Füge eine Handlung in deiner Sprache hinzuAfter arriving in Washington in 1861 after his election, Abraham Lincoln struggles with personal and political problems during his Presidency.After arriving in Washington in 1861 after his election, Abraham Lincoln struggles with personal and political problems during his Presidency.After arriving in Washington in 1861 after his election, Abraham Lincoln struggles with personal and political problems during his Presidency.
- 1 Primetime Emmy gewonnen
- 2 Gewinne & 7 Nominierungen insgesamt
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This is a nice piece of work, but far from being ideal. It was clear the filmmakers had little funds so that they used the re-enactors to show the battle scenes, and the color scheme in those differs a lot. But that is OK. The film itself is a bit too long and bit too unrealistic. Gore Vidal was a writer and he did bring a lot of fiction onto real events. But despite all this, Watterson and Tyler did their main parts well and that counts as a big plus. In general, not bad, but still, much weaker than many other Civil War films of the era. The movie pays a decent tribute to the life and sufferings of a real great man, but it often tends to drag along or slow down painfully quite too often. Recommended but with some caution
I really expected a better performance from Waterson. He looks too frazzled and the dialogue often rings false. Moore came across well as a woman losing it bit by bit.
Sam Waterson and Mary Tyler Moore play Abraham and Mary Lincoln, 16th president of the United States and his first lady. A rather calculating politician from the mid west who invented a cracker-barrel image of himself that has passed into legend.
When John Ford and Henry Fonda made their Young Mr. Lincoln back in 1939, Ford allegedly told Fonda that he was not playing the Great Emancipator, but a hick country lawyer from New Salem. Waterson took some of that same advice in his performance. Lincoln shows just how much image management he used in making a bumpkin persona belie an incredible innate shrewdness. This was a man with so much confidence in his abilities to deal with people that he took in his two chief rivals William Seward and Salmon Chase in his cabinet as Secretaries of State and Treasury and worked with both.
Mary Tyler Moore gives one of her most memorable portrayals on the big and small screen as Mary Lincoln who was one woman with issues. She caused her patient husband no end of grief with her extravagance in the middle of the Civil War over her wardrobe and redecorating the White House. It all of course hid some incipient madness, lot of that brought on by the death of her son Willie.
Some meticulous research was done for this series as the personalities of Civil War Washington seem to have descended on the cast playing them. I particularly liked what James Gammon did with General Ulysses S. Grant a man who had two main characteristics, military genius and an occasional bad judgment in friends.
Lincoln's legend like JFK passed into our American scene with his assassination at the moment of his triumph holding the Union together. Forgetting the course the country would have taken had he lived and retired at the end of his second term in 1869, how would he be regarded today, as quite the mythic figure he is?
This mini-series should be well regarded and seen.
When John Ford and Henry Fonda made their Young Mr. Lincoln back in 1939, Ford allegedly told Fonda that he was not playing the Great Emancipator, but a hick country lawyer from New Salem. Waterson took some of that same advice in his performance. Lincoln shows just how much image management he used in making a bumpkin persona belie an incredible innate shrewdness. This was a man with so much confidence in his abilities to deal with people that he took in his two chief rivals William Seward and Salmon Chase in his cabinet as Secretaries of State and Treasury and worked with both.
Mary Tyler Moore gives one of her most memorable portrayals on the big and small screen as Mary Lincoln who was one woman with issues. She caused her patient husband no end of grief with her extravagance in the middle of the Civil War over her wardrobe and redecorating the White House. It all of course hid some incipient madness, lot of that brought on by the death of her son Willie.
Some meticulous research was done for this series as the personalities of Civil War Washington seem to have descended on the cast playing them. I particularly liked what James Gammon did with General Ulysses S. Grant a man who had two main characteristics, military genius and an occasional bad judgment in friends.
Lincoln's legend like JFK passed into our American scene with his assassination at the moment of his triumph holding the Union together. Forgetting the course the country would have taken had he lived and retired at the end of his second term in 1869, how would he be regarded today, as quite the mythic figure he is?
This mini-series should be well regarded and seen.
This is NOT "unbelievable garbage", as some other critics, here, would say.
I am tired of those who would compare books to the movies made from them. For God's sake, a movie is INTERPRATIVE!!! When you read "The Nutcracker Suite", do you criticize the very beautiful ballet because EVERY WORD of the original book is not adhered to?
The PERFORMANCE given by Mr. Waterston is enough to launch this vehicle into greatness. He is simply wonderful.
You can HAVE Mary Tyler Moore. But Waterston is astonishing. And he always IS.
If people insist on criticizing films because they don't "match" the book from which they are taken, I suggest that they do NOT call themselves "film lovers".
This theory has been argued for decades, but still, people do not understand.
It is IMPOSSIBLE to put every thought, every line from a book, into a film. Please get used to this.
Thanks so much. -Studiojudio
I am tired of those who would compare books to the movies made from them. For God's sake, a movie is INTERPRATIVE!!! When you read "The Nutcracker Suite", do you criticize the very beautiful ballet because EVERY WORD of the original book is not adhered to?
The PERFORMANCE given by Mr. Waterston is enough to launch this vehicle into greatness. He is simply wonderful.
You can HAVE Mary Tyler Moore. But Waterston is astonishing. And he always IS.
If people insist on criticizing films because they don't "match" the book from which they are taken, I suggest that they do NOT call themselves "film lovers".
This theory has been argued for decades, but still, people do not understand.
It is IMPOSSIBLE to put every thought, every line from a book, into a film. Please get used to this.
Thanks so much. -Studiojudio
This was a well done movie, particularly for television. Sam Waterson's performance as Lincoln was well done. This will be evident to people who have taken the time to study Lincoln, the man, not what he is credited for. Lincoln is known for having a high pitched, "countrified" voice, which Waterson did very effectively. Lincoln was known for normally being a bit haggard looking, which was also portrayed well. His mannerisms and use of colloquialisms in conversation were accurately handled. The supporting cast did a fine job, particularly Richard Mulligan as Seward. Mary Tyler Moore was very effective portraying Mary Lincoln as they wanted it done in the movie. She certainly conveyed Mary Lincoln's mental shortcomings well. My only complaint is that the battle scenes used the same stock footage over and over, being that one can tell it was all filmed at one location. This is a good movie in general, and if you are a student of Lincoln, the man...surprisingly so.
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- PatzerThere are many inaccuracies regarding the layout of the White House. In Lincoln's day, the second floor Yellow Oval Room served as a library, not as his office. The cabinet room is incorrectly placed in the State Dining Room on the first floor. The current Lincoln Bedroom served as both Lincoln's office and cabinet room (hence the name) during his presidency.
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Abraham Lincoln: There is nothing more like eternity than a train ride of eleven days, unless it's two people and a ham.
- VerbindungenFeatured in The 40th Annual Primetime Emmy Awards (1988)
- SoundtracksGo Tell It on the Mountain
Written by John Wesley Work Jr. (1860s)
Heard at White House party
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