richard O'Brien / John Waters musical collaboration. Imagine the possibilities!

Shock Treatment is an extremely strange movie, the plot is all over the place, the songs are weird and the confusion factor for the viewer is high. But Shock Treatment is a good movie. Forget everything about RHPS, there are no singing tranvestites or Meat Loaf getting hacked to bits with an axe, Shock Treatment is very different. It is a funny satire about how television has become an obsession. It's also about Brad and Janet Majors, who become contestants on a show called Marriage Maze and Brad is committed into a mental asylum, placed convieniently inside the TV studio. It's funny to see most of the cast return for a great big musical full of memorable songs. But a warning to the gay community, one song contains the lyrics.."Faggots are maggots-thank god I'm a man!"

Australian Classification

PG

No consumer advice but it really doesn't need any. There's nothing that troubling.

I had heard a lot of bad things about this "sequel" to "The Rocky Horror Picture Show", and I can see how people expecting a return to the sexual hi-jinx of that classic would be disappointed. I found this to be great in a completely different way. Save for a few RHPS character and location names, this is pretty much unrelated to that flick. This stands on it's own as an excellent musical-comedy with great songs and characters.

"Shock Treatment" takes place entirely in the television station of DTV, a local TV station that probes into the lives of its town's citizens. Brad and Janet (who act differently and are played by different actors than in RHPS) discuss their marital strife and appear on "Marriage Maze". Brad is found to be in need of help, so he's shipped off to "Dentonvale", the channel's bizarre medical show, while Janet is groomed to be the new star of "Denton Dossier", a show that tells people how great Denton is. Meanwhile, nefarious fast food mogul Farley Flavors is conspiring to take over the town and Janet with his latest show, "Farley Flavor's Faith Factory".

Jessica Campbell (who has worked with Dario Argento AND Woody Allen) is superb as Janet, and Cliff De Young plays Brad and Farley so excellently it's hard to tell it's the same actor (he even has a duet with himself!). The rest of the cast is populated with British comedians (Ruby Wax, Barry Humphries, and "The Young Ones"' Rik Mayal, who should have had a bigger part) and RHPS vets including Patricia Quinn, Little Nell, Charles Grey (also a former Blofeld!), and composer Richard O'Brian.

O'Brian's songs are fantastic and some exceed the quality of tunes in the better known "Rocky Horror". Clever lyrics and catchy tunes abound in classics like "Bitchin' in the Kitchen", "Little Black Dress", and the haunting "Lullaby". The choreography is great too, like the brief mirror-dance that accompanies "Look What I Did To My Id".

"Shock Treatmet" gets T-E-N, that's ten out of ten!

There is a reason "Shock Treatment" is as obscure and reviled as it is - it refuses to cater to its predecessor's mammoth cult. The film ditches the previous film's camp value and opts instead for (shock horror!) satire. Having much in common with the superb "Melvin and Howard", "Shock Treatment" is a scathing satire of the manipulating powers of television and eerily preceeds the recent onslaught of soap opera-style reality TV shows. While a million "Rocky" fans continue to bemoan the fact it is bereft of Tim Curry hamming it up or even a mere hint of sexual androgyny, they are simply not seeing the film for what it is - a more intelligent and mature film, and, in my opinion, a superior one.

Firstly, the presence of the amazing Jessica Harper immediately cancels out any chance of missing Susan Sarandon. Though Sarandon was sexy, she couldn't sing. Harper on the other hand is both extraordinarily beautiful as well as being an amazing vocalist, having already proved this in De Palma's "Phantom of the Paradise" (a campy film much in the vein of "Rocky Horror", but better in all departments). Harper's solos are show-stoppers and she makes Janet's journey from girl next door to knockout sex symbol wholly credible. De Young is also a better performer than Barry Bostwick, while Curry's camp value is somewhat supplanted by Humphries in a rare non-Australian film appearance. My only complaint is that Nell Campbell, who is almost unrecognizable and looks simply amazing in the film, is tragically underused.

Technically the film is something of an achievement, from the colorful sets, lighting and costume design, right down to the camera work (check out the opening long shot). Visually the film makes "Rocky Horror" seem like a dimly-lit Z-grade Hammer flick. The soundtrack is another component of the film that doesn't receive the attention it deserves, being much more diverse and mature in terms of the musical ground covered. From the country-tinged "Bitchin' in the Kitchen", the discofied "Me of Me" to the punk-lite "Breaking Out", the songwriting is more ambitious this time around but is nevertheless equally successful. Particular highlights include the sombre "Lullaby" (a wonderful sequence which was undoubtedly an influence on music videos in the decades to come) and Harper's brilliant rendition of "Looking For Trade".

"Shock Treatment" was a definite miscalculation, too ambitious to appeal to the "Rocky" crowd and not campy or funny enough to attract any cults of its own (audiences dressing up in hospital gear? I think not), yet on its own merits it is a far superior film. So for now, as the film awaits its belated DVD release, "Shock Treatment" continues to roam the sullen void of cult film that failed to find a cult.