Holding On

If you ever get the chance to see this show I cannot recommend it highly enough. Written by the brilliant Stephen Merchant the story revolves around the lives of several people whose lives are unknowingly intertwined on the streets and underground of London. It may be 20 years old but remains one of the finest dramas the BBC has ever made.

Holding On was one of the best things I've ever seen on TV. Apart from the fact that David Morrissey is a superb actor the rest of the cast were also brilliant. Each episode had me spellbound and never wanting it to end. Having to wait a week for the next one was almost too much. I cannot believe that it has never been repeated and sadly that a DVD is not available. I think it was one of the greatest pieces of writing I have ever seen and this view was held by everyone I know who watched it. The cast were made up of some of the best British actors around. It was totally engrossing and so easy to become completely involved in the lives of all of them.

'Holding On' clearly demonstrates the devastating toll, that modern day living imposes on it's society. We are blessed with an eight part mini series, that interludes the trials and tribulations of London's inhabitants. Sticking the knife in as deep as he can, Tony Marchant's screenplay, provokes your mind with traumatic scenes of anguish, desperation and utter self absorbtion.

Two seperate murders occur; one that involves a mentally ill white man who, unprovoked, viciously stabs a young woman to her death-while the other is carried out by a stressed out taxi driver, who maliciously kills a young black man, as he slams his car door into his head, repeatedly (which resembled Vinnie Jones' scene in 'Lock Stock and two Smoking Barrels' but comes across with a much heightened, shocking realism). Highlighting the fact that the two victims are of different race was purposeful; this is in fact one of the most harrowing aspects of 'Holding On' as it tackles a very controversial subject INJUSTICE. The bereaved family of the young back man suffer a double injustice, for they have to come to terms with not only losing him, but falling at the hands of the British Judicial system, which imposes a laughably short prison term to the murderer.

There's so much to keep your mind occupied, as the series moves along intertwining the characters together, covering the emotions from every individual. Strong elements of symbolism run deep into the heart of each one of the issues covered; from mental illness, isolation, loneliness, class differentiation (working class/middle class)....I personally had extreme feelings of empathy for all concerned-but then how can you not, when the acting is so vividly portrayed. David Morrissey and Lesley Manville are particularly dazzling throughout, lending much insight into their craft as actors.

With so much anger, inner turmoil, fallen dreams filling our darkened paths, we all need to wake up and realise that fighting through adversity TOGETHER...not against, will help to protect our vulnerable shells and inspire warmth and happiness.

This superb mini-series truly is in a league of it's own. The finest that has graced our screens for many years. Many souls out there will certainly be crying out for VHS/DVD versions to own and cherish forever....I know I certainly am.

**VERY HIGHLY RECOMMENDED**

A rather amazing series from 1997. Fast-paced with quick editing, well-written and, almost without exception, wonderfully acted. Lovingly directed by Adrian Shergold.

David Morrissey is young and handsome as Shaun, an aggressive Inland Revenue investigator. He deservedly gets much of the air time, but there are many stories here which eventually weave in and out of each other. Phil Daniels is brilliant and funny and repulsive (not a mean feat) as a bulimic ex-football writer, now thoroughly cynical food critic who hates eating and food. It would have been nice to enjoy more of his ingenious character.

The series follows a dozen Londoners of all ages, races, and social backgrounds, none of whom seem able to find much love, which results in much havoc. All of them are interesting -- even compelling. Sandra Voe as Annie, the mother of a dangerously volatile schizophrenic man, turns in the most touching performance of all. Her final scenes with David Morrissey are deeply felt and profoundly heartbreaking.

In general, the emotions run high throughout -- too much, perhaps, at times -- but it is certainly preferable to the inanity on television today, especially in the US. And there are some dicey plot-points, chief among which is Shaun's abrupt change of character mid-series, but the show is so adhesive and engaging these seem slight misdemeanors.

As the producer of Holding On I can now confirm that the BBC are at last issuing the whole drama as a 3-disc DVD set in the UK summer 2005. Please tell your friends. Go out and buy! I don't know how heavily it will be publicised. Thanks to those who lobbied if that's what made it happen. They do listen eventually. Everyone who worked on it is very proud of it and now it can have a life beyond the one transmission it received in September 1997 (slightly overshadowed by the death of a certain princess I remember!) Will there ever be a drama of such ambition again on British TV? And who'd have guessed that David Morrissey would end up opposite Sharon Stone in Basic Instinct 2?