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Wilde Nächte

Originaltitel: Les nuits fauves
  • 1992
  • 18
  • 2 Std. 6 Min.
IMDb-BEWERTUNG
6,8/10
2530
IHRE BEWERTUNG
Romane Bohringer in Wilde Nächte (1992)
BiographyCrimeDramaRomance

Füge eine Handlung in deiner Sprache hinzuJean is 30 years old. He lives with Laura, 17 years old, a violent and eventful love story. He learns that he is HIV positive.Jean is 30 years old. He lives with Laura, 17 years old, a violent and eventful love story. He learns that he is HIV positive.Jean is 30 years old. He lives with Laura, 17 years old, a violent and eventful love story. He learns that he is HIV positive.

  • Regie
    • Cyril Collard
  • Drehbuch
    • Cyril Collard
    • Jacques Fieschi
  • Hauptbesetzung
    • Cyril Collard
    • Romane Bohringer
    • Carlos López
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,8/10
    2530
    IHRE BEWERTUNG
    • Regie
      • Cyril Collard
    • Drehbuch
      • Cyril Collard
      • Jacques Fieschi
    • Hauptbesetzung
      • Cyril Collard
      • Romane Bohringer
      • Carlos López
    • 28Benutzerrezensionen
    • 11Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 7 Gewinne & 5 Nominierungen insgesamt

    Fotos18

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    + 10
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    Topbesetzung44

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    Cyril Collard
    Cyril Collard
    • Jean
    Romane Bohringer
    Romane Bohringer
    • Laura
    Carlos López
    • Samy
    Corine Blue
    • Laura's mother
    Claude Winter
    • Jean's mother
    René-Marc Bini
    • Marc
    Maria Schneider
    Maria Schneider
    • Noria
    Clémentine Célarié
    Clémentine Célarié
    • Marianne
    Laura Favali
    Laura Favali
    • Karine
    Denis D'Arcangelo
    • Sle realistic singer
    Jean-Jacques Jauffret
    • Pierre Olivier
    Aïssa Djabri
    • Kader
    Francisco Giménez
    • Paco
    Marine Delterme
    • Sylvie
    Yannick Tolila
    • The nurse
    Olivier Pajot
    • The emperor
    Diego Porres
    • Jaime
    Stephan Lakatos
    • Jipe
    • Regie
      • Cyril Collard
    • Drehbuch
      • Cyril Collard
      • Jacques Fieschi
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen28

    6,82.5K
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    Empfohlene Bewertungen

    10Idefix-7

    Masterpiece

    I should probably take back the word masterpiece since Cyril Collard's directorial debut was actually his only film. The director, writer and main character of the film died just three days before his film swept the Caesars(the Oscar's french counterpart). Collard died of AIDS and brought to life one of the most compelling films surrounding this theme. It is not just people whining because of the departure of the beloved one but a tour de force involving hatred, passion, self destruction, and all those "nice" feelings that accompany a person who knows that he will die sooner than the rest, and culminating in spiritual redemption. This film also portrays one of the finest love triangles on film; the at times sickening at times profoundly erotic and at times inevitably cathartic relationship between Jean and his two lovers is a genius example that love is not "Sleepless in Seattle". Romane Bohringer(probably best known for her character as Verlaine's wife in Total Eclipse) is a must see in her breakthrough performance as a confused and VERY passionate young girl.
    9chencho

    Came out about the same time that Philadelphia....

    ...but pictures a completely different perspective on HIV and AIDS. No supportive family here. No struggle with society for it to acknowledge on our humanity, regardless of sexual preference or health status. This picture is an invaluable reference for all those trying to understand terminal disease -AIDS in particular- or in the process of facing death. Just seems important to mention that Collard's actual treatments were filmed and included on the final cut. The bouncing around of high-low's, from absolute certainty of overcoming the disease to deep depression and sending everything -love included- straight to hell. But also the dangerous and sometimes silly sense of humor with which the director plays his role, is what makes this movie invaluable to me. To my knowledge this is the first film in which HIV positive blood is used as a defensive weapon, and saves the life of two of the characters. I sincerely hope that there is some form of afterlife, and that they have cable. Collard deserves to know he was, is, deeply appreciated, as so many others who where "cheated" out of time, to see their work achieve recognition. One is what one does, they say.
    maysky

