Der fast menschliche Sohn der "Brundlefly" sucht nach einem Heilmittel für seine mutierten Gene, während er von einem ruchlosen Konzern überwacht wird, der die Experimente seines Vaters fort... Alles lesenDer fast menschliche Sohn der "Brundlefly" sucht nach einem Heilmittel für seine mutierten Gene, während er von einem ruchlosen Konzern überwacht wird, der die Experimente seines Vaters fortsetzen will.Der fast menschliche Sohn der "Brundlefly" sucht nach einem Heilmittel für seine mutierten Gene, während er von einem ruchlosen Konzern überwacht wird, der die Experimente seines Vaters fortsetzen will.
- Auszeichnungen
- 3 Nominierungen insgesamt
- Dr. Shepard
- (as Frank Turner)
- Scorby
- (as Gary Chalk)
- Dr. Trimble
- (as William Taylor)
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As I write this review, I have never seen the remake of "The Fly" with Ian Malcolm - err, Jeff Goldblum - and Geena Davis. So I really have no basis to compare this sequel to. Therefore, I will continue with this review in light that I have not seen the original remake...
The film opens with a Geena Davis Lookalike giving birth to a son; she dies, the baby lives. Baby grows older, and because he is 1/4 fly, he grows at a rapid rate, for some reason. I'm not sure why this would make him bigger instead of smaller, but oh well. His name is Martin, and he turns into Eric Stoltz when he is five. Yes, you read that right. Five. Martin is looked over by the head of a company, where he is kept and given medication to keep him from turning into a fly...
But soon young Martin finds out that not everything is what it seems, and he begins to mutate into...THE LIZARD. Well, that's what he looks like, anyway.
As I watched this, I kept a careful eye on Eric Stoltz. Why? Well, as I'm sure everyone knows by now, he was originally cast for Marty McFly for "Back to the Future," and they filmed much of the movie with him before Bob Zemeckis dropped him for Fox. In fact, there is still a scene where he is diving into the Delorean that is intact. Freeze frame the film and you can see it's not Fox. I always thought that footage looked odd - like it wasn't Fox doing the stunt...
Anyway, I watched Stoltz and realized how bad he would have been as Marty McFly. He just isn't hyper enough - Michael J. Fox was perfect for Marty, Stoltz would have ruined it. He's not a bad actor, mind you. He's perfect for this role (well at least "good" for this role), but for Marty? Nah... On a side note, I'm not sure if this is a coincidence or bizarre in-joke, but Stoltz's character plays a kid named Martin...similar to Fox's character Marty McFly...Martin...Marty.... And, I thought of something else that I haven't seen someone point out before. Marty's last name in "BttF" is McFly. What does Martin turn into in this film? A FLY! Martin the Fly, Marty McFly...taking a quote from "Uncle Buck": "Is there a little similarity here? Ooh, I think there is!"
The film was directed by the creature effects artist of the original - and sequel: Chris Walas. You might recognize his name, because he wrote "Gremlins 2" and did the creature effects for "Gremlins," as well. Anyway, he directs the film pretty good for a creature effects artist...I guess...
What I like so much about this movie is its high campy quality. It is a hybrid of B horror movies from the fifties and sixties and the "new breed" of horror films in the eighties, that were like B horror movies with gore. Lots of gore. I guess it doesn't qualify as strictly campy, because the old horror movies were not so disgusting...so I just call these films the eighties B horror movies. Simple enough, eh?
I have always been a sucker for the campy horrors from the eighties, especially when they are sequels that tread into old territory. For example, in one scene we see footage of Jeff Goldblum being interviewed. Martin watches this with interest. And what I think is so interesting is that we can look back and say, "Oh, yes, that was before Goldblum knew he was turning into a fly." It's just interesting to do that. It seems like many films from the eighties would have archive footage from the original film. Anyway, "The Fly II" is a lot like these films. It gives us a glance back at the original. I'm not sure if I can explain in words what this does. It just provides a feeling for me - kind of like campy horrors make some people feel good. I like when horror movies--or any movies, for that matter--travel into the film before...we can look at the old characters and say, "Oh, yes, that was before this was going to happen..." It's just fun to do. I can't describe it in words.
This movie, like many horror sequels from the eighties, is just enjoyable. Odd, but enjoyable. It's hard not to have fun watching it. If you take it seriously you're going to have a pretty hard time watching, but if you turn off the brain for two hours you'll have some fun.
My only two complaints is that this movie is about a half hour too long, and the creature looks like a lizard and not a fly. Other than that, it is a fun ride. Not great, but a good, well done horror movie that never takes itself too seriously. Perfect for a Friday night.
3/5 stars -
John Ulmer
'The Fly II' is nowhere near as good as it's predecessor, but don't take that as too harsh criticism - it's actually pretty good. For a sequel. And a horror sequel at that.
One major plus point is that it really does feel like a continuation of the story. Sadly Geena Davis doesn't reprise her role and Jeff Goldblum is only on screen for a few moments via the use of a video diary made during the first film. John Getz does return which aids the feeling of continuity and is as watchable as he was the first time round. As explored in the original film, an amazing scientist who created the means for teleportation fathered a child while he was semi-fused with an average house fly. Now the sinister corporation who financed the who project wants their returns on their investment - in the form of Seth's child.
