IMDb-BEWERTUNG
6,9/10
45.940
IHRE BEWERTUNG
Captain John Boyd und sein Regiment begeben sich auf eine Rettungsmission, die eine dunkle Wendung nimmt, als sie von einem sadistischen Kannibalen in einen Hinterhalt gelockt werden.Captain John Boyd und sein Regiment begeben sich auf eine Rettungsmission, die eine dunkle Wendung nimmt, als sie von einem sadistischen Kannibalen in einen Hinterhalt gelockt werden.Captain John Boyd und sein Regiment begeben sich auf eine Rettungsmission, die eine dunkle Wendung nimmt, als sie von einem sadistischen Kannibalen in einen Hinterhalt gelockt werden.
- Regisseur/-in
- Autor/-in
- Stars
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
Joseph Runningfox
- George
- (as Joseph Running Fox)
6,945.9K
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I've a bone to pick with this film.
My favourite genre of movies, are westerns. Westerns come in all shapes and sizes, traditional American westerns depicting a lawless land in which the good guys eventually over come the bad guys. The stylised European "Spaghetti westerns" depicting a loveless land of cold killers and harsh landscape, and then there's the realist revisionist westerns which debunks all the previous heroic notions and portrays the west as it was, hard and brutal. Well this film falls outside of all those sub genre's of westerns in that it's a dark comedy horror western starring Robert Carlyle, whose idea of a meal isn't meat and two veg, but the carcass of the soldiers of a deserted fort. You know it's all tongue in cheek but you can't help but watch it, the music is great too, Damon Albarn and Michael Nyman produce a wonderful frightening and timeless score, featuring musicianship of the era. It's great and a film you can get your teeth into.
a deliciously savage comedy
Oh man, where do I begin with my inexplicable obsession with this movie? I think part of the reason I love `Ravenous' so much is that it often seems that no one else does; either due to not having seen it, or just not appreciating it. I admit, it's the kind of movie you're going to love or hate, either you get it or you don't. But I can remember seeing it in the theater the first time, and just not being able to believe that I was laughing at what I was laughing at. That's really the best way I can sum up my reaction to this film; there's a certain absurdity underlying all of its themes. It seems like the biggest confusion with people/critics and `Ravenous' is over whether or not it's intent is to be comic. Indeed the comic tone is established from the very beginning, from the opening quotes and first scene. To be sure, it is certainly dark, very very dark comedy, with an interesting mix of `cannibal/vampirism' (see Roger Ebert's review, the only one I've read that does Ravenous justice). However, director Antonia Bird does carry some more serious themes throughout Ravenous, but with a biting satirical edge-- she particularly seems to be commenting on American excessive consumption of all kinds, from meat-eating (and human-flesh eating in this case), to manifest destiny. Most powerful is the truthful notion that we all must "kill to live" in some way or another, and in our willingness or unwillingness to do so, we must differentiate between cowardice and morality. I'm just pounding the dark comedy thing into the ground though because I think that watching Ravenous, it is very important to keep in mind that principally it is supposed to be humorous, and yes, you are supposed to laugh at cannibalism believe it or not, because if you don't, you'll probably just find the film gory and disgusting.
Ravenous is carried by its bold, wacky, charismatic characters. Well, okay, the one exception here is Guy Pearce as central character Captain John Boyd, who is rather subdued in contrast to everyone else, quite intentionally so. Pearce does a very fine job making Boyd very quiet, introspective, and uncomfortable as he is sent to the wonderfully creepy and dysfunctional Fort Spencer, due to his discovered "cowardice" in war. Robert Carlysle is also excellent as the crazy Colqhoun/Ives. I liked the rest of the people at Fort Spencer, all eccentric in their own ways, although all may not last too long. It's nice to see Jeremy Davies as the adorable, religious Toffler, but Neal McDonough is the real stand out as the tough, super-hero like character of Reicht, `the soldier'; with his icy blue eyes and shocking white-blond hair he is the epitome of bravery and masculinity, and certainly forms a direct contrast to the sensitive, cautious, and all-too-human Boyd. Basically, the plot comes to revolve around an old Native American legend--the Wendigo myth-which states when a man eats another man he takes on his strength and spirit. There are quite a few twists and turns and surprises in Ravenous that should be enough to hold any viewer's attention.
