IMDb-BEWERTUNG
6,6/10
1508
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn ordinary foundry worker fakes a love story between him and the chambermaid from RMS Titanic. When ship sinks and chambermaid probably dies, his story gains popularity. But lie always has ... Alles lesenAn ordinary foundry worker fakes a love story between him and the chambermaid from RMS Titanic. When ship sinks and chambermaid probably dies, his story gains popularity. But lie always has its price.An ordinary foundry worker fakes a love story between him and the chambermaid from RMS Titanic. When ship sinks and chambermaid probably dies, his story gains popularity. But lie always has its price.
- Auszeichnungen
- 7 Gewinne & 4 Nominierungen insgesamt
Enzo Decaro
- Lacroix
- (as Vincenzo De Caro)
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I've renewed my interest in Titanic over the past year or so and happened across this movie. I thought it was an OK movie after I saw it about two months ago but since then there's been an aspect that I can't get around.
I can go for how the townspeople were entranced by Horty's stories. They knew him, after all. But once he took the performance on the road and was charging admission to complete strangers, things changed; the least of which is that since they didn't know Horty, I don't think they'd relate to him the way the townspeople in the tavern did.
Imagine you were one of his audience members, seeing his show in the weeks following the disaster.
To imagine yourself as a member of the audience at that time, imagine that it's November 2001 and you're going to the show of someone claiming to be a survivor of the World Trade Center. You sit there and listen to the speaker go on and on about his torrid love affair with the coffee shop girl on the 80th floor sky lobby. Wouldn't he -- and you, for that matter -- be more interested in what it was like to survive the disaster? And after we've seen the pictures of the poor souls plunging from the buildings, and keeping in mind that the 9/11 lost are as dead as those on Titanic, wouldn't you think that having a set with the side of the building and an actress pantomiming the death plunge, much as Zoe was mimicking the drowning Marie, be in incredibly poor taste? That aspect of his production alone would make me consider Horty to be a shameless opportunist, regardless of what he actually said.
I can go for how the townspeople were entranced by Horty's stories. They knew him, after all. But once he took the performance on the road and was charging admission to complete strangers, things changed; the least of which is that since they didn't know Horty, I don't think they'd relate to him the way the townspeople in the tavern did.
Imagine you were one of his audience members, seeing his show in the weeks following the disaster.
To imagine yourself as a member of the audience at that time, imagine that it's November 2001 and you're going to the show of someone claiming to be a survivor of the World Trade Center. You sit there and listen to the speaker go on and on about his torrid love affair with the coffee shop girl on the 80th floor sky lobby. Wouldn't he -- and you, for that matter -- be more interested in what it was like to survive the disaster? And after we've seen the pictures of the poor souls plunging from the buildings, and keeping in mind that the 9/11 lost are as dead as those on Titanic, wouldn't you think that having a set with the side of the building and an actress pantomiming the death plunge, much as Zoe was mimicking the drowning Marie, be in incredibly poor taste? That aspect of his production alone would make me consider Horty to be a shameless opportunist, regardless of what he actually said.
If you getting into this movie without expectation you will enjoy more .i started seeing this movie for just the sex scene but this movie dragged me on,will dragged you in too
Perhaps one of the most intriguing stories to board the Titanic craze is this exquisite tale of a foundry worker and a chambermaid. Never actually setting foot on the famed vessel itself, the action centers on a night in a Southampton hotel the night before the ill-fated vessel left England for the first and last time. That night, roomless title maid Marie who works for the line not the hotel) knocks on the door of handsome Horty, who has won a contest at the French foundry where he works and is rewarded with a trip to see the eventful sailing. Because Horty's boss has eyes for his lovely wife Zoe, she remains at home, leaving Marie and Horty to their own devices.
Horty returns home having been faithful, but is unsure if his wife has done the same. From then on, Horty's barroom revelations of his encounter with Titanic and maid become more and more embroidered. Both to anger Zoe and to please his audience, Horty's stories become nothing short of hallucinatory. After the liner's sinking, Horty's fate is sealed as a virtual one man show, relating what is now nearly all fiction, including his presence on the ship the night it went down.
But the fickle hand of fate that took the Titanic to a watery grave has just as unexpected plans for Horty and Zoe, who now "plays" Marie in a full-length stage production of Horty's story. The final act of this impressive motion picture is just as dramatic and humbling in it's way as the story of the liner itself.
Director J.J. Bigas Luna peppers this French language feature with water imagery, forshadowing the Titanic's fate and a crucial plot point for Marie and Horty. A letterbox video release is terrific except for that the subtitles are a bit small. See it on a bigscreen TV. Although, there's no sinking to gape at, the human drama is also of titanic size.
Horty returns home having been faithful, but is unsure if his wife has done the same. From then on, Horty's barroom revelations of his encounter with Titanic and maid become more and more embroidered. Both to anger Zoe and to please his audience, Horty's stories become nothing short of hallucinatory. After the liner's sinking, Horty's fate is sealed as a virtual one man show, relating what is now nearly all fiction, including his presence on the ship the night it went down.
But the fickle hand of fate that took the Titanic to a watery grave has just as unexpected plans for Horty and Zoe, who now "plays" Marie in a full-length stage production of Horty's story. The final act of this impressive motion picture is just as dramatic and humbling in it's way as the story of the liner itself.
Director J.J. Bigas Luna peppers this French language feature with water imagery, forshadowing the Titanic's fate and a crucial plot point for Marie and Horty. A letterbox video release is terrific except for that the subtitles are a bit small. See it on a bigscreen TV. Although, there's no sinking to gape at, the human drama is also of titanic size.
I love this film; it dares to let the audience be soaked in wonderfully melodramatic and lustfully vulgar scenes. Feelings and drama make the film rattle, and when, in addition to this, the humor is so frequent, this film can't fail. It is erotic, wonderful, lovely. Ace.
This collaboration between France and Italy is simply a very original movie, with a scrip of a great intelligence. We don't really know if Olivier Martinez is telling lies, but like the people who listen to him, we want to hear him and believe him. And like in a great short story of litterature, we know the true at the end, but the director told us, in a little part, that it's not really sure... The idea of shows in little theatres, by the last half of the film, is simply brillant. I have study the reaction of people with melodrama at this time of the 20th century, and we saw that in this film
exactly like it was in the early 1910's. This is truly a wonderful movie.
exactly like it was in the early 1910's. This is truly a wonderful movie.
Wusstest du schon
- PatzerWhen the Titanic is seen leaving the dock, smoke is coming from four funnels. On the real ship, the fourth smokestack was a dummy.
- SoundtracksAndante Cantabile - Piano Quartet in E Flat, Op. 47
Written by Robert Schumann
Performed by Beaux Arts Trio
Courtesy of Polygram Projects Spéciaux
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- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- The Chambermaid on the Titanic
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 244.465 $
- Eröffnungswochenende in den USA und in Kanada
- 7.902 $
- 16. Aug. 1998
- Weltweiter Bruttoertrag
- 1.638.788 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was Das Zimmermädchen der Titanic (1997) officially released in India in English?
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