Flucht aus L.A.

That sums up one of the most undeniable aspects about this flick: It is enormously reminiscent of the first. Whether or not that's a negative thing is up to the individual. It still holds great surprises, and is definitely a fun ride. There is more satire in this than the first. The tone of this is often overdone and campy, in stark contrast to how serious that of "New York" was, and there are those that will miss that. This is humorous, if a few gags and jokes fall flat. Everyone but Russell(who nails the part again) is newly cast, and the choices are all fitting. This has some rather memorable occurrences(a couple of them for sheer weirdness and imagination), and certainly puts several breathtaking visuals up on the screen. The effects vary, though there are excellent ones herein. Dialog has quotable lines, and is well-delivered. The music is cool. Cinematography and editing are marvelous. The acting holds good performances. While it does bear a striking resemblance to that of the original movie, the script of this is interesting, creative and well-done. It has a nice pace, and you gotta admit that it's packed with action. Each sequence is exciting and intense, and differs from the rest in some way. There is strong violence and language in this, as well as disturbing content. This is bigger than the '81 film. Unfortunately, it also cost a larger amount of money, and only made about half back. It's too bad that Carpenter's work has a tendency to not be appreciated by the masses(only the fans and/or cult following) when it is initially released. I recommend this to anyone who wishes to watch it, the two aforementioned groups in particular. 6/10

Exciting and spectacular rescue into Los Angeles destroyed by earthquakes, floods, mudslides, and become a top-security prison . This thrilling picture results to be an inferior sequel to Escape from N.Y. , the latter become a real Cult Movie . It contains mystery , chills , noisy action , thrills , fights , social critical , bits of humor with tongue-in cheek attitude and a weird atmosphere with dark and surprising ending . Snake Plissken (Kurt Russell, he was the only cast member from the original film to appear in the sequel)is once again called in by the United States government (Stacy Keach as officer , Michele Forbes as deputy and Clift Robertson as President) to recover a potential doomsday device from Los Angeles, now an autonomous island where undesirables are deported and finds itself under siege by violent gangs . A previous war hero named Snake Plissken gone rebel must execute a daring adventure and bring up a powerful artifact in twenty four hours . Snake must recover it and along the way facing off villains like Cuervo Jones (George Corraface) . He's only helped by a sympathetic rogue underling (Steve Buscemi who took the part in this film to help fund his directorial debut, Trees Lounge) , and action women (Valeria Golino, Pam Grier) . As Snake Plissken to get in and out of Los Angeles .

The film is a comic book plenty of action , fun , adventures , suspense , thriller and surprise-filled entertainment . Magnificent plethora of characters with decent performances by its entire cast . Middle-budget by Paramount Pictures , in fact its President Sherry Lansing was a fan of "Escape from New York" and wanted John Carpenter, Kurt Russell and Debra Hill to make the sequel in the same vein as the original. Kurt Russell as tough and valiant renegade is terrific . At the beginning of the film, Kurt Russell wears his costume from the original film, which still fits after 15 years . Kurt Russell not only came up with but wrote the entire ending of the movie , in fact it was the first and only writing credit . Escape From LA was caught in development hell for over ten years . A script for the film was first commissioned in 1985 but John Carpenter thought it "too light, too campy" . An initial script was written , but it remained dormant until Carpenter and Kurt Russell got together with frequent collaborator Debra Hill. It was Russell's persistence that got the film made ; Snake Plissken was his favourite character, a character he loved and wanted to play again . Support cast is frankly good such as Peter Fonda , Cliff Robertson , Valeria Golino , Stacy Keach , Pam Grier , Bruce Campbell , Michelle Forbes , A.J. Langer and Peter Jason , Carpenter's usual . The picture contains an imaginative and memorable production design by Lawrence G. Paull . Colorful and glimmer cinematography by Gary B. Kibbe . John Carpenter also made the atmospheric music score along with Shirley Walker . The movie likely to satisfy action enthusiasts and Kurt Russell fans .

Director John Carpenter is in familiar ground with this well-done tale on the style of comic books and old Sci-Fi serials . His films often feature important visuals shown from a video screen , as the end-of-the-world transmission from the future in ¨Prince of darkness¨ (1987), the Norwegian recordings of the expedition to uncover the aliens in ¨The Thing¨ (1982), various TV sets and the general anti-TV motif in ¨They live¨(1988), etc. ¨1997 escape from N.Y¨ was realized during his best period in the 70s and late 8os when he directed classics as ¨Halloween¨, ¨The fog ¨, ¨Christine¨, ¨They live¨ , ¨Big Trouble in Little China¨ and ¨The thing¨ . The sequel ¨Escape from L.A¨ rating : average but entertaining . The movie will enjoy to noisy action fans but packs a roller-coaster thriller and wholesome amusement . The film will appeal to John Carpenter enthusiasts . A third sequel was going to be made titled Escape from Earth which would have had Snake escaping Earth after a dark matter experiment. However, the negative reaction to this film prevented the sequel from being developed. As the movie was a notorious failure on release, making around $25 million , just half its budget , at the US box office. Many reviews criticized the film for being too violent or for being too similar to the original film .

When I think of John Carpenter's best work, it basically boils down to the years of 1978's Halloween to 1988's They Live.