The soundtrack to this film is also quite striking and omnipresent; with original eerily beautiful orchestral tracks that add much of the atmosphere in every situation. Particularly beautiful is the simple, little Boyd's theme', which is used throughout the film as Boyd journeys. The music adds not only to the eerieness of the film, but yes, even the humor. If there is any point at which I still had any kind of doubt about Ravenous being comical it was shattered in a scene where Boyd and Reicht go after the evil Ives, and I hear classic banjo `chase music' complete with yodelling; you just can't help but laugh and shake your head. And even though everyone else already has, I'll give another nod to the cinematography of the gorgeous yet bleak and dangerous icy mountain range.
Ravenous is classic for scenes of such absurd, dark humor in any situation, as when (in the same chase scene) Boyd leaps off a cliff to go tumbling down a hill and crashes into Reicht. Just when a moment is getting serious, it boldly will hit you with such a cartoonish image. Like i said, either you'll love it, or you just won't. It's hard to pinpoint exactly what it is about Ravenous that grabs me so much, but it is just a combination of everything. It's like no movie I've ever seen. It's smart, satirical, observant and insightful (watch for a nice use of Ben Franklin quotes), and yes, funny. While not for everyone, it surely has cult film potential written all over it.
Ravenous is carried by its bold, wacky, charismatic characters. Well, okay, the one exception here is Guy Pearce as central character Captain John Boyd, who is rather subdued in contrast to everyone else, quite intentionally so. Pearce does a very fine job making Boyd very quiet, introspective, and uncomfortable as he is sent to the wonderfully creepy and dysfunctional Fort Spencer, due to his discovered "cowardice" in war. Robert Carlysle is also excellent as the crazy Colqhoun/Ives. I liked the rest of the people at Fort Spencer, all eccentric in their own ways, although all may not last too long. It's nice to see Jeremy Davies as the adorable, religious Toffler, but Neal McDonough is the real stand out as the tough, super-hero like character of Reicht, `the soldier'; with his icy blue eyes and shocking white-blond hair he is the epitome of bravery and masculinity, and certainly forms a direct contrast to the sensitive, cautious, and all-too-human Boyd. Basically, the plot comes to revolve around an old Native American legend--the Wendigo myth-which states when a man eats another man he takes on his strength and spirit. There are quite a few twists and turns and surprises in Ravenous that should be enough to hold any viewer's attention.
The soundtrack to this film is also quite striking and omnipresent; with original eerily beautiful orchestral tracks that add much of the atmosphere in every situation. Particularly beautiful is the simple, little Boyd's theme', which is used throughout the film as Boyd journeys. The music adds not only to the eerieness of the film, but yes, even the humor. If there is any point at which I still had any kind of doubt about Ravenous being comical it was shattered in a scene where Boyd and Reicht go after the evil Ives, and I hear classic banjo `chase music' complete with yodelling; you just can't help but laugh and shake your head. And even though everyone else already has, I'll give another nod to the cinematography of the gorgeous yet bleak and dangerous icy mountain range.
Ravenous is classic for scenes of such absurd, dark humor in any situation, as when (in the same chase scene) Boyd leaps off a cliff to go tumbling down a hill and crashes into Reicht. Just when a moment is getting serious, it boldly will hit you with such a cartoonish image. Like i said, either you'll love it, or you just won't. It's hard to pinpoint exactly what it is about Ravenous that grabs me so much, but it is just a combination of everything. It's like no movie I've ever seen. It's smart, satirical, observant and insightful (watch for a nice use of Ben Franklin quotes), and yes, funny. While not for everyone, it surely has cult film potential written all over it.
A story to chill the bones...
