Some Folks Call It a Sling Blade

Billy Bob Thornton's screenplay manages admirably to catch the inevitability of violence in impossible family situations. The question one might ask is: who has been wronged most? You simply can not lock up a child in a shed for years and expect it to act rationally. George Hickenlooper does well to restrict his staging to a cool minimum. The actors get more space that way. Molly Ringwald, J.T.Walsh and Billy Bob Thornton are equally good in this gripping short. Although I'm not certain whether I agree with Hickenlooper's choice of two-shot for the interview scene -B.B.Thornton shot the same scene almost completely in close up for his SLING BLADE; and to good effect- his decision to use black and white photography was a wise one. This kind of film is not a dime a dozen, it should be treasured.

All else aside I found her more credible as a journalist (the actress in the feature was more the "schoolgirl", which may have been intentional); Ringwald's performance did more to make me wonder at the end of the film just what she would write for her paper. Would that have been a distraction as we watched Carl's re-entry? I don't recall any followup to that in the feature.

Altogether this was fascinating, not to be compared head-to-head with the full-length film which has justly become an American classic. Films like "Sling Blade" can stand with the best of what is often considered superior European cinema.

I have mixed feelings about this short. Sling Blade is my all time favorite movie. I absolutely fell in love with it the first time I saw it and I still never tire of watching it. This, on the other hand, is an entirely different take on the Karl Childers character. While he is likeable and friendly in Sling Blade, he is intimidating and scary in "Some Folks Call it a Sling Blade". Also, I could not stand Molly Ringwold's version of the reporter. She was bitter, hateful, and downright cold while the reporter in Sling Blade has a timid, sweet manner and is kind to Karl. The ending left you with an odd feeling (yes, I know all of this was intentional) and made you wonder just WHY they were letting this menacing person out of the "nervous hospital".

This is a very well done short. The mood is dark, the setting is perfect, and Hickenlooper really seems to know what he is doing. I just wasn't too crazy about his interpretation of the story. Had I seen this before I saw the full-length version, I'm sure I would have enjoyed it a lot more.

The video has a really cool "behind the scenes" featurette that is a must for fans of Sling Blade.

Oh, and thank you Billy Bob, for giving us YOUR interpretation of the story and telling it the way it was meant to be told.

Previous reviewers have commented (negatively) on Molly Ringwald's interpretation of the reporter. I have to disagree. I enjoyed it much more than the reporter in the full-length version (which is one of the greatest films of all times.) I didn't realize that the reporter was so weak in "Sling Blade" until I saw "Some Folk....". By the end of the interview with Karl, she (Ringwald) 'gets it' - she understands the horrific conditions that Karl endured, and why he did what he did, and she shows it, simply by the expressions on her face. I did not find this Karl any more menacing than the Karl of "Sling Blade" - I think it does show more the fear he has of leaving the safety and relative comfort of the hospital. Imagine how it would be if being in a hospital is a better situation than your only memories of life "outside". Long time prison inmates describe it all the time. This is a magnificent piece - where less is definitely more. I loved it.

Pretty much everything has been said by previous reviewers here. It is probably pertinent to add that but for the success of this little independent number, the full length SLING BLADE most probably would never have gotten made three years later.

Obviously a labor of love for creator Billy Bob Thornton. He presents a markedly different Karl Childers here. As retardedly backward but infinitely more menacing. It was probably on reflection that the character was made more "marketable" and sympathetic the second time around. Both films are such an absorbing focus on what is essentially a simple man turned (by dint of social expectation) feral by circumstances totally outside his control. The villain of the piece of course was Karl's father, played in a marvellous one-off cameo by Robert Duvall in the feature-length film.

In SOME FOLKS CALL IT A SLING BLADE, the reporter is played by Molly Ringwald. Many seem not to have approved of her interpretation of the part, preferring the cutesy high-school reporter in the 1996 release. I thought she handled it well, after all she was dealing with a quite different "Karl Childers.'

Either way, this makes for a fascinating back-up to SLING BLADE. If anything, it adds to one's understanding of the man himself.