Men in Black

As my one line summary says, this is one of the best sci-fi comedies ever made, next to the classic Ghostbusters and the highly underrated Evolution. This movie has action, comedy, and some of the best special effects in the last ten years. Rick Baker, Hollywood's resident 'creature man', as I like to call him, has made such a wide variety of aliens. There's the first alien we see, Mikey; there's the Worm Guys; and the villanous Bug. But there are many others, such as Frank the Pug and the twins. The squid baby is pretty neat. Tommy Lee Jones and Will Smith have an undeniable chemistry together, which repeats itself in the sequel. Linda Fiorentino is also good as the leading lady, and veteran actor Rip Torn is gruff as the head of MIB, Zed. Vincent D'Onofrio is also pretty good. My favorite line: "No, ma'am. We at the FBI do not have a sense of humor that we are aware of." All in all, two thumbs up, baby!

On the surface, a film featuring the straight-laced Tommy Lee Jones fighting aliens would seem to be a terrible idea. However, throw in some humor from Will Smith and some great filmmakers, and all of a sudden you have created a classic, genre-busting experience.

For a basic plot summary, "Men in Black" sees Agent K (Jones) policing hidden aliens that constitute our planet unbeknownst to the general population. But, since K is starting to get a bit long in the tooth, he sets about bringing a little bit of new blood into the MIB organization, which is where James Edwards (Smith), an NYPD street cop, comes into the picture.

The chemistry between Jones (the "straight man") and Smith (the "cutup") is what really makes this movie fun to watch. Their banter back and forth never stops from beginning to end and is always good for a chuckle.

Of course, just the concept of the film alone is unique in and of itself. Though the potential for utter failure was quite high, director Barry Sonnenfield (with probably more than a little help from executive producer Steven Spielberg) manages to make the film take itself just seriously enough to work, not but not seriously enough to prevent a lot of fun from creeping into the screenplay.

Overall, "Men in Black" is just a fun film that (in its day) was something completely new to the cinematic landscape. Unless you just really aren't into the often goofy nature of the movie, you will enjoy the special effects and witty banter thoroughly.

"Men in Black" and "Galaxy Quest" are in my mind the best sci-fi comedies ever made, because they are both hilarious parodies of two different cultures. Whereas the latter spoofed obsessed fans who take sci-fi entertainment WAY too seriously, this one spoofs the paranoid, tin-foil-hat brand of conspiracy theorists. It has funny characters, witty lines, and does not at all take itself seriously.

There are a lot of small details that can take multiple viewings to catch. One thing I found funnier the second time I watched it is the scene where Will Smith has just been severely lectured by his boss in the interrogation room when Tommy Lee Jones enters, asks a few questions, and tells Smith to come with him. Smith: "I can't, there's still a lot of paperwork to fill out." Jones: "No, the paperwork is all taken care of." Smith's boss (walking by): "Hey, nice work, Edwards!" This is one of many quick, funny scenes that you only really get if you're paying attention.

All the actors do a good job, too. I thought Rip Torn was the funniest character, and Edgar the bug was hilariously gross. Linda Fiorentino was one of the coolest female characters ever. She put Ripley to shame. Every time I watch this, I want to marry her.

Overall, it's a great comedy that is clever and fun all the way through. 8/10 stars.

As I stated above, Men In Black is just as good as the sci-fi comedies Ghostbusters I and II. But instead of chasing ghost's we're chasing after rogue aliens.

James (Will Smith) is an officer in the NYPD and one of the top officers. After a hard night, James is questioned by his own police force for allegedly killing a suspect who fell off a building. As James insists that the person was acting strangely, Agent K (Tommmy Lee Jones) comes in and takes him out.

James is welcomed to a secret agency which keeps aliens in check. After a brief examination of his life, James (now Agent J) joins the agency. On his first day, suddenly K and J are on a mission to stop a massive cockroach from destroying Earth and starting a galactic war.

The chemistry between Smith and Jones is hilarious. Smith has some great comedy scenes especially when he is using his new weapon, the Noisy Crickett and him trying to deliver a baby squid type creature. The aliens are smart, their inventive, and their just plain fun when seeing how they identify themselves and hide their identities. The story is funny and will keep you laughing at almost every scene.

The presentation of aliens as everyday people trying to live normal lives in Manhattan is a lot more fun than the presentation of murderous aliens (Independence Day). Another great part is that the film isn't overblown with special effects of alien explosions and massive battles. Instead comedy and chemistry keeps this top comedy flowing.

Men In Black. Starring: Will Smith, Tommy Lee Jones, Linda Fiorentino, and Rip Torn.

4 1/2 out of 5 Stars.

MEN IN BLACK (1997) ***1/2 Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D'Onofrio, Rip Torn, Tony Shalhoub, Siobahn Fallon. Giddily hilarious sci-fi comedy: think a 90s "Ghostbusters" meets the "X-Files": hard-as-nails, deadpan Jones (a great master straight man) is one of many secret agents of MIB (Men In Black) recruiting steetsmart, mouthy Smith (a great wiseass) to team up and stop an intergalactic alien bug (in rotting human form D'Onofrio who gives a brilliant, funny turn) from wiping out the Earth and all mankind. Incredible out there special effects from ILM and ingenious aliens from self-professed "Monster Maker" makeup guru Rick Baker. Hip, clever dialogue and fine chemistry from the odd couple gives this comic book adaptation of Lowell Cunningham a glossy work over including Bo Welch's inventive production design and Danny Elfman's atmospheric score. Fluid direction by Barry Sonnefield.