I love cinema. I mean, I truly LOVE cinema but sometimes you have the face the fact that it can be a pretty hypocrite business from time to time. Especially since the last ten years, everybody complains that there aren't any good horror movies being made. Only uninspired Scream clones and rip-off's. But that is a lie !! There are good and original thriller being made but they just don't get many attention because they are "politically incorrect". Ravenous is a perfect example of this. Made in 1999 and it stars a few familiar faces but it went straight to video in my country and I never saw it advertised. That's a real shame because movies like this prove that there are still young directors active who're creative and talented. It's up to the fans to discover movies like this and ignore the overload of mainstream slashers.
Ravenous has a very solid plot. simple but effective and supported by terrific acting performances. It shows a few of the darkest aspects of the human mind and, personally, I'm really intrigued by that. Subjects like Cannibalism and ancient Indian mythes are fascinating and when they're placed in a historical setting ( Mexican-American was of 1850 ) it even becomes better. This results in Ravenous being a very atmospheric and tense movie experience that you won't forget easily. The tension is built up slowly ( a bit too slow at first ) and the atmosphere of the cold and lonely Sierra Nevada is being portrayed very well. Guy Pierce is a great choice to play Captain John Boyd. His character is a cowardly figure with a complete lack of authority. He has to go through a battle himself and he's very messed up. The shows is obviously stolen by Robert Carlyle who is used to working with director Antonia Bird. His character is demonic and - duh - ravenous. A terrific performance and Carlyle manages to play his character with a lot of black humor and satanic charisma. David Arquette's role is pretty useless but it was great to see Jeffrey Jones again. Jones is a very decent actor and - even though he's frequently cast by Tim Burton - he's often overlooked and ignored. Ravenous is beautifully shot and some of the effects and make-up is pretty gruesome and explicit. But it isn't just mindless gore and violence so no complaints there. In fact, no complaints at all....Ravenous is a breath-taking movie from beginning till end and a must for anyone who believes that the genre of horror is dead.
Ravenous has a very solid plot. simple but effective and supported by terrific acting performances. It shows a few of the darkest aspects of the human mind and, personally, I'm really intrigued by that. Subjects like Cannibalism and ancient Indian mythes are fascinating and when they're placed in a historical setting ( Mexican-American was of 1850 ) it even becomes better. This results in Ravenous being a very atmospheric and tense movie experience that you won't forget easily. The tension is built up slowly ( a bit too slow at first ) and the atmosphere of the cold and lonely Sierra Nevada is being portrayed very well. Guy Pierce is a great choice to play Captain John Boyd. His character is a cowardly figure with a complete lack of authority. He has to go through a battle himself and he's very messed up. The shows is obviously stolen by Robert Carlyle who is used to working with director Antonia Bird. His character is demonic and - duh - ravenous. A terrific performance and Carlyle manages to play his character with a lot of black humor and satanic charisma. David Arquette's role is pretty useless but it was great to see Jeffrey Jones again. Jones is a very decent actor and - even though he's frequently cast by Tim Burton - he's often overlooked and ignored. Ravenous is beautifully shot and some of the effects and make-up is pretty gruesome and explicit. But it isn't just mindless gore and violence so no complaints there. In fact, no complaints at all....Ravenous is a breath-taking movie from beginning till end and a must for anyone who believes that the genre of horror is dead.
Delicious horror film.
Antonia Bird's "Ravenous" is one of the finest low-budget horror movies of recent years.It's a brilliant mix of cannibalism,gruesome gore,sly black humour and quasi-philosophy.The script by Ted Griffin is absolutely stupendous.It's an irresistible blend of Native American legend(you absorb the strength or spirit of who you eat),the Donner tragedy,and the story of Sawney Bean.Bean with his wife and his numerous offspring,dwelt in a cave in Galloway,Scotland,during the sixteenth century.The family cave was close to the sea and they lived by highway robbery:ambushing,killing and then eating passers-by.Any parts of the body which they were not able to eat once were pickled in brine or hung in their cave.Over a period of twenty-five years it was proved that Bean and his family were estimated to have killed and eaten more than a thousand people.The acting is wonderful-Guy Pearce shines in a difficult role as a Lieutant John Boyd."Ravenous" was shot in the Czech Republic and Slovakia,and the landscape and climate is put to fantastic use.The score by Damon Albarn(of British band Blur)and Michael Nyman is very spooky and atmospheric.The film is loaded with brutal violence and gore,so if you're squeamish give it a miss.However if you're a horror fan with a taste for something dark and sinister,then you're in for a rare treat.Highly recommended.
