Das Böse hat ein Gesicht

If you are looking for a really bad movie you just wanna watch to make the time pass, this is the movie for you. It's not very exciting. After watching a few minutes you'll figure out what's gonna happen next and how it's all gonna end. You won't get tricked. They feed you the whole story with a little spoon. It's not that hard. The movie is about a woman who lives by drawing criminal faces. A girl get taken away and when she gets back she explains the face for the drawer. The drawer get shocked when she sees the face she just drew. It's the face of her stepfather that died many years ago. But soon she discovers he's not really dead. He's after her. She tells that to the police man. They fall in love. How many times haven't we seen that before? The story is weak, the acting is bad, and there's really no point in the story at all. I really don't recommend this movie.

Good yarn about a series of child molestations/murders taking place in a small Minnesota town. When the most recent victim goes missing the police call in a sketch artist who has had success in bringing criminals to justice with her detailed drawings. When a witness is found and the sketch is completed the artist is confounded because she thinks she knows the felon. A manhunt is started for the man leading the authorities down a road to a series of misleading conclusions. Exciting, although unrealistic, finale.

I'm just gonna comment on the actors in this film. They were all excellent! Billy Moses as the Sympathetic Sheriff Tom Sawyer, looked very good and did a wonderful acting job as always!The film takes place in a small rural Minnesota town, where a kidnapping of a little girl has taken place. The little girl is found and Police Sketch Artist, (Sean Young), spends time with the girl and gets a good sketch of the suspect. What she finds out is shocking. I highly recommend this film!

This is one of many movies that were 'prescribed' to me by my shrink who believed in their effectiveness in therapy. At first I could not understand the connection between a film and a psychological problem. But then it became clear that both are about a 'fantasy'. Almost everyone in society is living a fantasy that can be as far removed or as close to reality as the person wishes. Of course, if the that person is a head of state dragging his country into war or running after Utopian dreams then the harm done is that much more greater.

Now a film is also a fantasy, but it is the very exact and deliberate fantasy of the director. When we see a movie we are transported into that fantasy and we live it in vivid detail and color in all our visual and mental senses. We also live it in our subconscious senses as well, and herein lies its value. Seeing what has been thus far deeply embedded and intertwined inside us now on screen and out in the open helps begin the separation process (between reality and fantasy). Since the distinction between the fantasy of the movie and your current reality is very clear, and since you willingly entered the movie fantasy by your own choice until it overlapped with your inner similar fantasy; you can get to experience the willful 'exiting' of the movie fantasy that would subsequently help you to 'exit' your inner fantasy in the future. Well, it's a little more complicated than that, but this isn't the best place to discuss in deep psychotherapy techniques.

Of course I'm not suggesting that, in and of its self, a movie would cure anybody of anything; that has to be the work of a professional, and it's his or her decision as to whether or not to incorporate it into the therapy process. But I am curious as to whether anyone else has ever 'used' this film (or any other movie) in this sense or at least experienced their psychological effect either consciously or subconsciously.

This movie is about a female sketch-artist who is called out to a small rural town where a little girl has been kidnapped and may give a description of the perpetrator. The sheriff suspects he may have been involved in more, and the sketch-artist must confront horrors from her own past.

This is actually a pretty good, low-budget thriller. Sean Young is great, and William Moses (of Perry Mason fame) is sympathetic.

The movie's main achievement is avoiding the traps of improbability (there's only one) and cheap scares, where lesser well-thought out movies go for the Michael Myers/Jason Voorhees thing of the killer being everywhere.

Sean Young acts well and believably - what happened to her career, though, which seemed so promising at the time she had a small role in Wall Street and Blade Runner. She needs to pick movies with more potential.