Pin

"Pin" has a strong, troubling, psycho-sexual undercurrent -- that's why I like it. I didn't mind the Andrew Neiderman novel, either, which presented the character of Pin from a totally realistic perspective. The atmosphere director Sandor Stern conjures here reminded me of the Virginia Andrews novel,"Flowers in the Attic", though not the ghastly film version. The children's world is enclosed and corruption of some kind is inevitable. In this, Pin is a life-size medical mannequin who is used as a parental surrogate for two children whose parents are too screwed up and occupied with their own affairs to see the folly of their decisions. The film is dark and moody, sexually loaded, and awfully grim in parts. The "voice" of Pin is disturbing in the extreme and his mere presence in each scene is fascinating but unnerving. Directed with enormous skill and beautifully acted. A treasure.

In this low-budget descendant of "Psycho", Ursula and Leon are sister and brother, living alone, save for a large wooden puppet they call "Pin" (for Pinocchio). When Ursula starts hanging around with new boyfriend Stan, Leon and Pin take action.

What drew me to this film was Terry O'Quinn, who has never (so far as I'm aware) made a bad film. And although he is more of a secondary, supporting actor here, this film is no less good than anything else he has done.

What makes this film good is its relatively slow pace, building the suspense, waiting for the moment when all heck will break loose. And, for first time viewers, there is the mystery: is Leon crazy or is Pin truly alive and only willing to open up to specific people? (The answer was not what I expected.)

Seldom is this film spoken of and that's a shame. Impressively written and directed by Canadian filmmaker Sandor Stern (who is probably best known for scripting THE AMITYVILLE HORROR), this underrated psychological thriller comes as a rare and welcome surprise, especially at a time when Freddy, Michael Myers and Jason were hacking their way through theaters (and sadly, hogging most of the attention).

The prosperous Linden family live in tight household headed over by a very stern doctor father (Terry O'Quinn) and an obsessive-compulsive clean freak mother (Bronwen Mantel) so extreme she keeps plastic slip-covers over all the furniture. When their sheltered children, Leon and Ursula, begin to start inquiring about the birds and bees, O'Quinn uses his ventriloquist skills to bring a medical display dummy named Pin to life to answer their questions. The film then jumps ahead ten or so years when the parents are killed in a car crash and Leon (David Hewlett) begins to display schizophrenic tendencies. He still believes Pin is alive and is eventually reduced to using Pin to murder his "enemies" to keep his sister (Cyndy Preston) in his life.

A film as subtle and quiet as this one requires solid, serious dramatic performances to work and Hewlett, Preston and O'Quinn don't disappoint in this thoughtful and eerie film. A real sleeper. Don't miss it! Based on a novel by Andrew Niederman (who also wrote the novel the film THE DEVIL'S ADVOCATE was based on).

Score: 8 out of 10.

I watched this movie expecting some kind of a horror/thriller from most of the comments here. Of course the basic story has quite some resemblances of the famous "Psycho" but I think that this movie is far more into the psychological level and less into thrills and chills. Thats why I now get some of the negative remarks because if you want to get a psycho axe wielding maniac and his rotten mom you sure will be disappointed by nice guy Leon and his pretty boring doll.

If you just watch Pin for what it is and that to me is a kind of apsychological drama, then it makes much more sense and has some interesting insights. The story revolves around two kids Leon and his Sister Ursula who grow up in a very conservative upbringing. Their mother a 60s cliché of a cleaning obsessed house woman and their father a doctor whom his kids call "Sir" and who teaches them several things through an anatomical doll using ventriloquism. The doll named "Pin" becomes a part of their lives and especially Leon becomes attached to it also talking to him in his fathers absence. Years later their parents die in a car crash and Leon and his sister start living on their own. From here on Pin becomes Leons Alter Ego and kind of a family member ... the downward spiral picks up pace and troubled Leon who desperately tries to keep his "family" together by keeping Ursula from other peoples influences starts going over the edge.

Ursula know about Leons mental state and plays along with his schizophrenic role play and the Pin doll which Leon gives his voice just like his father did. She doesn't want her brother to end in a sanitarium, realizing too late that her playing along just makes things worse.

The movie is very slow and the deterioration of Leons mental state is not thrilling, everything is shown in kind of a normal way because thats what it is for Leon. People die in this movie but its not for thrills and especially the ending shows that "Pin" is rather a drama than anything else. If you are interested in a psychological study in a "Psycho"-like set watch this movie, if you want corpses, thrills and scary horror dolls this sure is the wrong movie for you.

This film is certainly unique - nothing like you've ever seen before. That's not necessarily a good thing, but it does make it intriguing. Sure, it may remind you of "Psycho" or of "Magic" (the 1978 thriller with Hopkins), but its slow pacing, its MORBID atmosphere and its weirdness make it feel completely different from those movies. It's not particularly good or bad, just EXTREMELY weird . Pay attention to the opening sequence, or else the ending will seem inconclusive and you'll have to rewind the tape - like I did.