In der Hitze der Nacht

I watch this show every chance I get. Acting is superb by all. I have no complaints with any aspect of this show. Opening music is sensual and delicious, and sets the stage for some good old southern intrigue, mystery and once in awhile romance.

Most pleasant is the way they throw you off the track, always keep you guessing as to ..who done it.. There is some racial tension-- although not to offensive.. It is usually resolved in a satisfactory manner..... A gentle reminder to us all to be fair and open-minded. No nudity or profanity, a nice change from todays stuff. A must watch....

It's extremely rare these days to find a film-to-tv spin-off that actually works (anybody remember 'Working Girl'?) but this 'Heat' is a worthy exception. It also has a strong, original slant of it's own -- the quirky (and, since this is the fictional South, sometimes downright eccentric) ways that ordinary people behave in extraordinary situations. Of course, in lazier moments this can sometimes mean genre cliches. And as the years go on it becomes increasingly difficult -- due to a series of well-publicized internal troubles -- to find ALL the stars together in the same episode. But at its best, the show has some powerful things to say about the human condition...and at its worst, it's still a beautifully produced hour spent with some very likable characters.

I remember watching the last season on CBS, then later catching re-runs on TNT. This show is amazing, with many memorable shows that caught my attention and didn't let go until the show was over. Many great performances by actors who sadly disappeared or were stuck in guest appearances after this show.

Basically, the "In the Heat of the Night" show picks up where the 1967 series ended (with some minor plot changes, and the show was updated to the times). Chief Gillespie (Carroll O'Connor) is much more comical and light-hearted than the 1967 character. Virgil Tibbs (Howard Rollins) has settled in Sparta and brings his wife, Althea (Anne-Marie Johnson) along. There are also many stand-out characters in the police department, including Bubba Skinner (Alan Autry), Parker Williams (David Hart), Lonnie Jamison (Hugh O'Connor), Wilson Sweet (Geoffrey Thorne), and Luanne Corbin (Crystal R. Fox). This show also broke ground by introducing Harriet DeLong (Denise Nicholas), who becomes involved in a relationship with Gillespie.

This show presented the south (and the police) very well, and consistently produced shows that kept your attention - even to the very end. There was also an element of comedy to each episode, that helped the show not to be dragged down to the over-dramatic. But, the comedy also doesn't make the show overly corny or stupid.

Everyone in the cast contributed great, consistent performances. It's a shame that most of the cast couldn't find work after this show.

Hugh O'Connor (Carroll's adopted son) committed suicide only months after the show was canceled.

Howard Rollins died shortly after the show was taken off the air from cancer.

Carroll O'Connor left acting for a few years, making guest appearances once in awhile, and died of a heart attack in 2001.

Anne-Marie Johnson has done several voice-overs, and I remember seeing her in a telemovie, 'Asteroid', a few years back. Other than a recurring roll on the now-canceled TV show, 'Grace Under Fire', Alan Autry, has disappeared. David Hart, Geoffrey Thorne, Denise Nicholas, and Crystal Fox have also disappeared after this show.

In the Heat of the Night was a great show. It was also a seemingly cursed show. None of the actors have gone on to "bigger and better things". And three have since died. R.I.P. TNT still re-runs this show, so, if you catch it, I recommend you watch the show. You won't be disappointed.

Rating: 9/10

Though most will forever remember O'Conner for his Emmy-winning turn as "Archie Bunker" in the classic "All in the Family," his last television role on the long-running "In the Heat of the Night" was still equally as memorable. Inspired by the Oscar-winning film, starring Rod Steiger and Sidney Poitier, the show dealt with the police force of the mythical town of Sparta, Missisippi, headed by Chief Bill Gillespie with transplanted Philedelphian Virgil Tibbs, new and black to a force that was unprepared for such a high-ranking black. Though the first couple of episodes dealt with the adjustments that had to made with the new man on the force, the racial tension in the department was soon eliminated as both The Chief and Tibbs, along with other policemen (the superb Alan Artry as "Bubba," David Hart as the down-home, tea-drinking "Parker," Geoffrey Horne" and Hugh O'Conner as the young cops, "Sweet" and "Lonnie Jameson," respectively) came to respect and trust each other.

Many of the shows dealt with timely topics as A.I.D.S., spousal abuse, rape, and corrupt politicians. One of the series' most powerful episodes is "A Trip Upstate," wherein Chief Gillespie is asked to attend the execution of a criminal (guest star Paul Benjamin) that he caught years before. The riveting execution is quite detailed and the dialog-less performances by O'Conner and Benjamin are Emmy-worthy. The eye contact between the two actors is unbelievably intense. Whether one is pro or con on the topic of capital punishment, this particular installment should have some effect, one way or the other.

This show will always be one of my favorites. It takes a look at the so-called New South and shows the many ways it has gotten better and how in some ways it is still the same. In fact, I still prefer the television series over the movie any time. The late Howard Rollins was superb as Virgil Tibbs and the late Caroll O'Connor made the perfect Bill Gillespie. However, the real standout was Alan Autry as Seargent (and later Captain) Bubba Skinner. He is the perfect example of the tough guy with the heart of gold and he was what made the show special.