Füge eine Handlung in deiner Sprache hinzuAn affluent divorced woman named Caroline Weatley, raising her son Tom with help from her mother Laura West, seeks a housekeeper, and a man named Charlie Burrows applies for the job.An affluent divorced woman named Caroline Weatley, raising her son Tom with help from her mother Laura West, seeks a housekeeper, and a man named Charlie Burrows applies for the job.An affluent divorced woman named Caroline Weatley, raising her son Tom with help from her mother Laura West, seeks a housekeeper, and a man named Charlie Burrows applies for the job.
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An Old Friend
I first saw this as a grumpy teenager many years ago.
We used to tune in as a family to watch this comedy wondering whether Charlie and Caroline will ever get together and the roller-coaster ride of emotions that went through it.
It wasn't until watching re-runs of Who's the Boss did I realise what the show is based on, yet although they're based on the American scripts, they seem to have a uniquely British point of view.
I found that the show has recently been released on to DVD in the UK. I picked up a copy expecting cheesy and corny, fluffy and non-descript schmaltz, perhaps a bit of nostalgia thrown it harking back to a time when Central ITV were actually allowed to make programmes.
Watching The Upper Hand again after many years is like being reunited with a long lost family. Yes, its clean, simple and not smutty, it doesn't challenge you on many levels, it just is what it is - an amazingly catchy comedy that reels you in.
Twenty years on, and Im crying with sorry and howling with laughter.
A brilliant comedy that is much loved.
We used to tune in as a family to watch this comedy wondering whether Charlie and Caroline will ever get together and the roller-coaster ride of emotions that went through it.
It wasn't until watching re-runs of Who's the Boss did I realise what the show is based on, yet although they're based on the American scripts, they seem to have a uniquely British point of view.
I found that the show has recently been released on to DVD in the UK. I picked up a copy expecting cheesy and corny, fluffy and non-descript schmaltz, perhaps a bit of nostalgia thrown it harking back to a time when Central ITV were actually allowed to make programmes.
Watching The Upper Hand again after many years is like being reunited with a long lost family. Yes, its clean, simple and not smutty, it doesn't challenge you on many levels, it just is what it is - an amazingly catchy comedy that reels you in.
Twenty years on, and Im crying with sorry and howling with laughter.
A brilliant comedy that is much loved.
I remember this quite well...
I used to watch this in the early 90's and quite liked it, but I remember that the reason I stopped watching it was Charlie is such a twit! I guess he was typical of most men of that era really. Diana Weston deserved much better (imho), but hey ho that's just me! It's a mildly amusing rather than hilariously funny programme although it does have some great moments. I'm saying this after having watched the entire 6 series so clearly there's something about it I like!
This is so funny I constantly nearly fell off my chair 💺.
This is one amazing, funny comedy. All the actors, really play their parts well. My very favourite character is Charlie, the housekeeper. Following Tom the little boy. Tom is perfect. It's a laugh a minute. Watch it. I'll be surprised if you don't like it. They don't make comedy's quite like this anymore. The 80s and 90s for comedies were simply brilliant. Charlie's daughter now in EastEnders. Sadly, Blackman no longer with us. She sadly passed away. She was also amazingly funny. They should really do a remake to this, with a fresh approach. But keeping The same characters. Brilliant little show. The only downside was not long enough episodes. Just 25 minutes long. English comedy humour at its very best. It's on UKTV play at the moment.
Fantastic Remake
This was great show. and had huge ratings in the UK. It even got an extra original season made in the end, because the US version left things unfinished.
The cast were fantastic. As were the re-written scripts for the UK. Blackman and the other cast blended well together. Always made me laugh how the Sets really are look a likes for the US version. In the UK this was a prime time comedy which is very rare for the ITV Networks who showed it. ITV during the 90's were not big fans of Prime Time Comedy, this show broke the mold.
I would say to anyone watch this show you will like it.
The cast were fantastic. As were the re-written scripts for the UK. Blackman and the other cast blended well together. Always made me laugh how the Sets really are look a likes for the US version. In the UK this was a prime time comedy which is very rare for the ITV Networks who showed it. ITV during the 90's were not big fans of Prime Time Comedy, this show broke the mold.
I would say to anyone watch this show you will like it.
Weak sitcom; cute comic drama
Sometimes we Brits steal America's shows.