    one of the greatest experiences of my life

    When I saw it for the first time on 1st Russian Channel ORT in The Gold Collection I was so impressed I couldn't talk about it. This movie really changed me, changed the way I felt about myself & the world around. Cyril have done really great job to help people understand that there are other colours in this world besides black & white and sometimes people are learning a lot even if hurts to live. I remember 2 interesting quotes: the 1st is from Del Amitri song: "When U driving with your breakes on, when U swimming with your boots on - it's really hard to say U love someone, it's really hard to say U don't." And the 2nd is (somebody wrote once): everything that doesn't kill me - makes me stronger. Unfortunately we can't use it literally in this case. But it's the same situation with all heroes - they die young & became famous. Another thing I'd like to say is: has anyone ever tried to compare Cyril Collard's "Les Nuits Fauves" and Gregg Araki's 'The Living End"? I mean these 2 pictures are quite different but I felt both of it are really personal & chamber. And acting, editing, directing & filming I think has a lot in common. But the end in "Les Nuits Fauves" I like more. And the music is just great. It's not really professional but it makes it more touching. Thank U for reading this comment.
    joaquim-11

    Nightmare in Paris

    Cyril Collard, French actor/director who in 1993 (one year after this release) died of AIDS at 35, made this unique movie in which the emotional burden of a HIV-positive person is perfectly evoked (supposed it's possible). Some scenes are notable (beautiful Paris-la-nuit views), others are less, but anyway it's worth watching it in video, better by yourself alone and thinking seriously about life,love and,ultimately, what's the sense of it ALL! If you want to have a good time, don't rent it! Just in case you feel like you're fixing to die.....:)
    7cjonesas

    [6.9] Not "fauve" enough

    An authentic and semi autobiographical movie with lots of philosophical touches on top of bodies and senses. It is well-made in a dramatic and sometimes phlegmatic way, could have delved deeper into the horror and abyss that the lead actor was experiencing both on set and in his real life suffering.

    Instead it opts to thematically jump back and forth to couples relationships, ongoing and increasing drama and as much as those could have been accepted in the context of the movie, the too philosophical and blurred ending depicting uncertainty and unknowingness wasn't to my taste, though from an artistic viewpoint I understand it.

    • Screenplay/storyline/plots: 7
    • Production value/impact: 7.5
    • Development: 7
    • Realism: 7
    • Entertainment: 6.5
    • Acting: 7
    • Filming/photography/cinematography: 7
    • VFX: 7.5
    • Music/score/sound: 7
    • Depth: 7.5
    • Logic: 5.5
    • Flow: 7
    • Drama/biography/crime/romance/hard feelings: 7
    • Ending: 6.5.

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    Handlung

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    • Wissenswertes
      The first film to win Best Film and Best First Film at the French equivalent of the Oscars, the Cesars. Unfortunately the film's director, Cyril Collard, didn't live to see his double win, succumbing to AIDS three days before the ceremony.
    • Zitate

      Jean: I don't know how to say 'no'. I was never capable of doing that.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Naked Gun 33 1/3: The Final Insult/Monkey Trouble/The Paper/Bitter Moon/Savage Nights (1994)
    • Soundtracks
      Tu ne Sais pas Aimer
      Music by Lionel Cazaux

      Lyrics by Maurice Aubret

      Performed by Damia

    Top-Auswahl

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    FAQ17

    • How long is Savage Nights?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 21. Oktober 1992 (Frankreich)
    • Herkunftsländer
      • Frankreich
      • Italien
    • Sprachen
      • Französisch
      • Spanisch
    • Auch bekannt als
      • Las noches salvajes
    • Drehorte
      • Cabo Espichel, Sesimbra, Setúbal, Portugal
    • Produktionsfirmen
      • Banfilm
      • La Sept Cinéma
      • Société Nouvelle de Cinématographie (SNC)
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 662.341 $
    • Weltweiter Bruttoertrag
      • 662.341 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      2 Stunden 6 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby
    • Seitenverhältnis
      • 1.66 : 1

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    Romane Bohringer in Wilde Nächte (1992)
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    By what name was Wilde Nächte (1992) officially released in Canada in English?
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