Der Cop

If you are a big fan of James Wood's work than please go to your video store right now and rent this gem. You see I'm more into the performance side of a film, not the writing or story (even though it does help). Trust me, you've seen it all before. An over-the-top detective (Woods) gets caught up in a murder case which takes over his professional and private life. With the clues stacking up, Woods begins to believe that he is not only dealing with a murderer but a serial killer as well, who preys on females. This opinion on the matter doesn't sit well with his captain or coworkers, except one, a long time friend named Dutch. As the film moves along you begin to notice that Woods is a womanizer who usually ends up in bed with the witnesses. Everything Woods did made me laugh. I know this probably isn't "right" of me but he is just so FUNNY!! Even in a serious murder mystery such as this, I still can't help it. This film also contains one of the quickest endings I've seen in a long time. It's great!! Trust me though, I won't give it away. Thanks for reading.

Sometime ago a sadistically violent novel written by James Ellroy was published under the title 'Blood on The Moon.' Having read the book, I was most surprised to see the story up on the silver screen under the marquee of " Cop." The tragic tale was so woefully violent, I wondered how it's stark terror and black suspense would transferred to the Big Screen. However, I was pleased when I saw that James Wood would be the hero and it would be directed by James B. Harris. Woods plays detective Sgt. Lloyd Hopkins a hard-as-nails police officer seemly obsessed with solving an unsolved series of murders dating back years. Seemingly at a dead-end, he is frustrated and on the verge of giving it up, when a ray of hope inspires him to continue. As he does, he enlist the aid of Kathleen McCarthy (Lesley Ann Warren) a Feminist poet and his police mentor Dutch Peltz (Charles Durning) who is in line to become a police Captain. Despite his unorthodox methods, Hopkins gets results even if it means stepping on toes and challenging his superiors. The movie is powerfully dark, suspenseful and dotted with terrifying scenes which are not for the faint of heart. Still any Woods' fan is sure to enjoy the power and skill with the main actor and I for one look forward to this film becoming a milestone for Woods. Excellent rendition of the book and if one wants to peek under the ambulance sheet, I suggest you read the novel. ****

If you want to watch a cool movie, I suggest you see it. James Woods did a great job as a hard egotistical cop out to solve a serial killing. Maybe it is like other cop thrillers, but this was made a while back before a lot of others. So, if you're not a 'critic' I'd say it's nothing short of intriguing. I came away saying "it was a good movie," a couple of times.

Based on the James Ellroy novel "Blood on the Moon", James Woods is LAPD detective Lloyd Hopkins who discovers the terribly mutilated corpse of a young woman and immediately starts comparing the scene with previously unsolved murders. He becomes convinced a serial killer is at work here, preying on women for the last fifteen years. Soon, more gruesome murders occur and detective Hopkins becomes a target himself. Detective Hopkins is the kind of amoral sleazeball that makes Dirty Harry seem like a little angel in comparison. He's the kind of cop that blows your date away, leaves his partner to clear the mess and then asks the woman if she needs a ride home and have some fun.

James Woods also co-produced with director James B. Harris, long time buddy of Stanley Kubrick and producer of THE KILLING (1957), PATHS OF GLORY 1958) and LOLITA (1962), who also wrote the script for this hard-edged cop thriller. I made the mistake expecting a really good film, mostly based on Woods' presence, the writings of James Ellroy, and Kubrick sidekick James B. Harris taking the directorial helm, but Harris hardly shines in that department. His direction is adequate, but not much more. Best to watch this as a gritty cop flick, trashy, cynical and sometimes a bit silly with plenty of misguided attempts at humor on account of leading man James Woods, always a plus, in any film. It's a reasonably well-executed cop thriller, but no classic. Expect an enjoyable slice of B-movie nonsense and you probably won't be disappointed.

Camera Obscura --- 7/10

There are times that this feels like a TV Movie. In fact, if it were not for the presence of James Woods that is all this would be, a good TV movie. As it is, Woods acts his socks off without overdoing it. He manages to pull this up to a much higher standard, very watchable stuff, in fact. There is nothing really ground shaking in the script and, to be truthful, it kind of gets a bit lost at a couple of points. Like others have pointed out, the dark twisted aspect of the original book do not quite come across to the screen, but nevertheless is a very passable transition. In summary, not one to watch for your main film on a Saturday night, but certainly worth a look on any other night.