I suppose part of why I feel these were Carpenter's best years was that I was in my late pre-teens when Halloween came out and at the end of my teens when They Live was released. A lot of Carpenter's stuff during that decade seemed to resonate best with adolescent males, of which I was one. Thus, I just LOVED Escape From New York...in part, I suppose, because I was still young enough when that came out that movies had the ability to transport my imagination. I was still young enough back then that I hadn't yet became cynical and was totally able to buy into the premise of that movie without wondering about the ton of plot holes that seemed so obvious decades later.

Plot holes ably pointed out by the hosts of my favorite youtube movie-centered channel (really, the only youtube movie-centered channel I watch so I suppose it is by default my favorite) RedLetterMedia, such as 1) why would one of the most valuable pieces of real estate on the planet, Manhattan Island in NYC, be turned into a prison? And 2) why would the President of the United States be played by an English actor with an English accent? And on and on.

However, the guys at RedLetterMedia also pointed out that whatever else on could say about Escape From New York, the one thing that was true was the cast and the production treated the material seriously. Escape From New York was clearly a B-movie, but one where all the performances were acted seriously. Which I think is another part of why Escape From New York worked as well as it did.

Which brings us to Escape From L. A.

Even though I was in my late-20s when it came out, I was looking forward to Escape From L. A. I was hopeful it would be a neat blast backward to the Carpenter style I had enjoyed in my early teens. Kurt Russell looked like he had kept himself in reasonable physical condition. Carpenter, Russell and Debrah Hill all had written and produced the movie, with Carpenter back behind the camera directing. Surely if anybody could get a sequel to Escape From New York right it would be John Carpenter, Kurt Russell and Debrah Hill...

Well...

I think part of the problem as to why Snake Plissken's jaunt to the West Coast came up a bit short had to do with Escape From L. A. being a bit TOO much like Escape From New York in terms of the plot points or beats of the movie. Whereas Escape From New York felt like an original premise back in the early 1980's, Escape From L. A. circa 1996 in terms of general storyline structure came off a bit too much like an intentional copy of Escape From New York. As such, throughout the viewing of Escape From L. A. everything feels too familiar. Like Carpenter, Russell and Company were too afraid to deviate from the original New York formula. Comes across as playing it safe.

The other part of the problem is that unlike Escape From New York most of the cast in Escape From L. A. are either underplaying their parts or hamming it up and going over the top. Outside of Russell, nobody else in the L. A. cast feels like they're taking the material seriously. Thus, as a viewer, I found it impossible to suspend disbelief and take the movie seriously.

Finally, Escape From New York demonstrated an effective use of matte paintings, miniatures, animation and the like to create a believable movie world environment. Escape From L. A. had a much larger budget than Escape From New York did, yet somehow having more money seemed to work to the detriment of the sequel re: world building. A lot of the settings looked far more synthetic and professionally set dressed than those in New York. And there was a lot of very, very clunky CGI in the sequel which looked as bad in 1996 as it does in 2024. One might say CGI in 1996 was still in the early stages, yet the first film in 1981 managed to get the job done better without the aid of any CGI.

In the end, Escape From New York had an underlying sense of menace. Escape From L. A. was just a bit too cartoonish. Not the worst sequel I've ever seen but fell a bit short of the mark. Some good moments here and there...I dunno. Maybe the whole Snake Plissken premise was only bound to work well once the first time around.

Sure, Snake Plissken is a relic from the ultra-macho 80s action craze. Sure, Carpenter's use of effects is often obvious (though occasionally brilliant). Sure, the film is nothing but a slab of highly fragrant cheese, but it's FUN cheese. It's unapologetic cheese. It's the extra $1.50 of gooey, greasy, slimey mozza that you throw onto your 16" meat-lover's... sure, it's excessive--maybe even unhealthy--but it makes the pizza.

Escape From L.A. is pure, unabashed, old-fashioned fun. It's one of those movies that everyone claims they hate, but they really love in that deep place, way down in their mind, where belching contests are still fun. It doesn't pretend to be anything more than entertainment--and it's good entertainment at that. When I first saw the trailers for this film, I groaned. Kurt Russell's faux-Eastwood-does-pirate routine rubbed me the wrong way, and I was unfamiliar with John Carpenter's work. After having seen the original Escape, Halloween, The Fog, Vampires, The Thing and especially Big Trouble In Little China I know that Carpenter is interested in one thing: giving his audience an escape from reality, and this film is perfect for that. It doesn't make a lot of sense, and it takes a lot of suspension of disbelief, but in to paraphrase Roger Ebert: Who can hate a film where Kurt Russell and a transsexual Pam Grier swoop from the sky in hang-gliders firing automatic weapons at an amusement park compound?

Add to the mix a delightful turn by Steve Buscemi and an amusing (albeit unrecognizable) cameo by Bruce "Don't Call Me Ash" Campbell, and you have a really fun, really dumb, really cool MOVIE!

Recommended for the 10 year old boy in all of us.

So, recently if seen this amazing movie again, sitting on my couch and listening to this incredible genius made music. I really don't know, why most of the people prefer Escape from N.Y. When I first saw N.Y. it really didn't get me. But one must be said for sure: ESCAPE FROM L.A. DO HAVE THE BEST ENDING I'VE EVER SEEN IN A MOVIE MADE UNTIL NOW! So all of you, who haven't seen it yet, go get it!

PS: Sorry, if there are some gramatical errors, but my English isn't that good.