Eric Stoltz plays Martin Brundle, who grows from a baby to eighteen in only five years. It's about that time that he starts to go through various 'changes' which are more than just hairs growing in intimate places and a deeper voice.
The plot - sort of - goes over old ground where we witness a man change into something horrible while trying to juggle a romantic relationship. However, despite its lack of freshness, it's just so damn watchable. It's one of those films where you can probably predict everything that's going to happen (and you won't be wrong!), but it doesn't really matter. It's just a fun little jaunt that has some pretty good creature effects in the second act.
No, it will never be as good as the original and I dare say that many who watched the Goldblum/Davis/Cronenberg outing may not even know it spawned a sequel. But if you're looking for a rare follow-up that doesn't detract from the original in any way and does its best to honour the spirit of what made the first film great, this one is a decent attempt.
But with Cronenberg, Davis and Goldblum all gone, that's to be expected, isn't it? And as far as cheap cash grabs go, The Fly II is watchable.
Strip away all the things I mentioned in the first paragraph and what are we left with? Well, the director of this film did the remarkable special effects on Cronenberg's film, and naturally those are in equally fine form here. And though the central love story here is wooden as hell, there's a subplot involving a mutant dog I thought was surprisingly touching.
I went into this simply hoping for a fun, sort of trashy 80's b-movie, and those were appropriate expectations to have. The acting is dumb and dialogue is obvious in a sort of charming way.
Unfortunately, what holds the movie back from excelling on it's own meager terms is that it repeats too many plot points from the first film, when it should be distancing itself from it a bit more.
If you are in the right mood for it, though, it's a perfectly acceptable, not-boring, joyfully disgusting way to spend a lazy Sunday afternoon.
"The Fly II" features a decent enough plot about Seth Brundle's son Martin (Eric Stoltz) and the evil corporation that is trying to control him. There's some nice character interaction between Stoltz and Zuniga (even though their chemistry is a bit off) and a touching scene between Stoltz and a mutant dog. But the real reason to watch "The Fly II" (besides Stoltz outstanding performance) is to see the gore and carnage that ensues once Martin becomes the fly. It's some of the best gore I've seen and instantly launches the film into 80's classic territory! Heads get crushed, people melt, body parts gets ripped off. It's an awesome sight and worth sitting through the dull parts for (like the chase/on the run scenes in the middle).
"The Fly II" is not on the same level as Cronenberg's classic but that doesn't mean it's not a great film. "The Fly II" delivers the goods and that damn scene with the dog makes me tear up every time! Only bad part...no nudity.
Wusstest du schon
- WissenswertesThe first videotape of Seth Brundle (Jeff Goldblum) (where he theorizes that the teleporter improved him) is actually part of a deleted scene from Die Fliege (1986). The scene was slightly edited for this film, and Veronica's (Geena Davis) voice was dubbed over by Saffron Henderson (who plays Veronica at the beginning of Die Fliege 2 (1989)).
- PatzerMartin accidentally views a videotape of Seth Brundle, in which Seth explains his accidental fusion with the fly. However, although the footage comes from Die Fliege (1986), that particular discussion between Seth and Veronica Quaife was never actually videotaped, unlike the interview with Seth that Martin watches earlier in the film.
- Zitate
[meeting with Stathis Borans, now a bitter, crippled recluse]
Martin Brundle: I saw you on the videotape. You were...
Stathis Borans: Don't sit there!
Martin Brundle: You were there the night my father died; he was working on a cure.
Stathis Borans: That's why you dragged yourself all the way out here? To find out about a cure?
Martin Brundle: You're my only hope.
Stathis Borans: Ah. Oh, kid, the last thing *I* am, is *anybody's* hope. You really don't want to hear about this.
Martin Brundle: I *have* to know.
Stathis Borans: Brundle stole my girl, your mother. Got her pregnant. Caused her death. Dissolved my hand and my foot with fly vomit! I had no love for the man. He "bugged" me! As for the "cure" he was working on: he dragged your mother kicking and screaming into that telepod, that they might be fused together in one beautiful body. So your mother blew his brains out with a shotgun. *There's* your *cure*. Go *away*.
Beth Logan: You bastard! Where's your compassion?
Stathis Borans: [chuckles] I had to give it up; it cost me an arm and a leg!
Martin Brundle: It cost you more than that.
- Crazy CreditsThe sound of flies buzzing is heard in the 20th Century Fox intro at the very beginning of the film.
- Alternative VersionenA scene of Martin being heckled by children and vomiting corrosive enzymes on the windshield their car in response (during a stop for fast food on the way to Stathis Borans' home). The kids are little league players. They're terrified as the vomit creates a huge hole in the car. The little league coach angrily throws the food for the kids down in anger. This scene was filmed but deleted.
- VerbindungenFeatured in The Fly Papers: The Buzz on Hollywood's Scariest Insect (2000)
- SoundtracksLock, Stock and Teardrops
Written by Roger Miller
Performed by k.d. lang (as k. d. lang)
Courtesy of SIRE RECORDS
By Arrangement with WARNER SPECIAL PRODUCTS
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Box Office
- Bruttoertrag in den USA und Kanada
- 20.021.322 $
- Eröffnungswochenende in den USA und in Kanada
- 6.751.371 $
- 12. Feb. 1989
- Weltweiter Bruttoertrag
- 38.903.179 $