Don King - Das gibt's nur in Amerika

The best thing to be said for this film is that Ving Rhames, usually a supporting player, gets a role he can really sink his teeth into. He alone tries to carry the film with his charismatic, vivid performance. The film itself is typical made for tv fare-conventional, fairly unimaginative cinematically, competent enough to be semi-entertaining.

Don King is a self-promoter the likes that few have seen in our lifetime. This film takes a novel approach to telling the King story, blowing KING up into as big a buffoon as possible, and using King himself (actor Ving Rhames) in telling the tale. I give director John Herzfeld credit-it's a novel and appropriate approach to the biography of a man who truly is more caricature than real.

Rhames gives an inspired and convincing performance as King, breathing much life into a film from a book that was for all practical purposes stillborn.

Enjoy the movie for Rhames and pay little attention to the details.

Even if you don't like Don King, you gotta give it up for Ving Rhames in this movie. He is an able portrayer of Don King, from looks to personality (heck, he made Don King a little likable!) The movie gave insight into a sport that you either love or hate - boxing, as well as a look into Don King's history. It made for good viewing and I found myself howling at certain points. A bonus for me happened at the end, during a three second stretch in which my boyfriend's head passed as he walked behind Ving Rhames and Vondie Curtis-Hall at LAX!

I would definitely give this movie a 10!

While there are a number of good points about the film "Don King: Only in America"--the script, the direction, the supporting cast--by far the best reason to watch it is Ving Rhames' stunning performance as Don King. Ironically, although King is an extremely gregarious personality, Rhames' performance wins through its subtlety. Through the slightest gestures and facial expressions, Rhames paints a portrait of a man who is both repellent and compelling. The best touch of genius in the script comes in the scenes when Rhames as King comments upon the actions and events depicted in the regular film, actually "talking back" to the camera, filmmakers and audience. (At one point, he even calls HBO hypocrites.) I have never cared much for boxing, but there is no denying Don King is one of the most influential and colorful personalities of our century, and this film gives us an insight into his life we would did not have previously.

Ving Rhames, a largely unknown actor, whom most would remember from Pulp Fiction, gives his role of Don King all he's got, and it really does pay off. It results in one of the decade's best telemovies, leaving the viewer hating yet strangely drawn toward the eccentric King.

It revolves around King's rise to stardom through strongarm tactics. His violent itchy trigger finger deals it's wrath to anyone who gets in the way, and it's his no nonsense approach to boxing which gets him where he is.

The story is revealed through flashbacks, being narrated by an older King. Those are the film's funniest moments. Watching Rhames strut around the ring, whilst smoking a huge cigar and speaking in a near-scream make for extremely humourous moments. Rhames' conviction to the part makes King a character that's both funny and threatening at the same time. He relishes in hyperbole, taking the good with the bad and seeing what you get.

The idiosyncrasies and mannerisms of King are all portrayed masterfully, right down to the wavy Kramer hairstyle. Each of the supporting characters are great, but, watching Jaleel White (that guy from 'Family Matters') play Muhammed Ali just reminds you too much of his sitcom character.

It's a highly satisfying, yet powerful movie. One of the telemovies which can be recommended, which is a rare occasion. This would be a wise choice if Saturday night's viewing is not up to standard.

Nine out of ten.