Ein Mann reist zur Beerdigung seiner Schwester in eine andere Stadt, um herauszufinden, warum sie sich umgebracht hat.Ein Mann reist zur Beerdigung seiner Schwester in eine andere Stadt, um herauszufinden, warum sie sich umgebracht hat.Ein Mann reist zur Beerdigung seiner Schwester in eine andere Stadt, um herauszufinden, warum sie sich umgebracht hat.
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Nick Millard's previous film, Criminally Insane, about a fat lady killing anyone who gets between her and her food, was a no-budget classic but this one misses the mark. The atmosphere is creepy enough and there's fang-baring and bloodletting but the film ultimately fails to deliver the hellacious conclusion it hints at. Lead Greg Braddock is so wooden he could be replaced by a bookcase. The scenes where he talks are stultifyingly boring. Ray Myles on the other hand brings a malevolent energy to his role as an undead priest and the film noticeably improves whenever he's on screen. Fans of Andy Milligan might dig the general depravity here but I found it a pretty hard slog.
This is an obscure little low-budget exploitation flick from the mid-70's. Just how obscure are we talking? Well, this review will be number six here at IMDb. Only three actors are being credited for this movie, if the cast list is any indication. This flick is so unheard of that nobody involved with it even bothered to track down the five or six other actors that appear in this movie. That's saying quite a lot, really. I personally acquired this on a triple-movie DVD set along with two other Nick Millard movies, CRIMINALLY INSANE and its sequel. I have no idea what the other options are in terms of availability for SATAN'S BLACK WEDDING.
This movie was released during a time when horror often dealt with Satanism and the rise of the devil himself. It very much rides the coattails of popularity from similarly-themed movies such as ROSEMARY'S BABY and THE EXORCIST and even lesser-known titles from the drive-in movie circuit. SATAN'S BLACK WEDDING was definitely a bandwagon-jumper, and not an especially good one, at that.
First, the good things about this movie: as other reviews have mentioned, the atmosphere is very dark and spooky, in a way unseen in later horror films. The opening shots of a Goya painting, coupled with creepy, off-kilter piano music, certainly set the stage for a genuinely disturbing movie. The score for this movie was very well placed, as were many of the sets and locations.
On the other hand, this is a very cheap movie, and finding professional actors must have been rather tricky. Many of the actors, most of whom are not listed on IMDb, were pretty wooden. The special effects aren't much to write home about, either. The bright red "70's blood," as I call it, is to be expected, but the vampire teeth used for the undead Satanists looked as though they were purchased out of one of those 25-cent vending machines seen in the opening walkways at your local department stores--the kind you might have used as a child while completing a Dracula costume for Halloween. It's hard to be scared of creatures with those plastic monstrosities sticking out of their mouths.
The plot is pretty basic. Mark, a young actor and Elvis Presley lookalike, arrives in town to investigate the mysterious death of his sister. As he continues searching, he finds that she was involved in a bizarre underground cult of devil-worshippers who, through some sort of dark rites, are able to reanimate the dead as some sort of Satanic vampire things that bite necks and suck the blood from the living.
This is a fun movie for those who enjoy cheap horror flicks that virtually nobody has ever heard of. I can honestly recommend this for that crowd. For those who prefer a higher-budget flick or something that had a little more talent behind it, I'd suggest steering clear of this one.
This movie was released during a time when horror often dealt with Satanism and the rise of the devil himself. It very much rides the coattails of popularity from similarly-themed movies such as ROSEMARY'S BABY and THE EXORCIST and even lesser-known titles from the drive-in movie circuit. SATAN'S BLACK WEDDING was definitely a bandwagon-jumper, and not an especially good one, at that.
First, the good things about this movie: as other reviews have mentioned, the atmosphere is very dark and spooky, in a way unseen in later horror films. The opening shots of a Goya painting, coupled with creepy, off-kilter piano music, certainly set the stage for a genuinely disturbing movie. The score for this movie was very well placed, as were many of the sets and locations.
On the other hand, this is a very cheap movie, and finding professional actors must have been rather tricky. Many of the actors, most of whom are not listed on IMDb, were pretty wooden. The special effects aren't much to write home about, either. The bright red "70's blood," as I call it, is to be expected, but the vampire teeth used for the undead Satanists looked as though they were purchased out of one of those 25-cent vending machines seen in the opening walkways at your local department stores--the kind you might have used as a child while completing a Dracula costume for Halloween. It's hard to be scared of creatures with those plastic monstrosities sticking out of their mouths.
The plot is pretty basic. Mark, a young actor and Elvis Presley lookalike, arrives in town to investigate the mysterious death of his sister. As he continues searching, he finds that she was involved in a bizarre underground cult of devil-worshippers who, through some sort of dark rites, are able to reanimate the dead as some sort of Satanic vampire things that bite necks and suck the blood from the living.
This is a fun movie for those who enjoy cheap horror flicks that virtually nobody has ever heard of. I can honestly recommend this for that crowd. For those who prefer a higher-budget flick or something that had a little more talent behind it, I'd suggest steering clear of this one.
