Superman IV - Die Welt am Abgrund

SUPERMAN IV: THE QUEST FOR PEACE

OK... so everyone knows that this is the worst Superman movie ever made... but if you have not seen it in a while, you should watch it.

It is still pretty rubbish, but it is not as bad as I remember.

The story is not that bad... Superman rids planet Earth of all the nuclear weapons, and in doing so unknowingly creates a super villain named Nuclear Man thanks to arch rival Lex Luthor.

The movie does star all the original cast, which surprised me. I knew Christopher Reeve was in it... and after reading his autobiography now know why. He said in the book that he only made it because the film studio wanted to make it and they said to him that they would only finance another movie he wanted to make if he made Superman IV. I will quote what he said in his book... "The less said about Superman IV the better."

Gene Hackman returns as Lex Luthor & Margot Kidder is back as Lois Lane. They all did good jobs as always, although Margot was a bit unsure in places. The other supporting cast were not great. Mariel Hemingway played the new boss of the Daily Planet. She was awful... not a great actress in this I'm afraid. But she was not the worst. Mark Pillow played Nuclear Man. Absolutely terrible. His acting was definitely the worst of the whole quadrilogy.

The effects in this film were so bad. You could see that the budget of this film was so much less than the other 3 movies made. Superman flying was so bad that Flash Gordon was more convincing... and speaking of Flash Gordon... Nuclear Man looked like him... but more camp! Nuclear Mans outfit was embarrassing... it was not much of a super villains outfit. It honestly was just a bad character through and through.

There are also some really bad scenes... there was a scene where a large chuck of the Great Wall of China gets destroyed and Superman fixes it just by looking at it and using some dodgy blue eye lasers. What the hell? Terrible. Also, there is a scene where Nuclear Man kidnaps a Lacy and takes her into space... WHAT? He drags her to space and not only does she not scream or even say anything, but she can breathe fine in space... erm... really? I know Superman was never meant to be realistic, but that is too much!

When I was a kid I was a big fan of the Superman movies... but I think my parents protected me from this disappointment, because I don't remember this film at all... I didn't see this film until I was an adult. Haha. Thanks Mum.

I will give this film 5 out of 10.

It's a shame about this film... it was a very disappointing ending to Christopher Reeves Superman career. But no matter what he will always be a legend.

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Superman Turns "Peacenik" could be another title to this film. Christopher Reeve remarked several times that this was his most "important" Superman movie. Being somewhat of a Liberal "peacenik," he was the kind you'd see out with a big "peace sign" at rallies against nuclear weapons.This movie had the kind of message that was dear to his heart.

Superman goes about trying to rid the world of nuclear weapons here, especially, of course when they get into the hands of villain "Dr. Luthor" (Gene Hackman). It was a nice message and, overall, a nice film. Unlike the other Superman films of the era, they didn't overdo the sappy romance with "Lois Lane" (Margot Kidder). They concentrated more on the story. Unfortunately, that story - even with good intentions - just wasn't all that memorable.

Ask anyone: people remember the first two Reeve Superman films a lot more than the last two. This one, and the third one with Richard Pryor, pretty much "bombed" at the box office, at least compared to the others.

It did not help that the producers of this movie were Golan-Globus films, guys that were known for their cheap and usually-sleazy exploitation films. "Superman" deserved better.

Superman (Christopher Reeve) continues his life of costumed superhero and Daily Planet reporter Clark Kent. As the Daily Planet is taken over by tabloid magnate David Warfield (Sam Wanamaker), Clark and fellow reporter Lois Lane (Margot Kidder) find themselves uneasy with the more sensationalist route taken by the paper's new owner and editor/David's daughter Lacy (Mariel Hemingway) who also has a crush on Clark. Meanwhile the failure of a summit between the United States and Soviet Union causes both nations to increase production of their nuclear stockpiles. A young boy, Jeremy (Damian McLawhorn), writes a letter to Superman asking why Superman can't dispose of the nuclear weapons himself, and while he's uncertain about whether he should get involved following public pressure Superman makes an announcement that he will rid the world of nuclear weapons singlehandedly. While Superman's words and actions are met with approval by the public and (I think) several public officials, they irk war profiteers, military strategic think tanks, and others whose pocketbooks and political standing is threatened by the new development. Lex Luthor (Gene Hackman) having escaped from prison with the aid of his dimwitted nephew Lenny Luthor (Jon Cryer) formulates a plan with the help of those with vested interest in preserving the arms race to create a nuclear clone of Superman which comes in the form of Nuclear Man (physically played by Mark Pillow, voiced by Gene Hackman) who has the power to destroy the Superman.

