Eine Gruppe von Teenagern unterhält sich selbst, indem sie eine Anthologie berühmter urbaner Legenden mit einer modernen Wendung erzählt, darunter Schminke, Monster, Psychopathen und Gespens... Alles lesenEine Gruppe von Teenagern unterhält sich selbst, indem sie eine Anthologie berühmter urbaner Legenden mit einer modernen Wendung erzählt, darunter Schminke, Monster, Psychopathen und Gespenster.Eine Gruppe von Teenagern unterhält sich selbst, indem sie eine Anthologie berühmter urbaner Legenden mit einer modernen Wendung erzählt, darunter Schminke, Monster, Psychopathen und Gespenster.
Frederick Lawrence
- Rockin' Rob (segment "The Hook")
- (as Rick Lawrence)
Christopher Masterson
- Eric (segment "The Campfire")
- (as Christopher Kennedy Masterson)
Suzanne Goddard-Smythe
- Mom (segment "People Can Lick Too")
- (as Suzanne Goddard)
- …
Handlung
WUSSTEST DU SCHON:
- WissenswertesThe end credits feature a cover of the 1962 song "Monster Mash" by the female-fronted punk rock band Bobsled. Their cover hasn't been released elsewhere, and by the time the film came out in 1997, the band had already split up.
- PatzerIn "the locket" segment as Scott walks around the foot of the bed to look out the window, he goes from wearing boxers, to jeans, then back to boxers again.
- Crazy CreditsThe copyright date in the credits represents neither when the movie was filmed nor when it was first released.
- Alternative VersionenThere is a subtitled Swedish DVD release of the film that features a slightly different soundtrack compared to New Line's 2005 American DVD reissue. For example, the musical cue that plays when Eddie discovers the Hook attached to his car reappears in the post-credits scene, whereas in the New Line DVD it does not.
- VerbindungenFeatured in Ping! (2000)
Ausgewählte Rezension
Redeeming all at once,the adolescent film,the film made up with sketches and the B-movie horror genre,it was too good to be true.And however,"campfire tales " could have done all that.Preceding "the sixth sense",the film recalls,more than "Jacob's ladder" ,the obscure "carnival of souls " (1962)."Campfire tales",like the three movies mentioned has an ending with coup de théâtre,completely unusual.
So why is half of the movie routine and business as usual?OK,the honeymooners are useful for the plot,but their whole sketch has no real connection with the main story.The same goes for the little girl surfing online and her dog.On the other hand,the last sketch is at once scary and significant:its conclusion magnificently segues into that of the whole movie.
One marvelous scene:one of the boys is getting cold and he asks the girls to share their blanket:isn't it it an extraordinary clue?A lot of directors would dream of such a trick.Had the film had an internal cohesion,had he used all its sketches as it did for the last one,it would have solved the squaring of the circle and the three -despised- genres,which I mention above ,would have been enhanced.Yes,it was a heaven sent opportunity.Try to see it anyway ,it deserves better than its poor rating.
So why is half of the movie routine and business as usual?OK,the honeymooners are useful for the plot,but their whole sketch has no real connection with the main story.The same goes for the little girl surfing online and her dog.On the other hand,the last sketch is at once scary and significant:its conclusion magnificently segues into that of the whole movie.
One marvelous scene:one of the boys is getting cold and he asks the girls to share their blanket:isn't it it an extraordinary clue?A lot of directors would dream of such a trick.Had the film had an internal cohesion,had he used all its sketches as it did for the last one,it would have solved the squaring of the circle and the three -despised- genres,which I mention above ,would have been enhanced.Yes,it was a heaven sent opportunity.Try to see it anyway ,it deserves better than its poor rating.
- dbdumonteil
- 7. Nov. 2001
- Permalink
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