IMDb-BEWERTUNG
6,4/10
11.119
IHRE BEWERTUNG
Die Geschichte von Nick Leeson, einem ehrgeizigen Investmentbroker, der eine der ältesten und wichtigsten Banken Großbritanniens im Alleingang in den Bankrott zog.Die Geschichte von Nick Leeson, einem ehrgeizigen Investmentbroker, der eine der ältesten und wichtigsten Banken Großbritanniens im Alleingang in den Bankrott zog.Die Geschichte von Nick Leeson, einem ehrgeizigen Investmentbroker, der eine der ältesten und wichtigsten Banken Großbritanniens im Alleingang in den Bankrott zog.
- Regie
- Drehbuch
- Hauptbesetzung
Cristian Solimeno
- Steve
- (as Christian Solimeno)
Michelle Wen Lee
- Susi
- (as Sarah Liew)
Daniel York Loh
- Henry Tan
- (as Daniel York)
Empfohlene Bewertungen
Any film dealing with a largely technical business such as the derivatives industry is going to be caught between a rock and a hard place before it even gets going; on the one hand, if the film-makers spend too much time explaining the complexities of the market, they will bore those in the know and probably send everyone else to sleep too, whereas if they don't indicate what's going on then they risk limiting their audience to only those with direct experience of trading. There can be no drama if the majority of viewers don't actually realise what's happening.
"Rogue Trader" then, for it's many flaws, is at least partially successful, because it makes clear the central principles of what Leeson was doing - making a double bet on the market going only in one direction. Having worked on London's futures exchange, I can't really be objective. I laughed out loud many times at the actors' and extras' bad hand-signals, the unrealistic dialogue in relation to price and size etc. "Real" market-speak often takes for granted that both parties understand alot more than needs to be said, thus leaves alot out. But of course that makes for bad cinema, so one can't grumble too much.
The cast is generally pretty good, McGregor acting his socks off as always. The main problem is that the script and direction are, from the get-go, just totally OBVIOUS. By this I mean that no visual or audio cliché is left unused. For example, every Barings office in London seems to have a plum view of St. Paul's Cathedral, just in case we forget where they are. And if these scenes can be accompanied by some chamber music, to remind us of the history and upperclass pedigree, then they will be. The reckless young traders, by contrast, are followed around by a largely anachronistic soundtrack of dance music and Britpop. When Leeson arrives in Asia for the first time, we hear Kula Shaker! Please! Perhaps a different, less conventional style of direction might have improved matters...
It's interesting that many people have commented along the lines of "Leeson only does what I'd do in that situation, trying to make things better". Since it's based on his book, the film unsurprisingly tries to make Leeson look... well, if not good, exactly, then at least not like a total idiot. I can't sympathize entirely, because "NEVER double up" and "a small loser is better than a blow out" are amongst the first things you learn down there. But even if only one tenth of all this is true, it's still truly stunning that Barings London didn't know what was going on, and accepted his story unchecked for so long... If they were that incompetent, they deserved to go bust.
Ultimately, "Rogue Trader" is neither a great movie nor a terrible one. As far as finance-films go, it rises majestically above the plain awfulness of "Dealers" or "Limit Up", but is still less informative than what is still the best market movie, "Trading Places". But who knows, maybe "I have just lost 50 million quid!" will enter traders' vocabulary in a few years, just as "Turn those machines back on!" already has. As a film, it's an entertaining diversion, and an interesting footnote to the headlines.
(6/10)
"Rogue Trader" then, for it's many flaws, is at least partially successful, because it makes clear the central principles of what Leeson was doing - making a double bet on the market going only in one direction. Having worked on London's futures exchange, I can't really be objective. I laughed out loud many times at the actors' and extras' bad hand-signals, the unrealistic dialogue in relation to price and size etc. "Real" market-speak often takes for granted that both parties understand alot more than needs to be said, thus leaves alot out. But of course that makes for bad cinema, so one can't grumble too much.
