Die Studentin

L'Etudiante is a film that centres around the relationship between a student teacher called Valentine (Sophie Marceau) and an ambitious but unsuccessful musician named Ned (Vincent Lindon).

Valentine is an exceptionally dedicated student, who thinks of nothing but passing her exams, which, quite unsurprisingly, has a big effect on her relationship with Ned. Ned is frequently tormented by this fact, and also that his relentless touring does not help the relationship either. The film follows them as they try to overcome these problems and settle into a life together.

Like most French films, L'Etudiante is quite dialogue-heavy. Very little actually happens in the film and most of the scenes are of the main actors talking, whether that be in flats, cafés, restaurants, cars, beds, trains or the streets of Paris. And, as is also true about most French films, it is the quality of the acting that sees this through. Lindon is highly entertaining as Ned. He portrays perfectly the man with great ambitions but not the ruthlessness needed to fulfil them. His down-to-Earthness is the perfect contrast to Marceau's highly-strung Valentine. Marceau gives an excellent performance. We've all known workaholics who put their personal success before everything else. Often we see these people as cold and unemotional but Marceau is the opposite and shows Valentine to be as human as anyone else helping us to understand what is driving her.

Again, as is also often the case in French films, there are a number of constant irritations in the picture.

Often, especially at the beginning, the director seems to just want to look at Marceau. She's very attractive but the constant goddess-like adoration does get a little waring. Fortunately, it calms down a bit by the second half of the film. A common gripe at French films is that the dialogue can get a bit precious at times. This is certainly true of L'Etudiante. When I was a student, I rarely fell out with people because of their opinions on social anthropology, political philosophy or career options. Perhaps Parisian students do. And finally, Marceau does spend quite a few scenes au naturale. This is not an unpleasant sight but,personally, I found it to be a little unnecessary.

L'Etudiante is a good French film for people who don't watch many French films. It won't change your life but it does provide you with an insight into commercial French cinema and will definitely keep you entertained for a couple of hours.

After her withdrawal from "La septième cible", Sophie Marceau and Claude Pinoteau had a strained relationship. The director who had discovered the now ambitious actress felt betrayed by her decision to leave his movie, and didn't talk to her for four years. Still, every bad thing has some good consequences, and Sophie Marceau's participation in more complex films during her period of misunderstanding with Pinoteau allowed her to play even more convincingly when they reconciled in "L'étudiante". It was "La Boum" for the now grown-up original audience. "La Boum" in university.

Like Vic before her, Marceau's new heroine, Valentine, a student, is one of the most relatable kind. Opinionated and smart, she charms not only with her presence, but also with her words. It is though the former that she makes a young jazzman, Ned (Vincent Lindon) fall for her. Believing it to be just a one-night adventure, she goes out with him. But she can't get him out of her head on the days that pass. Is it love? For her, surely, but she can't sacrifice five years of studying for a relationship. Balancing her love life with her studies will prove to be the theme of this charming movie.

Despite having called the protagonist relatable, one can recognise that her personality has some exaggerated elements. She is, I think, too intellectual to be believable, and her arguments over sociological or political matters have no substance or purpose in a romantic comedy. It's as if she's trapped in the wrong film. For all that, though, her relatability stems from the fact that she has to balance two different aspects of her life, both prevalent in the university years. Not many people have had - or would have - relationships with touring musicians, but many would have partners for whom the importance of university would be incomprehensible. A classic workaholic, Valentine can't let Ned make her effort go to waste. She needs to succeed, and love doesn't let her do that.

Speaking of Ned, he also has his fair share of contradictory elements. While he wants to become a famous musician, he is too careless and lets valuable opportunities to unused. Too submissive to impose his presence, he unsuccessfully tries to record a film score, only to learn that his place has been taken by someone else, and does nothing. The only person understanding him is Valentine, and it is the meeting of these antithetic characters that gives the film its charm.

For this reason, the film is clearly commercial. Only a commercial film could survive with such a contradictory cast. What saves it is the cast's interaction, full of emotion, and the aforementioned plot, with its fair degree of relatability. Its resembling of "La Boum", with its relentless optimism, and its faith in true love, that prevails even in situations when it seems impossible. It is, surely, cheap, a cash-grabber, aimed to an audience that still carried their love of "La Boum" with them. But it is a gentle one. Even if it was made for money, it makes up for it using the same formula that made "La Boum " successful. One combining innocence and relevant maturity, with a soundtrack that sticks to the ear for days to come.

It is, as mentioned above, "La Boum" for university students. Nothing more and nothing less. One can't, and mustn't expect a lot from such films. They exist for other reasons. To make us dream, and feel joy. To make us travel back in a time when the University of Paris was still called the Sorbonne, and putting a Walkman in someone's ears was an indication of love.

For all its cheapness, it is as romantic and nostalgic as can get. And for that, it is invaluable.

This was the first french movie i had seen, and seeing it made me feel i had been losing out on a great genre. I instantly fell in love with Sophie, who without a doubt, is easily the hottest thing to come out of France after Brigitte Bardot ;-)

The movie follows the life of a carrer oriented woman who decides to have a "fling" and then the fling slowly turns into something which she is uncomfortable accepting, as it may interfere with her studies.

A beautifully made film, though the track is pretty standard for a June-December romance.

To speak frankly - This is not just a french movie.

And honestly, it does have it's flaws, like every movie.

Good news is: They do not really matter.

Valentine is a young student in Paris, who hasn't got time for anything, not even for sleeping. A romance that lasts longer than a night is out of the question. Then she meets Ned, who doesn't even take the time to finish his sentences. From here it takes a rather usual turn: They fall in love until they start getting to know each other better and they reach the turning point, to settle for true love or to separate.

Everyone who gets to see this classic movie, that is in love or ever has been, shall jump up at the end and scream: 'Yes! Yes! That's exactly how it is!' With tears in one's eyes, because love is just like this and that's what L'étudiante has captured in all of its beauty.

This movie begins with love and it ends with it, furiously. Director Claude Pinoteau takes the viewer on a trip, that begins with the first amazement of a new acquaintance, this feeling that takes your breath away and ends in a monologue which is, in my honourable opinion, one of the best ever.

This movie has many things going for it. Boy meets girl. Good pacing. Good acting.

Along the way plot elements seem to be happenings that are only found in movie scripts -- small little things such as calling your love but assuming she is not home only at the second ring -- NOT real life.

Such things are not a bother when drama takes over and wins the day. Sadly, the big dramatic climax here -- clearly planned to be over-the-top -- falls a little short.

There needed to be just a little better connection between boy and girl. The director should have gave the viewer greater familiarity with the environment that is the stage for the films final scenes. In this area, the LONG VACATION demonstrates establishing these two crucial story elements flawlessly.

One other note, Sophie Marceau is a female goddess and makes L' Étudiante very much worth watching.