Director Nick Millard's SATAN'S BLACK WEDDING is an interesting little curio of its era. Right off the bat it must be stated that if you're looking for a slick, professional-looking production, then you'd better not bother with this one. Otherwise, it could cause severe cranial blistering.
For those not expecting much, there's a minor miracle at work here, in that, in spite of its heinous cheapness: cardboard sets, thrift store costumes, Walmart vampire teeth, "actors" gathered from some local park, etc., Millard somehow created a bleak horror movie with an unsettling atmosphere of dread and doom.
You'll watch agog, wondering how in the hell something so obviously shabby and inept could possibly give you the shudders!
Watch and be amazed...
For those not expecting much, there's a minor miracle at work here, in that, in spite of its heinous cheapness: cardboard sets, thrift store costumes, Walmart vampire teeth, "actors" gathered from some local park, etc., Millard somehow created a bleak horror movie with an unsettling atmosphere of dread and doom.
You'll watch agog, wondering how in the hell something so obviously shabby and inept could possibly give you the shudders!
Watch and be amazed...
A woman writing a book called "High Satanic Rites," about vampirism in modern-day Monterey, California, commits suicide while under the power of an evil priest. The woman's brother, Mark, sticks his nose in the police investigation and more dead bodies show up, drained of blood. Mark's ex-girlfriend, his sister's research assistant, lends a hand and falls in love with him again. Mark confronts the priest in the basement of a church, where 180 years ago some nuns were praying and conjured the Devil. The Foul One used to enjoy watching Mark and his sister playing near the church as children. Now he wants to initiate both of them into the vampire's coven. Mark tries to escape from the priest and his vampire slaves, but crashes his car and dies.
The fade out of this daffy and very poor horror flick is memorable: Mark, bloodied and disfigured from the accident, stands before an unholy altar to wed to his dead, vampirized sister.
SATAN'S BLACK WEDDING originally played in theaters on a double-bill with the more well-known CRIMINALLY INSANE. Both films are a real endurance test for even the most hardened Z-movie enthusiast. Director Philip Miller is really Nick Phillips, who also directed CRIMINALLY INSANE.
The fade out of this daffy and very poor horror flick is memorable: Mark, bloodied and disfigured from the accident, stands before an unholy altar to wed to his dead, vampirized sister.
SATAN'S BLACK WEDDING originally played in theaters on a double-bill with the more well-known CRIMINALLY INSANE. Both films are a real endurance test for even the most hardened Z-movie enthusiast. Director Philip Miller is really Nick Phillips, who also directed CRIMINALLY INSANE.
"Satan's Black Wedding" is in no way a good movie. But, It isn't all that bad of a no budget film. Sure, there are many grade B through Z horror films that are good and bad, but this one is actually entertaining in a strange sort of way. Don't Expect "The Omen" or "Rosemary's Baby" with this one, but check it out if you can find it.
The storyline isn't anything to original as it starts with a woman slitting her wrists and bleeding to death. Go ahead a few days and we are at her funeral with her brother and few others. Her brother, whom is a Hollywood actor, decides to check out the place in which she did herself in. When he gets there he discovers that the police scene hasn't been changed and that there is blood all over the place. The police detective doesn't believe this to be a suicide thus starting the brothers search for what actually happened, leading him into a dark world of vampires with silly looking teeth.
First I should say that the special effects are definitely grade Z. No gore but an extreme amount of blood. The vampire teeth are just hilarious as they look like something that you could buy from Wal-Mart. The movie did have some nice atmosphere with a halfway decent soundtrack minus a few moments where the pitch got way to high and it hurt my ears. The acting was also silly going from mediocre to just plain bad. Especially during a love scene that is about as boring as watching the grass grow. Last, but not least, check out the very end of the movie at the "The End" screen and listen to the music fade off horribly. It was just hilarious.
I got to recommend this to anyone that loves 70's low budget cinema. Definitely worth the time. 7/10
The storyline isn't anything to original as it starts with a woman slitting her wrists and bleeding to death. Go ahead a few days and we are at her funeral with her brother and few others. Her brother, whom is a Hollywood actor, decides to check out the place in which she did herself in. When he gets there he discovers that the police scene hasn't been changed and that there is blood all over the place. The police detective doesn't believe this to be a suicide thus starting the brothers search for what actually happened, leading him into a dark world of vampires with silly looking teeth.
First I should say that the special effects are definitely grade Z. No gore but an extreme amount of blood. The vampire teeth are just hilarious as they look like something that you could buy from Wal-Mart. The movie did have some nice atmosphere with a halfway decent soundtrack minus a few moments where the pitch got way to high and it hurt my ears. The acting was also silly going from mediocre to just plain bad. Especially during a love scene that is about as boring as watching the grass grow. Last, but not least, check out the very end of the movie at the "The End" screen and listen to the music fade off horribly. It was just hilarious.
I got to recommend this to anyone that loves 70's low budget cinema. Definitely worth the time. 7/10
Wusstest du schon
- WissenswertesDirector Nick Millard wanted to distance his vampire film from the Dracula mythos, so he based the script off of stories he heard of defecting priests and nuns who practiced devil worship.
- VerbindungenEdited into Doctor Bloodbath (1987)
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