IMDb-BEWERTUNG
6,8/10
49.787
IHRE BEWERTUNG
Die R.A.S.-Agenten, Miss Bianca und Bernard, rasen nach Australien, um einen kleinen Jungen und einen seltenen Steinadler vor einem mörderischen Wilderer zu retten.Die R.A.S.-Agenten, Miss Bianca und Bernard, rasen nach Australien, um einen kleinen Jungen und einen seltenen Steinadler vor einem mörderischen Wilderer zu retten.Die R.A.S.-Agenten, Miss Bianca und Bernard, rasen nach Australien, um einen kleinen Jungen und einen seltenen Steinadler vor einem mörderischen Wilderer zu retten.
- Auszeichnungen
- 6 wins total
Bob Newhart
- Bernard
- (Synchronisation)
Eva Gabor
- Miss Bianca
- (Synchronisation)
John Candy
- Wilbur
- (Synchronisation)
Tristan Rogers
- Jake
- (Synchronisation)
George C. Scott
- McLeach
- (Synchronisation)
Wayne Robson
- Frank
- (Synchronisation)
Douglas Seale
- Krebbs
- (Synchronisation)
Frank Welker
- Joanna
- (Synchronisation)
Bernard Fox
- Chairman
- (Synchronisation)
- …
Peter Firth
- Red
- (Synchronisation)
Billy Barty
- Baitmouse
- (Synchronisation)
Ed Gilbert
- Francois
- (Synchronisation)
Carla Meyer
- Faloo
- (Synchronisation)
- …
Russi Taylor
- Nurse Mouse
- (Synchronisation)
Linda Gary
- Mother Koala
- (Nicht genannt)
Empfohlene Bewertungen
I love this movie. I saw the original on the cinema when it was re-released and then of course saw this. It is in my opinion the only decent sequel Disney has ever made.(2D animation anyway, Toy Story 2 is superb) All the others have been straight-to-video and terrible. (Lady and the Tramp 2/Pocahontas 2 etc) The animation in Down Under is superb, the voice talent outstanding, and the villain in the shape of John McCleach very very funny. There are no songs, and actually, you don't notice the lack of them. I think it works better. The best line in the film has to be McCleachs' boast: "I didn't make it all the way through third grade for nothing!"
After nearly two decades of disappointing animated movies, the Disney folks got back to winning ways in 1989 with The Little Mermaid. That marked the start of a succession of five Disney cartoons in a row that were all of a really high quality, the five being The Little Mermaid, The Rescuers Down Under, Beauty And The Beast, Aladdin and The Lion King. The second film on this list - The Rescuers Down Under - is a rip-roaring adventure movie which is a sequel to an earlier Disney movie made in 1977. In fact, the original The Rescuers was a pretty forgettable film and it seems extremely strange that the Disney people had that particular film in mind when they decided to make a sequel. This second instalment is thankfully much more memorable, well-animated ad exciting. It's not often that it can be said, but this is a case of a sequel which is superior to the original.
In the Australian Outback, a young boy named Cody (voice of Adam Reyen) rescues and befriends a rare golden eagle. Later, the boy is captured in a trap by wanted local poacher McLeach (voice of George C. Scott). When McLeach finds one of the eagle's feathers in the boy's backpack he is instantly overcome with excitement, for he knows that to capture such a grandiose bird would make him filthy rich! McLeach kidnaps the boy and attempts to force out of him the whereabouts of the rare eagle. Meanwhile, a message is sent to New York, home of the Rescue Aid Society.... a bunch of dare-devil mice who specialise in saving the lives of endangered children. Once again, mice agents Bernard (voice of Bob Newhart) and Bianca (voice of Eva Gabor) find themselves up to their neck in adventure as they try to rescue young Cody from his abductor's lair.
The animation in this 1990 release is absolutely excellent and seems to mark a significant step forward in terms of the technology available to animators. The story is exciting and fast-paced, with just a sprinkling of humour to offer a little relief from the action from time to time. On the whole, the voice acting is very good, most notably Newhart and Gabor as the heroes, with solid support from John Candy's comical albatross and Scott's seriously unpleasant villain. Purists might be surprised and disappointed by the lack of the usual catchy Disney songs (there are none in this one, not even a theme song over the credits), but in most departments this is a first-rate animated movie that should enthral kids and adults alike.
