Stephen Kings Stark

The Dark Half is great. Put two of the masters of horror together in a box, shake ‘em up, and you get this very entertaining and darkly humorous story. Can you believe this is the latest film from George Romero? 1993? It's a crime that this man isn't doing movies on a regular basis anymore. I hear he has a couple of projects on the horizon, but seven years is just too long, George! Stephen King movie adaptions can be pretty damn good, or really, really awful depending on who's behind the camera. Well, no worries here, King and Romero have had a great working relationship in the past (and I expect good things in the future).

But give credit where credit is due, it's Timothy Hutton's outstanding performance that really makes this film special for me. He's good enough as ordinary Thad Beaumont, with just a hint of evil underneath his nice husband and father persona, holding back the nasty as best he can. Then Hutton is George Stark, and he doesn't even look like the same person. That's why Hutton is so damn good. With just a few minor changes, slicked-back hair and some facial stubble, he's a completely different person. You have to see it to believe it, he's that good. And he delivers the films darkly humorous lines perfectly ("What's going on out here?", "Murder. Want some?"). I know, the murderous joker has been done to death, but Hutton's good enough that we can forgive it. I love, love, love horror movies and this is one of the reasons why. 8/10 stars. G'night!

The diabolical alliance of George A. Romero and Stephen King quietly delivered expectations but it's not certainly a great horror film.

"The Dark Half" is pretty interesting and well directed but it's something you've seen before. There's a decent amount of gore, suspense is well crafted, an effective score and regular acting. Maybe the fact that I grew with the 80's Slasher movies made me think every minute about "Basket Case" and compare it with "The Dark Half".

A decent horror movie with a thrilling ending. Deserves a watch.

6/10.

The Dark Half is one of the finest Stephen King adaptations. It's also one of George Romero's most under-appreciated works. The two of them have collaborated on many occasions to produce nothing but good things, but this takes it to a new level. Romero is known for casting unknowns for his leads. This time he went against the grain. He used the amazing Timothy Hutton. Hutton, in a dual role, plays both mild-mannered Thad Beaumont and mean b*stard George Stark. But when he's Stark, he really comes to life. He's both cool and creepy. The sparrows are also a crucial part of the overall eeriness of the movie. Although he will always be known for the unforgettable Dead trilogy, this may be Romero's finest, most high-brow picture to date. The production values are the cleanest I've seen in any Romero flick, the acting is top-notch, and story is solid. Getting a scare at the theater is fairly easily achieved. Getting me to jump in the privacy of my own home in another thing altogether. Romero made me jump while watching the movie on a crappy 19 inch television.and I've seen the movie before. That's saying something. Royal Dano and Michael Rooker co-star.

I saw this movie after i read the book and i have to say pretty much of the book was also in the film, although not all. Some parts with the sparrows for instance weren't in the film, probably because the budget wouldn't allow special effects that elaborate. And the murders, although violent enough in the movie, were particularly more gruesome in the book.

Ultimate conclusion: great acting from top notch actors/actresses who usually are nowhere to be found in horror (if you discount Michael Rooker's performance in "Henry"), pretty good special f/x and direction from a director who has made his mark in horror.

Thad Beaumont (Timothy Hutton) had a brain tumor as a child that was an undeveloped twin. Now, as an adult, the twin returns, fully formed and violent. The source is a bit supernatural, but real enough to kill.

The story goes over ground that should be familiar to Stephen King fans. The idea of a child growing up to confront something from his childhood. The theme of a writer, explored numerous times ("Misery", "The Shining") but most closely to this in "Secret Window". Howard Maxford calls it a cross between "Misery" and "The Birds", which I do not fully accept but see his point.

Interestingly, Stephen King is not known for good movie adaptations, and George Romero has had his slew of below average films (though, if you stray from his zombie films, you will find an assortment of goodies). But together, they seem to have made a decent movie here. I really enjoyed it. I also enjoyed "Creepshow" -- maybe these guys bring out the best in each other? Michael Rooker is here (with hair) playing the role played by Ed Harris in "Needful Things". I would have liked to see some consistency in casting, but how do you choose between Rooker and Harris? Both top notch. Another Harris, Julie Harris, does appear, though... And the music is from Christopher Young, perhaps best known for his "Hellraiser" score.

Some of the factual information I found to be a bit questionable. Does a military service record really go into an FBI fingerprint database? I suppose it might, but the idea struck me as odd. And the idea that one in ten people start off as twins seemed too exaggerated (and then they said that was at the very least). I would like to know the truth on that.

Overall, though, a really decent film. It is not Oscar or Golden Globe material by any means, but a horror fan should enjoy the mix of gore and dark humor. Rue Morgue has called it "a middling Romero film based on a middling King novel", which really sells it short.

Unfortunately, the film did not get the proper respect in 1993, because its distributor (Orion) was fighting a bankruptcy battle and promoted it poorly. But now (2015), it has a second chance thanks to the fine folks at Scream Factory who have loaded up the Blu-ray with everything possible, including the kitchen sink.