Andersonville

Generally these TNT original productions are nothing what one could call spectacular. This film from John Frankenheimer however is one of the better ones. A tale of imprisonment and survival inside the notorious Confederate POW camp known as Andersonville. Civil War historians would probably with certainty find various historical inaccuracies but it is worth viewing although a tad on the long side. Good performances from many of the cast but it seems Frederick Coffin and William Sanderson do the best job as two of the ring leaders of the camps vicious "Raiders" gang. A must see for any Civil War fan.

John Frankenheimer pain stakingly chronicles prisoners of war struggling to survive in an ill run Confederate prison camp during the Civil War. New prisoners are savagely introduced to the pecking order in this small pit of hell. Strong images support the story line for this well written and produced epic. Featured cast members in this trial of humanity are:Frederic Forrest, William Sanderson, Jarrod Emick, Jayce Bartok, Cliff De Young, Justin Henry and William H. Macy. It is hard to find fault in this glimpse of the notorious place called Andersonville.

The American Civil War, and Union soldiers are imprisoned at Andersonville, a crude stockade establishment presided over by the inept and cruel Captain Henry Wirz. It would prove to be a another dark and soul destroying chapter from the war.

Lets get it out there right away, Andersonville was not the only hell hole prison operating during the American Civil War. Information from both sides of the coin is available on line for those wishing to explore further. That said, Andersonville is a story that deserved and is needed to be told, and this John Frankenheimer directed two - parter brings it vividly into the viewers' lives.

In filmic substance terms it has all the standard POW movie cliche's. We follow a group of prisoners and a group of "convict bullies", with those in authority observing menacingly and proving desperately carefree as to the conditions of the prison and of humane traits in general.

But as formulaic as it ultimately is, there's a determination by the makers to keep the characterisations real and viable, and they achieve this in spades. Pic is also boosted by superb period detail, costuming is grade "A", while the production and art design for the prison is harrowingly effective.

Frankenheimer's tracking shots brings home the enormity of the misery, while Gary Chang's score is thankfully never bombastic. Cast are a mixed bag - to be expected in such a large ensemble piece - and you can't help but yearn for more of William H. Macy.

Yet even though 30 minutes could easily have been shaved off of the run time, Andersonville is a production that should stay with you. The coda serving to remind us that that should be the case. 7/10

This is a sobering, if perhaps a bit too long, recreation of life in the notorious Confederate Camp Sumter (better known as Andersonville after the neighbouring community) which housed almost 50000 Union prisoners of war during the last year and a half of the Civil War. I found it difficult to determine from what perspective the story was being told - which perhaps makes it a fairly balanced movie. There's no doubt that the Confederate guards were portrayed as ruthless, and that Captain Henry Wirtz, the Camp's commander, was portrayed as both ruthless and perhaps a bit insane, but the bulk of the movie really deals with the problem of factionalism between the Union prisoners, as a group known as the "Raiders" establish their own ruthless control over the other prisoners, stealing from them, withholding supplies from them and sometimes murdering them. The first half of the movie dealt largely with this internal conflict, and was very interesting. The point at which the rest of the prisoners rebelled against them and finally, with Wirtz's approval, put them on trial, seemed to mark a transition in the movie. After their trial and the execution of the ringleaders, the movie took on more of an air of hopelessness (and perhaps became a bit less interesting), as the prisoners await a liberation that, in the movie at least, never comes, as the movie ends with the prisoners being transferred to other prisons.

The movie begins somewhat abruptly with Union soldiers captured in battle being sent into the hellhole that was Andersonville, but there was no real historical context given. It might have been more interesting to see the camp from the beginning, and to trace the descent of the camp into what it became. The whole Andersonville issue is historically controversial, and the movie alludes to the controversy, with Wirtz pleading with a Confederate colonel sent to inspect the camp for more supplies, and many today think Wirtz was unfairly condemned after the war for a situation that was largely out of his control. I thought his portrayal in the movie was fair. Others complain that conditions in Union camps were also harsh, but that's neither here nor there for the purposes of evaluating this movie, which certainly presented a sobering enough look at the conditions in this particular camp - which was, after all, its purpose.

The movie features not a stellar cast (there are some fairly well known faces, but no mega-stars) but a solid cast that did a pretty good job with their roles. 7/10

The movie Andersonville was one of intense drama. The historical subject matter made the film all the more pertinent to society today. Man against Man, Brother against Brother. That is what the Civil War was, and Andersonville was its worst. Men treating other men like animals and game for sport. The utter despair. The terrible suffering.

Andersonville is set during the Civil War, in the south, in a Prisoner Of War camp run by the Confederate Army. The story depicts the conditions of suffering that the Union soldiers endured while held captive. The best and the worst of humanity is shown in this film as the viewer is shown all ends of the spectrum of pain and suffering.

Peter Murnik's character, Limber Jim, was the voice of conscience in this film. Jim was the one who finally stood up to the injustice that other Union soldiers were enacting against their fellows. It was Jim who rallied the troops to a riot to stop the "Raiders" from continuing their carnage. Not a single 'Peter' scene went by without the viewer sensing the intensity. He portrayed it in his face, in his demeanor and most of all, in his eyes. In this film, Peter said so much without uttering a word. The look he gave in his eyes told the viewer the intensity of his feelings. His determination. His desire to see the wrongs righted. In a sense, Limber Jim was one of the saviours of this film. His standing up to the injustice he witnessed and lived through, enabled his fellow prisoners to also rise up and change the world around them, as small as it was.

In spite of the fact that this was a film and an artistic production, the real Andersonville shone through. The viewer came away knowing the despair that the Union soldiers felt and lived. There was no question that humanity, as a whole, had been wronged by the cruelty that took place at Andersonville. The human race came away from Andersonville worse off for having realized that we could fall so far from the very civilization we pride ourselves on creating to treat other fellow human beings the way the Union soldiers were treated.

Andersonville actually existed, and does so today as a Federal Park and tourist attraction. This movie is a very good link in telling the tale that so many never got to tell. The actors, staff and crew of Andersonville did such a magnificent job that anyone seeing this movie will know what it was like to have been there. They will know the suffering, the pain, the disease, the despair. The cast and crew are to be applauded for their efforts.

In his bio, Peter lists Andersonville as one of the projects he is most proud of. And, well he should be. He did an excellent performance and is to be commended. It will go down as one of the favorites with his fans. Once again, Peter's genius comes shining through.