Moody Pitch-Black "Cannibal-Comedy-Horror"...Well-Acted-Mounted...An Acquired Taste
British Director "Antonia Bird '', who Passed in 2013, was a Vegetarian.
The Lead Actor, Australian Guy Pearce, is a Staunch Vegetarian.
Odd-Fellows Making a Movie About the "Ravenous" Desire to Eat Human Flesh, Brought On by Eating Human Flesh and Discovering it has "Supernatural" Regenerative and Strength-Building Side-Effects.
So the Film's Story, which is Set in the Sierra-Nevada Mountains in the Last Century, has "Donner Party" Vampire Vibes, and Looks Fantastically Frigid, and Imposing.
The Black-Comedy Seeps Through Now and Then to Keep Things Palatable, but Barely.
It's Extremely Bloody and Gory.
The Acting is Top-Notch with Robert Carlyle Matching Pearce as a Gleeful, "Monster", and the Supporting Cast All Contribute.
The Music, as Well as the Entire Writing, Production, and Tone is Off-Beat as the Film Movies Along Piling Up Corpse After Corpse.
Horror Fans Will Most Likely Love it, While Others Not So Much.
It Tends to Get Soaked and Saturated in the "Red-Stuff '', with Dialog Minimal and the Story Really has No Where to Go Once it is Established.
Off-Putting, Slightly Humorous, and Deadly Dreadful.
But it is Quality Film-Making Offering Up a Crazy Cuisine that is Something Different if Nothing Else.
For Those with a Strong Stomach...
Worth a Watch.
The Lead Actor, Australian Guy Pearce, is a Staunch Vegetarian.
Odd-Fellows Making a Movie About the "Ravenous" Desire to Eat Human Flesh, Brought On by Eating Human Flesh and Discovering it has "Supernatural" Regenerative and Strength-Building Side-Effects.
So the Film's Story, which is Set in the Sierra-Nevada Mountains in the Last Century, has "Donner Party" Vampire Vibes, and Looks Fantastically Frigid, and Imposing.
The Black-Comedy Seeps Through Now and Then to Keep Things Palatable, but Barely.
It's Extremely Bloody and Gory.
The Acting is Top-Notch with Robert Carlyle Matching Pearce as a Gleeful, "Monster", and the Supporting Cast All Contribute.
The Music, as Well as the Entire Writing, Production, and Tone is Off-Beat as the Film Movies Along Piling Up Corpse After Corpse.
Horror Fans Will Most Likely Love it, While Others Not So Much.
It Tends to Get Soaked and Saturated in the "Red-Stuff '', with Dialog Minimal and the Story Really has No Where to Go Once it is Established.
Off-Putting, Slightly Humorous, and Deadly Dreadful.
But it is Quality Film-Making Offering Up a Crazy Cuisine that is Something Different if Nothing Else.
For Those with a Strong Stomach...
Worth a Watch.
Wusstest du schon
- WissenswertesIt is 25 minutes into the film before Captain Boyd, who is in virtually every scene, utters his first full sentence.
- PatzerIn 1848, Ives says "I reached Denver that spring ..." (of 1847), but Denver wasn't founded until 1858.
- Crazy CreditsThe film begins with a famous quote by German philosopher Friedrich Nietzsche (1844-1900): "He that fights with monsters should look to it that he himself does not become a monster." Nietzsche's surname is misspelled as 'Nietzche'. Shortly after, a comedic quote appears below Nietzsche's: "Eat Me" - Anonymous.
- Alternative VersionenFinnish video version is cut by 58 seconds.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Voraz
- Drehorte
- Tatra Mountains, Slowakei (Republik)(Sierra Nevada)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 2.062.405 $
- Eröffnungswochenende in den USA und in Kanada
- 1.040.727 $
- 21. März 1999
- Weltweiter Bruttoertrag
- 2.062.719 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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