Following the disappointing response to Superman III and disastrous response to Supergirl, Ilya and Alexander Salkind scrapped a planned Superman IV and out of financial necessity sold the rights to Menahem Golan and Yoram Globus of The Cannon Group, Inc. For $5 million in 1985. When Christopher Reeve was approached by Cannon to reprise his role he was reluctant, but Cannon offered Reeve $6 million, story input, director approval, and financing and distribution for Reeve's long stalled pet project Street Smart. With Reeve on board, Cannon was able to lure back other veteran members of the Superman cast such as Gene Hackman and Margot Kidder who hated the Salkinds for their abusive treatment (especially of Richard Donner) and underhanded and duplicitous dealings so the change in producers was seen as a fresh start. While Superman IV was a priority for Cannon, the movie beset with production difficulties from day one with the promised $36 million budget slashed to $17 million, which lead to downscaling in the special effects and locations with noticeable results. As a company, Cannon had often kept themselves afloat with foreign presales to upcoming movies as well as sales of TV and home media rights to current films used to keep the cycle afloat with their primary output being action and horror fare of $5 million or less that could continue this endless cycle and in essence "robbing Peter to pay paul". With movies above that $5 million threshold the company didn't have that windfall hence why Superman IV was so troubled. Superman IV is considered the worst film in the Superman series and often labeled one of the worst of all time, and it's hard to disagree because not only is it a stupid story, but unlike the previous films it's not even technically competent.

Superman IV is an anti-war movie with Reeve credited with a story credit. Reeve was apparently inspired based on his personally reaction to the failure of the 1986 Reykjavik Summit as well as then President Reagan's military buildup and skepticism towards arms control. Now on the surface that's not an awful idea, but when you have Superman making declarations he will singlehandedly remove all Nuclear Weapons from the Earth without consulting with the leaders it feels like it goes contrary to his character. Now as much as I don't like this direction....it does unfortunately have comic book precedent. In stories that Marv Wolfman wrote for the comic Adventures of Superman that ran concurrently with John Byrne's run in the main series that reintroduced the character "post crisis", Superman did undertake a one man crusade against the fictional Middle Eastern nation of Qurac destroying all their weapons and artillery so as dumb as this plot is, it's not the first time this route has been taken with the character. The movie is a disjointed mess with a number of dangling unresolved subplots and jumps due to the fact that the movie's 110 minute runtime was trimmed to 89 minutes making it the shortest Superman film by a considerable margin. Not that the footage being put back in would've helped because the script is not only stupid with its very reductive look at the arms race and the nature thereof, but the comedy present in these movies has reached the worst of hackneyed writing with Superman now utilizing the dreaded "two dates to the prom" setup that doesn't even have a proper payoff to that tired cliché. In fact many of the "jokes" feel like they're missing punchlines or reactions which is probably a tell tale sign of things that were cut.

Reeve remains good as Superman (his poorly thought out story notwithstanding) and Gene Hackman looks like he's at least having fun despite his knowledge of how bad he movie is. But most of the other performances, effects, and set pieces feel passable at best or unfinished at worst. The Superman films have always had competent work at minimum and you do not get that here. Editing is often shoddy, characters have knowledge of things they shouldn't, things explode despite a lack of projectiles, it wouldn't surprise me if not only was the budget slashed in half, but the post and foley work also felt the wrath of Cannon's budget scissors.

Superman IV is bad, but it is at least fascinatingly bad. The same goofy optimism that began this series is on full display, except without the brain that added substance to the silliness. Even at their lowest point the Salkind Superman movies gave us at least ONE scene that we could say "that's impressive" like the Clark Kent vs. Superman fight in Superman III, or Supergirl being stranded on The Phantom Zone in Supergirl. Here however, I can't name one scene that even approaches good. If you watch this movie you'll watch it all the way to the end, and you'll even laugh, but only in the manner most befitting watching a trainwreck.

Its Supes versus Nukes for the fourth, much-derided Superman adventure often slated for its repressing low-budget, inferior special effects and a whole wad of plot holes and incoherence – thanks no doubt to the extraction of a whole fifty minutes, much of the film's middle portion. Yet, among the wreckage are signs that there was a good film in here somewhere, as our hero struggles to decide whether or not to intervene in human history and the character's rather touching realisation that he is not just a visitor to Earth. A nicely-toned return to the Lois-Clark-Superman relationship also could have rooted the film back to its glorious predecessors - bar number three - but once Nuclear Man shows up and the film's story is cut in half, all promise and potential disappears from the project and the audience is left with a strictly mediocre re-tread of Superman II.

* (1 out of 5)

Superman IV: The Quest For Peace

Directed by: Sidney J. Furie, 1987

Perversely bad. With major budget cuts (from $28 to $16m) and story problems, the moviemakers suddenly found themselves cutting corners in all areas. And it shows. Completely lacking in awe, fun and excitement, Superman IV most of all feels like a bad joke.

The fact that it comes across more cartoonish than the previous three is hardly intentional, as everything - from effects to dialogue - just seems oddly rushed and second-rate.

The only highlight is Gene Hackman - who returns in high spirits as Lex Luthor. Christopher Reeve co-scripted this time and he again personifies the Man of Steel. But most of his co-stars are either wasted (Mariel Hemingway) or hysterical (John Cryer).

The new villian, Nuclear Man (as played by Mark Pillow), looks like a Swedish showwrestler in a home-made Halloween suit, complete with mullet hair and horrendous over-acting mannerisms.

Director Sidney J. Furie (the man behind the otherwise taut thriller The Entity) seems unable to create any sparks and Superman IV falls completely flat, head first. Game over.

Note: Certain scenes had to be borrowed from the previous movies, most notably Superman and Lois on their romantic evening flight above the Manhattan skyline. How they even managed to make this scene look worse than in the original is really mind-boggling.