In the Australian Outback, a young boy named Cody (voice of Adam Reyen) rescues and befriends a rare golden eagle. Later, the boy is captured in a trap by wanted local poacher McLeach (voice of George C. Scott). When McLeach finds one of the eagle's feathers in the boy's backpack he is instantly overcome with excitement, for he knows that to capture such a grandiose bird would make him filthy rich! McLeach kidnaps the boy and attempts to force out of him the whereabouts of the rare eagle. Meanwhile, a message is sent to New York, home of the Rescue Aid Society.... a bunch of dare-devil mice who specialise in saving the lives of endangered children. Once again, mice agents Bernard (voice of Bob Newhart) and Bianca (voice of Eva Gabor) find themselves up to their neck in adventure as they try to rescue young Cody from his abductor's lair.
The animation in this 1990 release is absolutely excellent and seems to mark a significant step forward in terms of the technology available to animators. The story is exciting and fast-paced, with just a sprinkling of humour to offer a little relief from the action from time to time. On the whole, the voice acting is very good, most notably Newhart and Gabor as the heroes, with solid support from John Candy's comical albatross and Scott's seriously unpleasant villain. Purists might be surprised and disappointed by the lack of the usual catchy Disney songs (there are none in this one, not even a theme song over the credits), but in most departments this is a first-rate animated movie that should enthral kids and adults alike.
The Rescuers Down Under is one of the few times when the sequel is better than the original. The animation is impressive, the plot is engaging and it doesn't have any boring musical interludes. It also has more humor than The Rescuers, which my kids (and my wife) appreciated.
I have always been one of the, maybe, eight or nine big fans of this movie and I have only one small question about it.
WHY CAN'T THEY MAKE MORE LIKE THIS???
If you have not seen this movie yet, you must. It's the first Disney movie to use fully rendered CGI backgrounds throughout and you definately get the sense that the animators wanted to play with this new method. What I'm getting at is that some of you may want to down some motion sickness medicine first.
There are *no* song and dance numbers. Reason being that this is a surprisingly dark, more emotionally complex story for a Disney movie. They went out on a limb and chose not to break the tone up too much.
This is the number two Lost Disney Movie (number one, without a doubt, is "the Hunchback of Notre Dame", which I also love). It's own creators barely acknowledge its existance. The very best evidence of this is on the new video release box's plot summary, where a MAJOR character's gender is misidentified.
On the other hand, I sort of enjoy the idea of a "cult" Disney movie. Instead of marketing "Down Under" to death, Disney can only be accused of the opposite mistake.
So, anyway, here I go again running to this movie's defence. I'll tackle the one major critisism of it before I go. Many critics were expecting another "Rescuers". In my humble opinion, these two movies are two entirely different animals. The original "Rescuers" is an example of where Disney was in the sixties and seventies. "Down Under" is a time capsule of late eighties, early nineties Disney. In other words, you can't really say that one is better than the other as the only thing they have in common are three characters (what I'm getting at is that this should be thought of more as "Rescue Aid Society: the Next Generation").
By the way, I've got an idea that I'm just going to throw out to the proverbial wolves here. Why not make more "Rescuers" movies instead of sequels to Disney movies where follow-up stories make no sence? They are sitting on one heck of a potential franchise here. Just thought I'd let you know.
WHY CAN'T THEY MAKE MORE LIKE THIS???
If you have not seen this movie yet, you must. It's the first Disney movie to use fully rendered CGI backgrounds throughout and you definately get the sense that the animators wanted to play with this new method. What I'm getting at is that some of you may want to down some motion sickness medicine first.
There are *no* song and dance numbers. Reason being that this is a surprisingly dark, more emotionally complex story for a Disney movie. They went out on a limb and chose not to break the tone up too much.
This is the number two Lost Disney Movie (number one, without a doubt, is "the Hunchback of Notre Dame", which I also love). It's own creators barely acknowledge its existance. The very best evidence of this is on the new video release box's plot summary, where a MAJOR character's gender is misidentified.
On the other hand, I sort of enjoy the idea of a "cult" Disney movie. Instead of marketing "Down Under" to death, Disney can only be accused of the opposite mistake.
So, anyway, here I go again running to this movie's defence. I'll tackle the one major critisism of it before I go. Many critics were expecting another "Rescuers". In my humble opinion, these two movies are two entirely different animals. The original "Rescuers" is an example of where Disney was in the sixties and seventies. "Down Under" is a time capsule of late eighties, early nineties Disney. In other words, you can't really say that one is better than the other as the only thing they have in common are three characters (what I'm getting at is that this should be thought of more as "Rescue Aid Society: the Next Generation").
By the way, I've got an idea that I'm just going to throw out to the proverbial wolves here. Why not make more "Rescuers" movies instead of sequels to Disney movies where follow-up stories make no sence? They are sitting on one heck of a potential franchise here. Just thought I'd let you know.
