IMDb-BEWERTUNG
7,7/10
18.841
IHRE BEWERTUNG
Die Lebensgeschichten von vier asiatischen Frauen und ihren Töchtern reflektieren einander und hängen miteinander zusammen.Die Lebensgeschichten von vier asiatischen Frauen und ihren Töchtern reflektieren einander und hängen miteinander zusammen.Die Lebensgeschichten von vier asiatischen Frauen und ihren Töchtern reflektieren einander und hängen miteinander zusammen.
- Nominiert für 1 BAFTA Award
- 4 Gewinne & 5 Nominierungen insgesamt
Meijuan Xi
- Lindo's Mother
- (as Mei Juan Xi)
Handlung
WUSSTEST DU SCHON:
- WissenswertesIn a 2018 NPR interview, executive producer Janet Yang recalled that director Wayne Wang (who she said usually had "the most lovely personality") lost his temper in a marketing meeting because the studio had presented him with the choices for posters to advertise the movie, and all of the options avoided showing the face of an Asian person. Either the designs were very abstract (for example, a decorative woodcut) or they were photos of the actresses' backs.
- PatzerIn the second chess game that Waverley plays as a child with the boy the chess board and the positions of the pieces are clearly shown on the screen. The boy moves his queen. Waverley makes a move and the boy responds with a move in which he captures a pawn and he says "check". The only possible move that the boy could have made at this point which would have resulted in an utterance of any kind would have been "checkmate" - Black queen supported by black bishop takes white pawn, Mate. After this Waverley makes another move which would have been impossible under the rules of the game because the game would have been over on black's last move.
- SoundtracksI Enjoy Being A Girl
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Courtesy of Williamson Music
Ausgewählte Rezension
I have read the book and seen the movie. I have also read reactions to both. Some really liked it and found it to be very real, while others hate it and object to the "stereotype." It seems to depend on whether you could relate to the stories, characters, or themes.
I myself could relate very well to the stories, but that could be because I too have experienced the intergenerational and intercultural conflict as an American-born Chinese daughter with a very traditional Chinese mother. Many other American-born Chinese women who were born in the 1960s could relate to the stories very well also. For us, we would start crying as soon as the first sentence is made.
I didn't experience everything that June, Rose, Lena, or Waverly went through, but on a grander scale, they are dealing with issues that I have struggled with as well.
I understand that there are other women who could relate to it as well, and these are not Chinese women--or even Asian women. Perhaps Amy Tan has touched on universal themes that women of other nationalities could relate to.
On the other hand, I have found that some people who are ten years younger than me didn't like the book/movie too much and found the characters "stereotypical" or "unrealistic."
Some Caucasian males didn't like this book/movie either, and again it comes back to them not being able to relate to it.
I understand another user's comment about the negative portrayal of Asian men, but this person has forgotten about June's father who was portrayed as a very likeable man who was trying to bridge the gap between his wife and his daughter. As for his objection of the daughters marrying Caucasian wives, he needs to realize that there are other issues/reasons involved and it's not because Chinese-American women like them "hate Chinese men."
In short, this movie is very good at portraying the intergenerational and/or intercultural conflict between people who are caught between two cultures. Women like me have cried while watching this movie because the issues have been very real for us. For those who could not relate to it or cannot see the "reality" of it, then this movie would not be for them.
I myself could relate very well to the stories, but that could be because I too have experienced the intergenerational and intercultural conflict as an American-born Chinese daughter with a very traditional Chinese mother. Many other American-born Chinese women who were born in the 1960s could relate to the stories very well also. For us, we would start crying as soon as the first sentence is made.
I didn't experience everything that June, Rose, Lena, or Waverly went through, but on a grander scale, they are dealing with issues that I have struggled with as well.
I understand that there are other women who could relate to it as well, and these are not Chinese women--or even Asian women. Perhaps Amy Tan has touched on universal themes that women of other nationalities could relate to.
On the other hand, I have found that some people who are ten years younger than me didn't like the book/movie too much and found the characters "stereotypical" or "unrealistic."
Some Caucasian males didn't like this book/movie either, and again it comes back to them not being able to relate to it.
I understand another user's comment about the negative portrayal of Asian men, but this person has forgotten about June's father who was portrayed as a very likeable man who was trying to bridge the gap between his wife and his daughter. As for his objection of the daughters marrying Caucasian wives, he needs to realize that there are other issues/reasons involved and it's not because Chinese-American women like them "hate Chinese men."
In short, this movie is very good at portraying the intergenerational and/or intercultural conflict between people who are caught between two cultures. Women like me have cried while watching this movie because the issues have been very real for us. For those who could not relate to it or cannot see the "reality" of it, then this movie would not be for them.
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- How long is The Joy Luck Club?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- The Joy Luck Club
- Drehorte
- 610 Rhode Island Street, San Francisco, Kalifornien, USA(Harold and Lena's home interior)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 32.901.136 $
- Eröffnungswochenende in den USA und in Kanada
- 159.009 $
- 12. Sept. 1993
- Weltweiter Bruttoertrag
- 32.901.136 $
- Laufzeit2 Stunden 19 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
By what name was Töchter des Himmels (1993) officially released in India in Hindi?
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