State Prison

If you made a genre flick in the late 80s, you basically had a 50/50 chance it would either be set underwater or in a prison (sadly, we never got an underwater prison flick). Framed for murder by mafia boss Moretti (Anthony Franciosa), Derek Keillor (Dennis Cole) ends up on death row, right alongside the mob boss' brother Frankie (Frank Sarcinello Jr.). But this is the least of Derek's problems as rogue government agent (and mob stoolie) Col. Burgess (John Saxon, who also directs) is using the prison as a testing ground for a new supervirus. This is the only flick Saxon directed during his storied career. For a guy who has worked with tons of directors, it appears the only ones he picked up any tips from were the cheap-o Italian ones. Sure, it is low budget, but that can't excuse the stilted staging, shooting gaffes, or clumsy exposition in the first 15 minutes. To his credit, Saxon did make it slightly gory and he works in a hilarious nude scene (our lead falls asleep during a prison riot only to fantasize about a female scientist). Cole, who looks like a more rugged Jan-Michael Vincent, is decent as the stoic lead and Franciosa - sporting a really bad rug - gives it his all as the cliché mob boss. The end takes place at Marty McKee's favorite location, Bronson Canyon. Retromedia released this on DVD as ZOMBIE DEATH HOUSE.

John Saxon. Why else wouldn't you watch it? Not only does he star, but also directs. "Zombie Death House" was a modest horror b-grade cheapie that I wanted to like more than I actually did. Sure it was amusing and rather oddball, but the threadbare execution doesn't gel with its cartoonish ideas and mangled plot involving many genres / themes. It starts off like a systematic crime joint (interesting montage in the opening credits), finds itself turning into a prison yarn and then hell breaks loose as a genetic virus (from an experimental drug) turns inmates into unstoppable zombies while innocent people find themselves under siege in the prison.

Sounds crazy as it throws in everything but the kitchen sink, however in the end it's rather monotone in its developments and a lack of directorial flair (although Saxon enjoyed using slow-motion) really does show it up. Little atmosphere or tension arises from the repetitive situations and the editing is clunky, but still there's a certain raw, brutal edge to it and some moments of pulsating graphic make-up FX offers creatively icky surprises. It's tacky and primitive, but Saxon does a decent job making it tight even though its slow to get going and with the dreary prison surroundings a suffocating strangle hold is constructed. Where it actually surprised though was the performances; mainly those playing the bad guys; John Saxon, Tony Franciosa and Howard George as the head guard. Saxon gives a typical conniving turn as some sort of ice-cold patriotic CIA agent who likes to preach, but it's Franciosa who's the life of the party as a mafia gangster. The rest are acceptable even with Dennis Cole's wooden persona in the lead and the ravishing Tane McClure looking professional. Also appearing is Alex Courtney, Michael Pataki and Ron O'Neal.

Formable, junky low-grade entertainment.

"Don't touch my twinkies"!

John Saxon was a wonderful actor: he brought style and class to numerous cult classics, working for such film-makers as Mario Bava, Wes Craven, Dario Argento, Sergio Martino, Robert Rodriguez, John Sturges, and Robert Clouse. However, I think it's fair to say that, judging by Death House, Saxon wasn't that great behind the camera himself: his only gig as director, this film is a forgettable piece of trash that meanders aimlessly for an hour and a half, with pedestrian action, wooden performances, and very little in the way of originality or excitement.

Saxon also stars in the film, playing shady government operative Colonel Gordon Burgess, who uses the inmates at a penitentiary as guinea pigs for an experimental virus that turns people into superhuman zombies. Vietnam vet Derek Keillor (Dennis Cole), on death row after being framed for murder by mafia boss Moretti (Anthony Franciosa), attempts to lead the uninfected out of the prison, but finds that Burgess has placed the establishment in quarantine.

With a plot that goes nowhere for much of the time, Death House is an extremely tedious zombie film. The only times that the film displays any life is when Saxon sees fit to throw in some gratuitous nudity or gore. Sadly, there just isn't enough of either to compensate for the lack of genuine suspense or decent action. Cole is passable in the hero role, and Saxon and Franciosa (co-stars in Argento's Tenebre) are as solid as ever as the villains, but what this film sorely needed was much more splatter and T&A, because nothing succeeds like excess.

Quite honestly, this has to be one of the worst films I have ever put myself through. I didn't even make it through the halfway mark, and that's saying something, considering I have watched some pretty dreadful films. I don't think the filmmakers even knew what kind of film they wanted to make. A mobster drama, or a horror film. It plays as both. The former taking up a good third of the film. So, my advice... avoid it unless you want to give up and hour and a half of your life, that you will never get back. Granted, John Saxon is a wonderful actor. But his talent as a director leaves a lot to be desired. Oh, and one more thing, the $1000 Shock Insurance Certificate that was included with the DVD, should be used to provide the first person who dies of boredom, not shock while viewing this awful film.

A zombie B-movie about an outbreak taking place in a prison where the authorities have been conducting illegal experiments on the inmates. This one feels like it was inspired by both RE-ANIMATOR and DAY OF THE DEAD yet proves to be a far cry from either; in fact, it's quite tedious. Early gangster material gives way to more horror focus in the second half, but apart from a bit of gore it doesn't really do much with the premise. John Saxon directs and has a smallish role.