Leben und lieben in L.A.

Talking about love is like dancing about architecture," claims Angelina Jolie as Joan in Playing By Heart. An ensemble romance that should at least be notable for bringing together such a large and diverse cast, Playing By Heart is an enjoyable romantic tale of eleven people in Los Angeles whose lives are interconnected.

Sean Connery and Gena Rowlands play the oldest couple. Dealing with old age, Gena discovers that Sean considered having an affair during their 40 years of marriage. Learning to deal with this 25 years later, Rowlands and Connery are very good as a couple going through changes late in life. Connery is as dashing as ever, and him and Rowlands seem they have been together for 40 years. Their story is convincing and refreshing.

Keenan (Ryan Phillippe) and Joan (Angelina Jolie) are the youngest couple, two club kids looking for companionship in a complex world that Connery and Rowlands had never conceived of. Their story is as engaging and believable as that of Hannah and Paul. Jolie is the real star of this movie. No matter how composed she makes Joan out to be, we can always see her insecurities lurking just beneath the surface. Phillippe has little to do but bounce off of Jolie's tour-de-force, but he does it admirably and they make a sexy, believable young couple.

John Stewart and Gillian Anderson are also very good. She is a lonely theater director and he is a lonely architect. They have a natural unforced chemistry that you wouldn't expect from these two very different television personalities. Although their relationship in the script seems ill-conceived, their performances almost make up for it.

Madeline Stowe and Anthony Edwards are the most unappealing and ridiculous couple in the movie. As a couple cheating on their respective spouses, they have secret rendezvous in a hotel room almost every night from what it would seem. We never know the specifics of anything which is amusing at first, but becomes tired by the end of the film, as do the performances of Edwards and Stowe.

Ellen Burstyn and Jay Mohr play a mother and son. Mark is dying of AIDS and his mother rushes to his bedside. Mark and become very close before he dies. Although Burstyn and Mohr are good their story gets little screen time and thus doesn't feel as important as it should be.

Finally, Dennis Quaid is a man who spends his evenings in bars telling fantastical stories to anyone who will listen. Why does he do this? I can't give away the film, but the answer isn't truly satisfying, although Quaid gives a very good performance.

The stories all manage to come together in the end in a way that's clever and satisfying. While not the best movie, Playing By Heart has its heart in the right places and manages to have some keen insights into love and relationships.

Grade:B+

I was quite impressed with the entire presentation of the film. The characters were well developed, individual, and full of potential and humanity. The relationships were actual and realistic, a wonderful break from the Fantasy of Sleepless in Seattle (or You've Got Mail, pick the title you want). The presentation of people with problems and realistic responses to these problems and the people who are affected by these problems really makes this movie more than a past-time; it is a gift, showing us what we are and what we can become with some work and maybe a small paradigm shift.

Everyone did a wonderful job of presenting real people, Sean Connery found a role which allowed him to be his age but not loose that which he is loved for: sinful good looks and flawless composure. Gillian Anderson was so good that by the end I had almost stopped waiting for Molder to arrive. But for me Angelina Jolie was the centerpiece, as she showed the greatest degree of development and growth, epitomizing the struggle that each person was going through.

To me, the plot was a lot more complicated than just the feelings that develop from watching the movie, and the depth of perception is honestly presented in the comments of the other reviewers; most seem to have watched the movie with so much intensity that they got up 35 minutes into it to go and tell the popcorn boy to give them a new bag because they had specifically asked for NO butter. This movie is cognitive to the degree it is affective. It takes one relationship and divides it up into several stages (seen as the family members' relationships), and in doing so it allows us to see relational development in ways we normally can't, just as we repeatedly see the time of day change against the buildings.

It is funny, it is romantic, but it is true. And I am thankful for its gift of sight: into life, into death.

Why this film wasn't in wide release is beyond me. It had a great cast and a great story and even the trailer for it was funny. And plus, can't Sean Connery sell a movie all by himself? This is a true hidden gem of a film and it is one that really should be seen by everyone.

I won't really get into the details of the film too much because seeing what this film is all about is one of the joys of it. You watch it and you know there is more to it than the screen play lets on about and it is fun trying to piece clues together to understand what is going on. It is a mystery in some ways and isn't that what the movie claims to be? A mystery about love. And as they allude to, love is a mytery anyway.

My fave characters are Gillian Anderson's and Jon Stewarts. Their story hits all the right notes and it is easy to relate to them. They are both cautious people when delving into love. Both have been hurt but one of them is just a little more relaxed and willing to learn about love again. And there is one scene where Gillian jumps all over Stewart about some silly issue and this is the area where most movies go the traditional route and they break up, get back together and live happily ever after. It is a typical concept and it has been done to death. But in this movie it takes a fresh approach to solving problems and that is it's strength.

This is a great romance and it is also wickedly funny. And the way everything is summed up at the end is not only perfect but it is heart warming and it leaves you feeling glad to be in love, or at least willing to fall again.

When I checked this one out on IMDb before watching it I was firstly surprised by the cast: how do you get all those well-known actors in a film which seemed very unprepossessing and might be considered a `sleeper', made by a practically unknown director? Apart from a couple of films in the late 80s and a number of films for video with perfectly unappetising titles, Willard Carroll did not seem to be a promise living up to the great cast he assembled for this film.

How wrong can you be! An excellent drama with real life issues is presented in a more live theatre style than the heart-tugging overplayed resources of more banal cinema productions. I mean, what bad luck that such a pretentious over-hyped `American Beauty' (qv) for instance, receives an avalanche of undeserved accolades, while this little gem just passes by, relatively unknown. In `Playing by Heart' you have a natural well played-out series of events without any of the overladen bombastics so frequent in American cinema. Excellent interpretations here – among the best I have seen of Sean Connery, and Gena Rowlands is his perfect counterpart. Full marks for interpretation to Gillian Anderson, Jay Mohr, Dennis Quaid, Ellyn Burstyn just wonderful, as is Madeleine Stowe, and Ryan Phillipe; and it is the first film in which Angelina Jolie is not appearing only to show off her indisputable charms, as she is wont, but to play her first really convincing rôle without flashing unnecessarily her anatomy all over the place.

So, evidently, full marks to Willard for piecing together all these elements to bring out what is indeed a very enjoyable surprise. Most certainly a film to see again. My only quibble is that perhaps the last ten minutes or so did not quite live up to expectations: however I would not say that this factor spoils any of the impressions made during the rest of the film.

My vote is a little higher than the IMDb User Rating.

When I first came across this movie I was somewhat unconvinced by the blurb given on the back of the DVD. However, I decided to give it a chance any way (mostly due to the excellent ensemble cast) and I found that I was completely surprised - this movie was positively charming ! Granted, it is not without its slightly exaggerated moments but in the end this does nothing but add to its charm ! Angelina Jolie's character, Joan is delightful if somewhat melodramatic and Gillian Anderson does a great job as the relationship-shy Meredith enraptured with, yet afraid to commit to, the charismatic Trent. Sean Connery's performance is effortless and the rest of the cast are all excellent as well. There are light moments and completely heart-breaking moments but all in all - it ends on such a high note of hope that one cannot help but be delighted !

Definitely worth your time - 9/10