The Big Hit

This movie is about a day in the life of a hit man played by actor Mark Whalberg. Melvin (Mark Whalberg) has good life thanks to his talent as a hit man, but has very working class mentality going about his life. But none of the girls he associates with shares his work ethics, but just sees him as a cash cow, and a guy to dump all their troubles on to, until Cisco (Lou Diamond Phillips) kidnaps a Japanese mogul Jiro's (Sab Nishi) daughter Keiko (China Chow) and dumps her on to his lap. Keiko is the first to sympathize with Melvin and hits it off with him.

There are three stories going on simultaneously in this movie: One with Cisco and his boss Paris (Avery Brooks) who's a friend of Jiro's and wants the guy who kidnapped Keiko dead (not knowing that it's actually Cisco who did it). Second with Melvin's girl friend Pam (Christina Applegate) who's Jewish, and has a mother who is against her marrying this Irish Catholic guy. Third with Melvin and Keiko who's being kept at his house. All three converge at Melvin's house at lunch, and pandemonium breaks loose.

The story line is one of the most original, and is a feel good movie '90s style where the under dog anti-hero gets the good he deserves in the end. The riot is seeing all the other materialistic people around Melvin all trying to take advantage of him showing how nice of a guy he is despite his choice of profession.

Was this movie great ? Yes !! And is highly recommended.

Nobody will ever mistake this film for Shakespeare, but it's got something. True, the car scene is ridiculous (although any car enthusiast will tell you that the yellow car Melvin drives is a Trans Am, not a Camaro), but the timing of the film is-- well, pure Grosse Pointe Blank. Where GPB works subtly and gives us an amoral antihero trying to pretend to be good, The Big Hit gives us Melvin Smiley, a basically good guy who tries, and occasionally succeeds, to be bad.

Running gags like the kidnapping victim who keeps getting away, the turncoat "friend" who just won't die (played with wonderful reptilian zeal by Lou Diamond Phillips), and Elliot Gould's "prune juice," the nasty video store clerk (reminiscent of the "two dollars" kid from "Better Off Dead," and Bokeem Woodbine's love affair with his hand, keep the whole thing fun.

This movie will never win an Oscar. Y'know what? Man cannot live on Oscar-winners alone.

And it beats the heck outta Batman and Robin.

When a group of hitmen kidnap the goddchild of their boss all hell breaks loose.

This is plot for this awesome comedy/action thriller starring Mark Wahlberg, Christina Applegate and Antonia Sabato, Jnr.

This is a high-octane comedic look at hitmen - and what would happen if you double-crossed your boss. Turn up the sound on this one, sit back, and be amazed.

It's movies like this that show how good an actor Mark Wahlberg really is. 8.5/10

You must not think of this movie as a pure action movie,because it is not ment to be. This is one of the best action/comedys that are ever made. It mixes the humor with the action so well and the story is just plain nuts.The movie takes new directions all the time and it never stops to surprise you. The main characters gets involved in the most redicolues dilemmas you have ever seen and I guarantee that you will laugh many times.This movie also has some very violent scenes and some bad language.So it is not for kids. In the main roles you will find Mark Wahlberg,Christina Applegate and Lou Diamond Phillips which is my best friend Ole Martin's favourite actor.

So if you are looking for a laugh and some great action then this is the movie for you.

Indeed Mark Wahlberg is a bit cack in most of his films, but The Big Hit is a masterpiece of comedy. The action is fun, but is not meant to be taken seriously. I think that some people might have watched this film expecting a standard action film, in which case I can understand their disappointment. It's just good fun and Lou Diamond Phillips is brilliant. His over-the-top performance is perfect and is something I'll never forget.

The Big Hit is one of those films where you either get it or you don't. If you don't then I can understand how it might seem a bit two-dimensional. However, anyone who hasn't seen it should take a chance.