The cast is generally pretty good, McGregor acting his socks off as always. The main problem is that the script and direction are, from the get-go, just totally OBVIOUS. By this I mean that no visual or audio cliché is left unused. For example, every Barings office in London seems to have a plum view of St. Paul's Cathedral, just in case we forget where they are. And if these scenes can be accompanied by some chamber music, to remind us of the history and upperclass pedigree, then they will be. The reckless young traders, by contrast, are followed around by a largely anachronistic soundtrack of dance music and Britpop. When Leeson arrives in Asia for the first time, we hear Kula Shaker! Please! Perhaps a different, less conventional style of direction might have improved matters...
It's interesting that many people have commented along the lines of "Leeson only does what I'd do in that situation, trying to make things better". Since it's based on his book, the film unsurprisingly tries to make Leeson look... well, if not good, exactly, then at least not like a total idiot. I can't sympathize entirely, because "NEVER double up" and "a small loser is better than a blow out" are amongst the first things you learn down there. But even if only one tenth of all this is true, it's still truly stunning that Barings London didn't know what was going on, and accepted his story unchecked for so long... If they were that incompetent, they deserved to go bust.
Ultimately, "Rogue Trader" is neither a great movie nor a terrible one. As far as finance-films go, it rises majestically above the plain awfulness of "Dealers" or "Limit Up", but is still less informative than what is still the best market movie, "Trading Places". But who knows, maybe "I have just lost 50 million quid!" will enter traders' vocabulary in a few years, just as "Turn those machines back on!" already has. As a film, it's an entertaining diversion, and an interesting footnote to the headlines.
(6/10)
I'll get a lot of argument on this, I suspect, but I tend to think that all history, biography and autobiography is in fact a kind of fiction. I also think that for all intents and purposes, it's not necessary to worry too much about how 'true' or 'accurate' this film is in regards to telling the 'real' story of the Baring's Bank collapse. Because at the end of the day, we'll never know. For every person involved or affected by that event there's another version of the truth, and finding the 'true' truth is just about impossible. So to hell with it! Let's just look at 'Rogue Trader' as a story, shall we?
I can't honestly say that I enjoyed this film, mainly because I found it so exquisitely awful that I was scrunching my eyes shut and moaning more and more loudly as events unfolded. As depicted here, Nick Leeson wasn't exactly a criminal, he was just criminally stupid ... and naive ... and pathetic ... and -- and -- well, I found myself screaming at the tv set "No, you fool, don't, stop now, stop now, quit while you're ahead --- arrrrggghhh!!!"
It is almost impossible to believe, that one person could collapse an entire bank. And of course, it is impossible. Nick Lesson didn't bring down Baring's on his own, he had a lot of help from people who both wittingly and unwittingly conspired to support his insane behaviour. Regardless of whose truth you're telling, that point is pretty safe to make, I think. And I think this film does a good job of demonstrating that. I also think it does a good job of capturing the insanity of Futures Trading (surely a hideously evil invention) and of showing how Gordon Gekko got it really, really wrong.
At the end of the day, however, the film stands or falls by Ewan McGregor's performace as Nick Leeson ... and again, he doesn't disappoint. Again, we are treated to a portrayal of a deeply human, deeply flawed individual, as only McGregor can reveal. His Leeson is a man who makes mistake after mistake, who is far smaller than he wants to be, who isn't without conscience or moral compass but whose many fears outweigh his few strengths. He's the very embodiment of the 'fatal flaw' theory, brought to ruin by his weaknesses and failings.
I find it frighteningly easy to identify with McGregor's Leeson. What he did, many of us have been tempted to do, or have done, in various small ways. Or maybe not so small. Some people find him profoundly offensive, others find him pathetic. Whatever your reaction to this film, the fact that you even have one shows that it's worked. It's made you feel something about what happened ... or at least, this version of what happened. Perhaps some of us resent being made to feel any kind of empathy for this character. By making him human, his actions are humanised, made comprehensible ... and that's uncomfortable.
It's far more comfortable keeping him demonised, reprehensible, beyond understanding or forgiveness, for in that way we keep ourselves safe. We are not like him. There is nothing that we share. He is ... other.
The problem is, he isn't. That's where Rogue Trader succeeds, I think. In showing us that the Nick Leesons of this world aren't monsters at all ... they're people, like us, who make mistakes, like we do. By challenging us ... you say you would never ever do something like this, but can you be sure? Really? Truly? This isn't a lighthearted film, a fun film. It's a fascinating character study and a timely reminder of that saying that goes something like ..