I saw this movie again today and I still can't understand why this movie became forgotten. I think it's unfair that "The Rescuers Down Under" didn't get the attention "The Little Mermaid" and "Beauty and the Beast" got. Don't get me wrong, I liked those movies too, but "The Rescuers Down Under" truly deserved to be among the 90's golden age (I know it's sounds like a cliché, but it's true).
This movie opens with a breathtaking, opening shot where the camera swoops over the Australian outback, which is alone worth the watch. One could think the movie would fail from there on, but fortunately it never does. After the prologue the movie offers a high paced action, adventure and humor that will get the kids amused - or a least it amused me when I saw this film at theaters as a child.
The character animation is great and the movie's visual look is beautiful and certainly realistic. I loved the layout and the epic scale. And Bruce Broughtons score is majestic as well.
While the story is quite simple, the characters portrays good personalities. My favorites are Wilbur, Jake, Frank, and Joanna. The fact that the latter character didn't speak made her more amusing. McLeach is a effective villain and Bernard and Bianca are two likable protagonists. And Marahute provides great majesty.
I remember seeing this film for the first time as a 7-year old in theaters - it was an amusing and spectacular experience. Several years have passed and I'm still enjoying it. Although the film's ingredients are enough to please the kids, I still think the action and excitement of would fit to the adults too. It's a film that nobody should miss and deserves to be everyone's childhood memory (or in a adult's memory, for that matter).
This movie opens with a breathtaking, opening shot where the camera swoops over the Australian outback, which is alone worth the watch. One could think the movie would fail from there on, but fortunately it never does. After the prologue the movie offers a high paced action, adventure and humor that will get the kids amused - or a least it amused me when I saw this film at theaters as a child.
The character animation is great and the movie's visual look is beautiful and certainly realistic. I loved the layout and the epic scale. And Bruce Broughtons score is majestic as well.
While the story is quite simple, the characters portrays good personalities. My favorites are Wilbur, Jake, Frank, and Joanna. The fact that the latter character didn't speak made her more amusing. McLeach is a effective villain and Bernard and Bianca are two likable protagonists. And Marahute provides great majesty.
I remember seeing this film for the first time as a 7-year old in theaters - it was an amusing and spectacular experience. Several years have passed and I'm still enjoying it. Although the film's ingredients are enough to please the kids, I still think the action and excitement of would fit to the adults too. It's a film that nobody should miss and deserves to be everyone's childhood memory (or in a adult's memory, for that matter).
Wusstest du schon
- WissenswertesThe producers wanted to have all the voice actors from Bernard und Bianca - Die Mäusepolizei (1977) reprise their roles for the sequel. However, in the original, Orville the albatross was voiced by Jim Jordan, who died two years before this film was released. The producers didn't want to replace Jordan, so Orville was replaced with the character's brother Wilbur, voiced by John Candy. This is a reference to Orville Wright and Wilbur Wright, the inventors and pilots of the first functional airplane.
- PatzerWhen the French bug, Francois, first greets Bianca at the fancy restaurant, he calls her "Mademoiselle Bianca." After they finish their conversation, he says, "Allow me, Madame." In French, "Mademoiselle" is used for a single woman, and "Madame" for a married or widowed woman (or for very formal address). A native French speaker, as Francois is meant to be, would never use them interchangeably.
- Crazy CreditsThis movie doesn't end with the Walt Disney Pictures logo, only the credits "This motion picture was created by Walt Disney Pictures" and "Distributed by Buena Vista Pictures Distribution, Inc."
- Alternative VersionenIn the French version of the movie (which was made in 1991), the beautiful Anne Meson-Poliakoff's Pop song "Bernard Et Bianca Au Pays Des Kangourous" can be heard during the ending credits with Patrice Tison on lead guitar, Bernard Paganotti on bass, Jean-Jacques Milteau on harmonica, Alex Perdigon, Kako Bessot and Patrick Bourgoin on brass ensemble and Charly Doll on drums & percussions. However she and the other musicians appear to be uncredited.
- VerbindungenEdited into Zenimation: Flight (2020)
- SoundtracksMain Title
Composed by Bruce Broughton
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Bernardo y Bianca en Cangurolandia
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 30.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 27.931.461 $
- Eröffnungswochenende in den USA und in Kanada
- 3.499.819 $
- 18. Nov. 1990
- Weltweiter Bruttoertrag
- 27.931.461 $
- Laufzeit
- 1 Std. 17 Min.(77 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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