Final Verdict - Berufung ausgeschlossen

This made for TV movie with Treat Williams(The Phantom) as lawyer trying to defend two people at the same time. Earl Roger's (Williams) is a lawyer who was taught believe in truth and justice . Earl learned of this through his father played Glenn Ford(Superman). During the story , Earl takes on two cases, in which his daughter tags along and helps the father.They become partners during the trial of these two people. But there are problems that the two of them must deal with. A sudden death and family problems at home are thrown in for the family. This movie will have you guessing as the final verdict at the end. The daughter also narrates so if you leave or need to do something else , there is a way to keep with this touching family movie!!

It's true that this movie is not fast-paced, but there are so many historical details to notice, and enjoy, that it's not the point. How could we have progressed so little in such a long time (100 years)? -- look out for great Model T (et al) replicas, trams, moustaches, telephones and a fantastic cigarette lighter... it's the first movie I've seen that gives whorehouses a truly romantic glint. The acting is very good throughout, and not strained. Relax and wonder what it is that we've actually improved on in a century of "civilisation".

FINAL VERDICT

Aspect ratio: 1.33:1

Sound format: Mono

Treat Williams plays Earl Rogers, a defense lawyer who specialised in sensational murder trials in turn of the century California, in the true-life TV movie FINAL VERDICT. Williams' performance is restrained and dignified, much like the film itself, which lacks passion. Instead of relating Rogers' entire life story, the film chooses to focus on the events surrounding two particular trials, and is narrated from the point of view of his inquisitive young daughter (Olivia Burnette), who's admiration for her father's legal skills was always tempered by his battle with alcoholism and by the dissolute nature of some of the people he defended. It's a sugar-coated reminiscence, glossy and nostalgic, but the pacing is just a little too laidback for its own good, and the film never really rises to the occasion. But Williams is excellent, as usual, and the production values are solid.

This film lacks only one thing, really - a believable,consistent script.

I hoped for the first 20 minutes that it would have a twist at the end, then realised it wouldn't. It's "To Kill a Mockingbird" lite.

I know I'm in England, but was US law in this period REALLY that shoddy? I didn't believe it for a minute.

Good performances all round, though: special mention to Fionnula Flanagan (Pearl, the Madame) - she really should, at least, have been Oscar nominated for Best Supporting for "The Others" this year.

Good cast,solid direction, good art direction. Pity about the story & script.

See "To Kill a Mockingbird" or "Inherit the Wind" instead.

I did not see mention anywhere about the locations in which this movie were filmed.

It just so happens that I am one of the people who worked on this film, so for anyone who happens to be curious enough, I can tell you all about it. During the filming, I was working as an Armed Security Officer for a small company named Central Park Patrol. There was another man named Hilario Gomez who worked with me and together, we provided 98% of all of the security for the crew and equipment. The locations were probably chosen by a man named Craig Busch (I would have to verify it in the credits on the print), who had worked as the location manager for a number of films shot in the Houston Metro area (Robocop, I Come In Peace, Etc.) Our Primary locations were in the Houston Heights and Galveston, because that is where most of the Victorian Architecture can be found in houses of this area. One of the locations that was not in these areas was 'The Isabella Courts' apartment complex located at the corner of Main Steet and Isabella Street.

If my memory is correct, we used an old building that was originally built as a print shop for bank documents, stocks, bonds, and checks for our sound stage. We also used this same building again for the HBO movie 'The James Brady Story' and the Motion Picture 'Rush'. In the late 1990s, this building was converted into 'lofts' and sold off to the tenants.

At any rate, I will always remember the first day I worked on this film, standing in full uniform and guarding the equipment trucks. Treat Williams came by (finished with his day's work) and spoke to me. He was carrying a can of Budweiser beer. He offered it to me and I politely refused it. I explained that I was still on duty. He laughed and said 'have it when you get home.' I put it in my car, and since I didn't drink beer...just the harder stuff...I put it in the fridge when I got home. I believe that my wife drank it a day or two later. It was great to meet Treat and find out what a really friendly guy he is. I have been a fan ever since. I especially loved the TV series Everwood while it was on the air.