I can't honestly say that I enjoyed this film, mainly because I found it so exquisitely awful that I was scrunching my eyes shut and moaning more and more loudly as events unfolded. As depicted here, Nick Leeson wasn't exactly a criminal, he was just criminally stupid ... and naive ... and pathetic ... and -- and -- well, I found myself screaming at the tv set "No, you fool, don't, stop now, stop now, quit while you're ahead --- arrrrggghhh!!!"
It is almost impossible to believe, that one person could collapse an entire bank. And of course, it is impossible. Nick Lesson didn't bring down Baring's on his own, he had a lot of help from people who both wittingly and unwittingly conspired to support his insane behaviour. Regardless of whose truth you're telling, that point is pretty safe to make, I think. And I think this film does a good job of demonstrating that. I also think it does a good job of capturing the insanity of Futures Trading (surely a hideously evil invention) and of showing how Gordon Gekko got it really, really wrong.
At the end of the day, however, the film stands or falls by Ewan McGregor's performace as Nick Leeson ... and again, he doesn't disappoint. Again, we are treated to a portrayal of a deeply human, deeply flawed individual, as only McGregor can reveal. His Leeson is a man who makes mistake after mistake, who is far smaller than he wants to be, who isn't without conscience or moral compass but whose many fears outweigh his few strengths. He's the very embodiment of the 'fatal flaw' theory, brought to ruin by his weaknesses and failings.
I find it frighteningly easy to identify with McGregor's Leeson. What he did, many of us have been tempted to do, or have done, in various small ways. Or maybe not so small. Some people find him profoundly offensive, others find him pathetic. Whatever your reaction to this film, the fact that you even have one shows that it's worked. It's made you feel something about what happened ... or at least, this version of what happened. Perhaps some of us resent being made to feel any kind of empathy for this character. By making him human, his actions are humanised, made comprehensible ... and that's uncomfortable.
It's far more comfortable keeping him demonised, reprehensible, beyond understanding or forgiveness, for in that way we keep ourselves safe. We are not like him. There is nothing that we share. He is ... other.
The problem is, he isn't. That's where Rogue Trader succeeds, I think. In showing us that the Nick Leesons of this world aren't monsters at all ... they're people, like us, who make mistakes, like we do. By challenging us ... you say you would never ever do something like this, but can you be sure? Really? Truly? This isn't a lighthearted film, a fun film. It's a fascinating character study and a timely reminder of that saying that goes something like ..
We were impressed at the quality of acting in this relatively low budget film. Rather than special effects and technical events, this movie very successfully brings you into Nick Leeson's world. It is certainly not an apology for Mr. Leeson, Ewan McGregor very effectively and subtly captures the drivenness that envelopes Mr. Leeson and, of course, undoes him and the bank. This movie brought us into a world that we knew little of, and helped us understand it from the inside out.
I disagree with the other reviews here. I enjoyed the movie very much and I don't even know a bond from a stock from a box of crackers, nor did the know the story of this man and what transpired. But the movie explains a lot as its going along, and by the end, I was interested to know exactly how much he was going to get away with. Ewan is terrific as always.
I found Rogue Trader to be a highly entertaining point of view regarding the Barings bank disaster of the mid 90's, from Nick Leeson himself. I once said, "I'm not crazy to see movies that I know the ending". However, I had to start eating my words after TITANIC. Now, I can add this to the list. Barings was the financial equivalent of the "unsinkable ship" and just like TITANIC, I was on the edge of my seat when the unthinkable was finally realized. A must see, minus heroes.
Wusstest du schon
- WissenswertesNick Leeson was reported to have taken a share of the seven million pounds sterling that this movie earned worldwide.
- PatzerIn the end, Nick's plane lands in Frankfurt, Germany. However, the police cars have license plates from Munich ("F" vs. "M").
- Zitate
Nick Leeson: [looking into the mirror] I, Nicholas Leeson, have lost 50 million quid... IN ONE DAY!
- VerbindungenFeatured in De wereld draait door: Folge #4.51 (2008)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Das schnelle Geld - Die Nick Leeson-Story
- Drehorte
- Raffles Hotel, Singapur(Nick meets Pierre Beaumarchais)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 12.800.000 $ (geschätzt)
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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