Füge eine Handlung in deiner Sprache hinzuA skilled young street fighter battles criminals across the rooftops of New York City.A skilled young street fighter battles criminals across the rooftops of New York City.A skilled young street fighter battles criminals across the rooftops of New York City.
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Jay Boryea
- Willie
- (as Jay M. Boryea)
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First of all, why are most of the reviews on here from the early 2000's? Just sayin'. Anyhoo, I just watched this on Tubi 'cause I'm a sucka for '80s cheese and this movie is EPIC! It's got a b-movie script and mostly nobodies in the cast, but the direction and overall look and feel are first-rate. I guess it was directed by the guy who did West Side Story; it's kinda the same storyline, with a star-crossed love story between a dude who lives in an abandoned watertank and a girl who reluctantly works as a lookout for her crack-dealing cousin. There's a fair amount of that weird Brazilian dance-fighting as well as some parkour and the requisite terrible soundtrack. But the sense of time and place is great, and the acting is pretty good. Would make an excellent double feature with the amazing "Delivery Boys".
I have the sneaking suspicion that the the story behind the movie "The Ring" , wherein people die after watching a video, came to someone after watching this movie. My own VCR exploded in protest while I was watching it. It probably saved my life. It is the rarest of films, one in which absolutely none of the elements work. If you intentionally set out to make the worst movie in the world, I doubt you could equal the unholy "Rooftops". I have a method I use for measuring how bad a particular work is. I call it the David Lee Roth factor. Simply ask yourself "Would this be any worse if David Lee Roth were somehow involved?" In the case of "Rooftops", the answer is a resounding "No!" Believe you me, you don't want to see or hear anything that David Lee Roth can't ruin.
I have watched this movie over and over since it first came out. I was fifteen and even then, I knew it was cheesy. It had such great potential and I constantly rewrite the script in my head. The Capoeira ruined what could have been a good drama. I loved the fact that it was shot on location. Too bad that the characters were underdeveloped. It's like they wrote a first draft of a script then made the movie right away. At fifteen I could have written a better script!Some scenes and dialog seemed to come out of nowhere and you were left with a lot of unanswered questions. And was it just me, or did it seem like Lobo was sexually attracted to his cousin? "Elena's grown into some kind of woman!" And the way he was always touching her. Would have an interesting plot twist, Elena working for her drug dealing cousin who is also a perv. Too bad they missed the mark on this one.
I saw this in the theater when it opened in the spring of '89 because it received a fair deal of publicity at the time. The dance show CLUB MTV even did an hour special featuring the cast and dancers/capoierists with accompanying film clips and videos. I was intrigued, especially when I heard the great Robert Wise was at the helm. It was touted as an aware, updated version of West Side Story against the back-drop of the crack-ravaged streets of Lower Manhattan. In spite of an engageing cast, slick production (co-produced by Taylor Hackford and Howard Koch, photographed by Theo van de Sande, designed by Jeannine Oppewall, and scored by Michael Kamen and Dave Stewart) it turned out to be a poorly-scripted update of the rock and roll B-fliks of the 1950s featuring Alan Freed. Needless to say, it died a quick death at the box office. Well, time heals old (cinematic) wounds. Just like the old Freed films Rooftops can be seen as a something of a curio rooted in its time. Its got everythin a nostalgia freak wants: period music, fashions and slang. It is also a glimpse into the world of pre-gentrification Manhattan, a place/time as exhilirating as it was dangerous. Check out the exciting title sequence/foot chase set to Etta James'"Avenue D." Worth a viewing.
Awful songs, crummy acting, Troy Beyer the babe, "combat dancing", living in a water tower, this one's got everything for the bad movie 80's fanatic. I rented it once, loved it, & bought it off E-bay for $1. Worth every penny.
One a scale of 1 to 5 stars, with one star being the lowest & 5 stars being the highest, I rate this one an A-. . .
One a scale of 1 to 5 stars, with one star being the lowest & 5 stars being the highest, I rate this one an A-. . .
Wusstest du schon
- WissenswertesThis is the final theatrical film directed by Robert Wise.
- SoundtracksAvenue D
Written by David A. Stewart, Etta James and Richard Feldman
Performed by Etta James featuring David A. Stewart
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 2.043.889 $
- Eröffnungswochenende in den USA und in Kanada
- 1.111.263 $
- 19. März 1989
- Weltweiter Bruttoertrag
- 2.043.889 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Dächer des Todes (1989) officially released in India in English?
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