Seinfeld

I hate saying something is the best ever. Still how could you go wrong with Seinfeld. Just hilarious characters and setups everywhere.

For everyone who has seen this show, what other show or even movie deliver so many open ended endings that still felt like a perfecting closing. That right there is great writing.

The characters are another great example of great writing. To think of people like Jerry, George, Elaine and Kramer. These characters were developed so greatly that the ideas for episodes were endless. Also the guest stars did a great job in their appearances just sliding right in.

The plots of the episodes were not that great from the outlook. If you actually watch the episodes though the most basic daily problem could be made into a very enjoyable episode.

This can only be done with great, superb writing. If you have seen this show watch it.

What can I say about Seinfeld that hasn't already been said? It's just flat out hilarious and still holds up about almost 20 years later. I don't know of any sitcom ever (outside of maybe Friends) where all the co-stars are all equally funny! Jerry Seinfeld (Jerry), Jason Alexander (George), Michael Richards (Kramer) and Julia Louis-Dreyfus's (Elaine) are all some of the best sitcoms in the history of television. I mean everyone has there favorites but bottom line is they're all great as is the show! If you read any "best sitcom ever" list ever written you will find Seinfeld near the top on every list for a reason...because it is!

I cannot, through any stretch of my imagination, grasp how anyone can't find the humor in this series. Perhaps they have succumb to a similar problem I have in writing this review. I find that I cannot accurately describe just why exactly this sitcom should be held so far above the others. It's Kramer's awkward movements and border-line insanity; it's Jerry and Elaine's never-rekindled romance; it's George's terrible luck and inadequacy issues; it's all of those and so much more. I do find, however, that the show can be described with one word: irreplaceable.

"Friends"? Have you ever noticed that in "Friends" commercials, not even they, the reigning kings and queens of sitcoms, dare tread on the title of "funniest show ever"? Just watch the next commercial you see, and you'll find "the funniest (running) show on television!" I don't know if I would call that perfectly accurate, but it proves my point. Seinfeld was groundbreaking, and it went to places that few comedies (or dramas, for that matter) have since gone, and nothing before nor since has in quite the same way equaled it.

I notice a reoccurring complaint of negative reviews on this site: the opening and occasional ending of Jerry Seinfeld doing standup. I admit, it isn't the funniest thing that I've ever heard, though he is by far the best "have you ever noticed" comedian, but give me a break! That is your complaint? At least some other reviewers go on about characters, and the implausible plotlines (not that I agree in the least with them), but just that reason alone? You obviously don't have the intelligence to grasp the humor of the series, content only with the easy-to-understand slapstick of today's comedy; but nonetheless, in your blatant stupidity, you cannot grasp why it ISN'T funny, either -- so you pick the standup.

Nice.

In any case, despite the negative reviews or even the positive, Seinfeld stands the test of time, and is the greatest sitcom ever made. Even TV Guide's compiled list of the "greatest television series' of all time," not at all exclusive to comedy (20/20, I believe, made the list), put Seinfeld right where it belongs: NUMBER ONE.

The last and greatest juggernaut of comedy, I know I'll be watching the untiring reruns that never seem to get old when I'm old and gray and long since committed to a retirement home.

And do you know what?

The intelligent viewers of humanity's next generation will be doing the same thing.

It has ended 6 years ago and we still talk about it, i think that this shows us how fantastic this series was. There are some new programmes that are good, but any of them is half as interesting as Seinfeld was. Many of its episodes are really comedy masterpieces. After watching one of them you become an addict. The characters are fantastic, the actors performed so well that you can't think of them like anything but the character they played, maybe this is the reason because they couldn't success in other shows. The writers who could do 8 seasons of a "show about nothing" doing each episode funnier than the last one deserves our respect and admiration. To sum up, Seinfeld rules

I caught a few episodes of Seinfeld over it's final two seasons run on public channel, and made it a point to catch a lot more of Jerry and friends during it's reruns. I found it very amusing on first viewings, but as time wore on, I began to like it more and more, and to eagerly borrow taped episodes from friends, and to hunt for re-runs on syndicated channels.

Of the two comedy TV series in the history of television, I would choose both Seinfeld and Monty Python as the cultural landmarks of the medium. In Seinfeld, there is not a trace of sentimentality and glib moralizing that plagues the American sitcom genre. Characters do not hug each other on Christmas, fall in love, wax on and on about family and friends, there is no faux-cathartic season ender so favoured by the writers of, say, "Friends".

Instead, we have the narcissistic Jerry, constantly mining the minutiae of everyday detail for every bit of situational comedy; we have the hyper-aggressive Elaine, whose strings of breakups with boyfriends are as impressive as her petty neuroses leading up to the breakups themselves; the ultimate schlub-loser George, who lies to every single woman he dates, sells faulty equipment to the handicapped and muscles off women and children when fleeing an apartment fire; and the impossibly inventive physical comedy of the entrepreneur cum schmooze Kramer.

Over and over again, week in and week out, the quartet discuss trivialities with unbridled zeal, as the non-descript narrative pings from one mundane setting to another. Seldom has such wit been generated by such gargantually pointless human endeavours. That is where the brilliance of Seinfeld lies, in the ability to go to the most bizarre ends to fulfill the potential of a less than hopeful comedic premise; and the endless, pointlessly smug and nihilistic banter that almost invariably escalates into some of TV's classic lines, such as when George shouts triumphantly after winning an argument that "there is no bigger loser than me!".

Surely, we won't find something like this again, for many more years to come.