This is based on US show Who's The Boss? I say 'based'; translated is more like it, as the first episodes are identical in their script. The premise is interesting: career woman Caroline Wheatley (Diane Weston) is looking for a housekeeper. Unbeknown to her, her mother Laura (Honor Blackman) has promised the job to ex-footballer Charlie (Joe McGann, brother of Paul/Stephen/Mark McGann). Though Caroline is a bit unsettled at having a bloke in the house, he and his chip-off-the-block daughter Joanna (Kellie Bright) move in.
As a sitcom, it's a bit 'gentle' and laboured; sleepy Sunday type of TV, which is probably why it's being repeated on ITV 3. It works a lot better as a comic drama about alternative family structures and gender role reversals. Refreshingly (although I haven't watched every episode so don't know if this evolves) neither the characters of Caroline or Charlie are made to sacrifice their personalities. Caroline is a career woman who couldn't care less about domesticity and Charlie is house-proud without being portrayed as effeminate.
We know from the start that Caroline and Charlie will get together but it's like in Ugly Betty. It's the audience's pay-off. However there's no sizzling sexual chemistry. That may disappoint some viewers but I actually prefer it. The sitcom is about families and whilst I'm not disputing the right of parents to have a sex life (which Caroline and Charlie attempt to have else where), it would imply that the combined family was as a result, an afterthought, whereas it's actually the romance that's the afterthought.
There isn't really a 'will they, won't they?', it's a question of 'when will they?'. But even then, the appeal is that the families just accept their unconventional structure; indeed, they pretty soon become one family.
Whilst I wouldn't watch it for laughs, it's a nice undemanding bit of comfort TV. Second Chances was also on around about this time; it has a similar theme of families evolving/combining and a similar gentle tone. Interestingly the opposite of other nineties sitcoms such as Game On and Men Behaving Badly, which explored lad culture.
This is based on US show Who's The Boss? I say 'based'; translated is more like it, as the first episodes are identical in their script. The premise is interesting: career woman Caroline Wheatley (Diane Weston) is looking for a housekeeper. Unbeknown to her, her mother Laura (Honor Blackman) has promised the job to ex-footballer Charlie (Joe McGann, brother of Paul/Stephen/Mark McGann). Though Caroline is a bit unsettled at having a bloke in the house, he and his chip-off-the-block daughter Joanna (Kellie Bright) move in.
As a sitcom, it's a bit 'gentle' and laboured; sleepy Sunday type of TV, which is probably why it's being repeated on ITV 3. It works a lot better as a comic drama about alternative family structures and gender role reversals. Refreshingly (although I haven't watched every episode so don't know if this evolves) neither the characters of Caroline or Charlie are made to sacrifice their personalities. Caroline is a career woman who couldn't care less about domesticity and Charlie is house-proud without being portrayed as effeminate.
We know from the start that Caroline and Charlie will get together but it's like in Ugly Betty. It's the audience's pay-off. However there's no sizzling sexual chemistry. That may disappoint some viewers but I actually prefer it. The sitcom is about families and whilst I'm not disputing the right of parents to have a sex life (which Caroline and Charlie attempt to have else where), it would imply that the combined family was as a result, an afterthought, whereas it's actually the romance that's the afterthought.
There isn't really a 'will they, won't they?', it's a question of 'when will they?'. But even then, the appeal is that the families just accept their unconventional structure; indeed, they pretty soon become one family.
Whilst I wouldn't watch it for laughs, it's a nice undemanding bit of comfort TV. Second Chances was also on around about this time; it has a similar theme of families evolving/combining and a similar gentle tone. Interestingly the opposite of other nineties sitcoms such as Game On and Men Behaving Badly, which explored lad culture.
Wusstest du schon
- WissenswertesJoanna and Tom age in a somewhat "elastic" fashion throughout the show; made more complicated by the fact that it does not appear to take place in real time. Joanna is said to be 11 in the first episode and celebrates her 12th birthday later in the series, before rapidly progressing through her teens. In the series four episode "Tunnel of Love", set exactly four years on from episode one (although airing less than three years later), Jo has long since turned 16. She then appears to remain 16 throughout series five, regularly seen in school uniform panicking about exams, before suddenly becoming an 18 year-old university student in series six. In series seven, Charlie states that Jo is 20.
Tom, who is seven in series one, seems to age more consistently initially, and is 11 in "The Tunnel of Love". However, he suddenly becomes 13 in series five (while Jo does not age at all) and ages again to 15 in series six (coinciding with actor William Puttock's voice breaking and him experiencing a growth spurt).
- VerbindungenFeatured in It'll Be Alright on the Night 6 (1990)
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