Rock Hudson

First of all this movie was made for television. Plot-wise it has a cheap movie of the week feel. The acting isn't bad. In fact the leads are all quite good and in some cases stellar. Any weaknesses in performances have more to do with really bad makeup. The ageing is horribly done and not very convincing.

At one point "Rock" says, "some poor woman is missing her makeup kit" and it led me to wonder if the "poor woman" was in fact the film's makeup director. Dreadful stuff.

A few others have commented on the accuracy of the characterizations -- I believe they're alluding to whether Rock Hudson gave Mark Christian AIDS without telling him he had it -- perhaps the most damning (and criminal) thing in the film. I'm not sure anyone knows other than the principles. George Nader is missing from the entire film.

There are some serious gaps in this film. Massive gaps actually. The film presents the picture that Hudson's career was over by the mid 1960s and he retired from acting. Nothing could be further from the truth. The film omits the SEVEN seasons Rock Hudson played the lead in McMillan & Wife -- the popular detective series of the 1970s. For many of us it was our first introduction to Hudson.

The other gap is the unbelievable prudishness in presenting Hudson's relationships. No kisses and very little tenderness. It is deceptive and a lie to present his relationships this way.

There's a better film out there demanding to be made.

This is the drama of a film studio looking to make endless millions out of its top male star, just as long as word doesn't get out that he's gay. It's certainly a measure of Rock Hudson's fame that they were willing to throw two other stars to the wolves in a desperate deal with a gossip columnist to keep the lid on it all.

The main mover and shaker is Rock's agent, Henry Willson, played by a well-cast Andrew Robinson, whose office was known to be a nest of scheming gays, including Willson, whose lesbian secretary Phyllis was ordered to marry Rock, purely to damp-down the rumours. That part of the story is left out, however, since the film is based on Phyllis's own memoirs, written soon after Rock's death from AIDS. Instead the three-year marriage is presented as a non-stop honeymoon with the love-birds canoodling in a dozen romantic locations, and brought to an end only when he attacks her in a drunken rage. (Check the only interview she ever gave, with Larry King. You'll see something very unlike the wholesome Daphne Ashbrook who plays her here.)

Otherwise the casting is unremarkable, as is the narrative, especially some quite unnecessary newsreel footage to signal that we're moving from the discreet Fifties into the disquieting Sixties.

Although Thomas Ian Nicholas fulfills my own conception of what an actor playing Rock Hudson should be and William R. Moses is giving the best possible face on the interpretation of Marc Christian we are left very unsatisfied with this portrayal of Rock Hudson, a film star I grew up with and one of the last products of the fabled studio system with all its strengths and faults.

When Roy Fitzgerald was christened by Henry Willson as Rock Hudson he began a life in denial. Hudson followed in the footsteps of people like William Haines and Ross Alexander for whom the closet was too great a burden, Haines walked out of the acting business and Alexander was a suicide. It killed Rock Hudson too, it just took decades to happen.

It's important to remember that Hudson was a product of America's midwest heartland with all the values therein inculcated in him from his birth. Being gay was just not something someone discussed in polite society. Compounding that Hudson entered a profession that was built on image. It would not do with the rigid stereotypes we had back in the day for the All American male to be gay.

Andrew Robinson plays Willson who was gay himself and had many a gay client. Hudson was his number one client. When Confidential magazine threatened to blow up his career, Willson fed them some of his lesser clients like Rory Calhoun had a prison record come to light. Hudson certainly went along with it because he had grown used to the life of a celebrity film star. In many ways Robinson had the most interesting role in the film, in fact a life of Henry Willson would be far more interesting than any of his celebrity clients.

Like other players who got into films on their looks and sex appeal like Tyrone Power and Robert Taylor, Rock Hudson worked hard and learned his craft so that he could deliver a decent acting performance. The story about his one line debut in Fighter Squadron and having 38 takes to deliver it is part of Hollywood legend. What is not mentioned is that Henry Willson certainly had the connections to keep him in the game otherwise after about the fifth take we'd have never heard of Rock Hudson. Secondly director Raoul Walsh had him star in three of his films later, Sea Devils, Gun Glory, and The Lawless Breed. He must have seen something in him.

Rock Hudson's life was in the closet, it was the price you paid back in the day for a career in front of the camera. With a little more historical perspective we might get a better version of the life of Rock Hudson. I certainly hope so.

This is where I totally disagree with the other users. Thomas Ian Griffith was TOTALLY miscast as the dynamic, masculine Rock Hudson. Griffith gives such a milquetoast performance that it's not exactly a shock that his "Rock" is gay. Absolutely unbelievable in the role. Distracts from whether the script, direction and other actors are any good. Don't bother digging this up.

Thomas Ian Griffith was perfectly cast in this role. Not only is Mr. Griffith a Rock Hudson lookalike, but he carried himself as Rock Hudson did and portrayed the underlying tenderness that Hudson's moviegoers admired. I normally dislike biography/movies and almost switched the channel, but Mr. Griffith was quite compelling to watch. I do agree with the other imdb users that the movie could have focused more on Hudson's career; however, the movie was based on his ex-wife's book and her knowledge of that aspect of Hudson's life was limited. I found it sad that Hudson tried to go straight and although truly in love with Phyllis, he could not deny his inner feelings for men. Mr. Griffith's portrayal helped me to understand Rock Hudson as a person. This movie is currently being rerun on the True Stories channel (March 2001).