Demolition Man

When 20th century violent criminal Simon Phoenix (Wesley Snipes) breaks out of cryogenic prison in the year 2032 and wreaks havoc in a seemingly peaceful utopian society, wrongfully convicted cop John Spartan (AKA The Demolition Man) is thawed out to bring the maniac to justice.

I don't think I've seen Demolition Man since it came out in 1993; watching it today, I was amazed at how accurate some of its predictions of the future were (in essence, at least): in the film, digital transactions have replaced real money, there's a guy holding what could be considered a digital tablet (albeit a tad chunkier than an iPad), there are self-driving cars, non-contact social greetings (a must during these pandemic days), a board room where a virtual meeting takes place (although Zoom it ain't), and it's not hard to imagine how our current overly-PC/snowflake/cancel culture might eventually go so far as to make swearing illegal. Okay, we still wipe our butts with paper and have sex the old-fashioned way, and I don't see that changing in the next twelve years, but you can't get everything right.

Not only is Demolition Man's vision of 2032 eerily prophetic in many ways, but the film also features a witty script bristling with social satire, star Stallone in one of his best performances of the dumb '90s action flick era (happily mocking his tough guy persona), Wesley Snipes having a blast as the eccentric villain of the piece, and Sandra Bullock being super cute and looking mighty fine in skin-tight leggings (and I'm not even that much of a Bullock fan). Director Marco Brambilla balances the humour and the action superbly, opening and closing with guns a-blazing and huge explosions, but ensures that there is never a dull moment even when Stallone and Snipes aren't busting skulls and shooting up the place.

Hell, this film even features early roles for Rob Schneider and Jack Black that didn't irritate me - miracles do happen!

Demolition Man has to be congratulated for its fairly accurate vision of the future. Driverless cars, video conferencing, laser cutting, voice activated commands, microchip GPS, and CCTV surveillance are all there. Less successful are the other changes envisaged, nearly all a result of cryogenics, in particular a crime-less society (save for the graffiti - there's a pop up laser for that). It's not like Minority Report (2002) though, as all the cops have become wimps. I have to take my hat off to the script if not the story, which is a typical Stallone hero tale. The script is very fun indeed. Some good writing went into how people from 2032 talk, wonderfully delivered by a charmingly energetic Sandra Bullock. The star though is definitely Wesley Snipes, whom must have been villain of the year for 1993. This movie is not as extravagant as Judge Dredd (1995), but it would be in the same ballpark as Total Recall (1990). There's a few classic lines too, such as Stallone claiming "I can do subtle", which, of course, he can't. Some great actors throughout bring much sparkle to their roles. It's a little long this movie, especially today, but you can't fault the fireworks, the stunts and the action. Demolition Man is still great popcorn entertainment.

This is one of those films that it is popular to think is rubbish. I'm not quite sure why. Don't take it seriously and it's a fun ride.

Wesley Snipes and Sly Stallone play off each other well as the forces of bad and good -- old foes that have come out of chryo-generic storage hundreds of years into the future.

Sandra Bullock as the nostalgia [for Stallone's time, naturally] struck cop isn't even rubbish and annoying -- a first time for everything!

Watch out for a fun performance by Nigel Hawthorne also.

Sylvester Stallone was really beside himself when he took this film. Instead of trying to be the tough guy, he sort of made fun of his pre-existing persona in his role as John Spartan. Funny, and satirical of a gun-free society, it just proves that peace doesn't necessarily result in the most diverse range of self expression. The humor in the film was exceptional, and Wesley Snipes was great as Simon Phoenix. This also proved to be my favorite film with Sandra Bullock, who subsequently destroyed her career thereafter. This movie will always be good for a laugh, especially for the characters singing all of the commercial jingles.

This film's depiction of what society may become always struck a chord with me. The extreme side of PC culture is something growing at this very moment and it was amazing to see this idea conveyed so well for the time of it's release in 1993. The casting was perfect, Snipes was a great villain and to me Sandra Bullock stole the show with her jovial demeanor and comic relief as Stallone's partner. The advanced tech seemed very realistic for the time and the story itself was very original. The action scenes and stunt work were very big budget with nothing held back. Hand to hand, gunfights, car chases, explosions and one liners, this movie has it all so I was surprised by the sort of low rating the critics gave it. Definitely a solid 7.5/10.