Füge eine Handlung in deiner Sprache hinzuWriter Jay and womanizing sportscaster Max have been friends since birth. Jay introduces his editor Samantha to Max and they hit it off. Max wants Jay to try to seduce Sam to test her before... Alles lesenWriter Jay and womanizing sportscaster Max have been friends since birth. Jay introduces his editor Samantha to Max and they hit it off. Max wants Jay to try to seduce Sam to test her before their wedding.Writer Jay and womanizing sportscaster Max have been friends since birth. Jay introduces his editor Samantha to Max and they hit it off. Max wants Jay to try to seduce Sam to test her before their wedding.
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The movie had the occasional funny situations and some smart dialogs. Then I thought I was watching an episode of "Friends". The acting, dialogs, and even direction made this look like a sitcom.
Still I have a good time with this movie. It's funny and romantic at some points. Of course, with the typical American humor.
Give it a try, I can see why it's considered to be an underrated comedy.
Needless to say, this is the start of a 'bizarre love triangle', with some very funny plot twists as well as some tugging of emotions. All three main characters are excellent, and this makes for quite an enjoyable film - something like a straighter, cleaner version of Chasing Amy, if anyone's looking for comparisons.
This is one of those movies that you can see the end coming a mile away. There are virtually no plot twists to deflect the story's straight-line trajectory. As such, the story is almost too simple and unimaginative to be worth telling. To varying degrees, most romantic comedies are fairly shallow. But "Kissing A Fool" has no subtlety at all, not in plot, not in characters, not in dialogue.
Lacking any complexity, the story relies on two main characters, Jay (Jason Lee) and Max (David Schwimmer) whose behavior toward each other is not believable. They're supposed to be best buddies. But they are constantly at each other's throats. Their constant arguing not only is annoying; it calls into question their friendship. How can they be best buddies?
The two are not at all alike. Jay is bookish and cerebral; Max is your typical arrogant, cocky self-centered sports freak jerk. All that animosity between these two guys does not lend credibility to their "friendship"; yet, it is the main contrivance that propels the film's plot. Further, it renders a story conclusion that is, by extension, also not believable.
The film's acting is a tad exaggerated. I like Jason Lee, but he tends to overact in this film. Mili Avital, as the girl in between, is okay, but she doesn't have much to do. And David Schwimmer's performance is something of a hyper-masculine strut-fest. Some subtlety in acting would have helped a lot.
For all that, "Kissing A Fool" is still worth watching, once. It has credible production values, and there are occasional lines of dialogue that are funny. And I think the film's underlying concept is fine. I just wish the script and the acting could have been a little more nuanced and subtle.
This man makes the movie. He is a little more constrained than he is in his Kevin Smith films but still his desert-in-a-drought-and-more humor strikes me as the unbelievably funny. If you like it dry, and some do, you've could check this movie out, just for Mr. Lee...well, and for the nastiest David Schwimmer i've ever seem...all i can say is "what up?"
You should be thinking "this review is lukewarm" because it is. So is the film. It's not brilliant or ground-breaking but it's funny. Worth a dollar or two on a slow night.
Wusstest du schon
- WissenswertesDuring the restaurant scene when a woman offers to sleep with Max, he turns to her and says "How you doin'?", an obvious nod to his work on the show "Friends", where this a recurring line.
- PatzerIn the opening scene, it sounds like the preacher is pronouncing them "Husbands and Wife." To be fair, he may be saying "Husbance", but it is definitely not "Husband."
- Zitate
Max Abbitt: True love cannot be found where it does not truly exist, nor can it be hidden where it truly does.
- SoundtracksWe Are In Love
Written by Harry Connick Jr.
Performed by Harry Connick Jr.
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 4.106.588 $
- Eröffnungswochenende in den USA und in Kanada
- 2.308.145 $
- 1. März 1998
- Weltweiter Bruttoertrag
- 4.106.588 $
- Laufzeit1 Stunde 33 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1