Bloodfight: Der Kampf geht weiter!

Right out of the gate, Bloodfight is a unique piece of martial arts cinema, shot by a Japanese crew, filmed in phonetic English and set in Hong Kong starring a plethora of recognisable names including a baby-faced Simon Yam, unfortunately, there's no escaping the fact that Bloodfight simply isn't a very good film in its own right. Part of the problem is that it never really knows what story it is trying to tell; half of the film is a Bloodsport rip-off while the other is a messily cobbled-together morality tale. The film was clearly marketed towards an international audience with the all-English dialogue but the cast's varying grasp of the language is make or break at best, although there's very little that can elevate material as hammy as this, they try their damnedest to do so. Nevertheless, despite the film's issues, it's made with a lot of earnestness, which I can never bring myself to hate. Shûji Gotô's direction is fine if often let down by some clumsy editing and bland fights, while the soundtrack by Micky Oguchi is one of synth-pop goodness. While on paper Bloodfight may have seemed like a winner, the execution is a different matter entirely; I still ended up liking this way more than I expected but so much of the film comes across as unsatisfying, one I'm sure Frank Dux would have a field day with if he ever watched it.

A Martial Arts fighter named Masahiro Kai (Yasuaki Kurata), retired for years from the free fighting form, wants someone else to carry on his legacy so he seeks a student he can train. His first choice, a young punk, turns out to be too filled with anger and violence to ever amount to anything. He has better luck with young Ryu Tenmei (Simon Yam) who starts out seeking revenge against a group of punks who attacked him and his girlfriend, including Kai's former student, but soon comes to put his hatred aside and replace it with an appreciation and understanding of the true benefits of adopting the martial arts philosophy and lifestyle. Soon Ryu is good enough to fight in the deadly World Championship free-fighting tournament and the result proves shocking and unexpected, a result that may force Kai out of retirement and back into the fighting field seeking retribution for his fallen student. But can Kai possibly succeed against the powerful, devilish Chong Lee (Bolo Yeung)?

Honestly I like BLOODFIGHT far more than BLOODPSORT even though it has largely the same plot. There's a more believable edge to BLOODFIGHT I feel and it's helped by the fact it's an actual Hong Kong based film presentation. The fighting is quite good but even better is the emotional range the performers show managing to overcome language barriers with strong use of body language and the extra time and attention given to building up characters, something decidedly lacking in BLOODSPORT. Still there are problems. I believe they made a mistake filming this in English because most of the performers simply had not mastered the language even though it was an interesting exercise to watch them attempt it and a nice try on the part of those behind the film to presumably reach a larger audience and perhaps tap into some of the financial success BLOODSPORT enjoyed. Finally the resolution isn't fully satisfying as the punishment doesn't quite seem to match the crime that was perpetrated. That said, I ended up liking this far more than I expected I would.

Nothing particularly notable about this one. Plot is almost identical to VanDamme's Bloodsport which came out a year earlier, even down to Bolo Yueng as the bad guy and the retrieval of a belt/headband. I see the cityscape training runs as very reminiscent of "Rocky." Actually, the acting was probably better than most of the genre and there are some great thugs being beat up on about three occassions. I would have liked it better if they had resolved that issue before the end of the movie.

The one thing I did find interesting was the complete Naihanchi Shodan Kata (Japanese version is Tekki Shodan) done by the main character on the top of a hillside looking out over the city. And the contrast between the bad guy's wonderful training facilities and the good guy's traditional tools is a good message, showing how hard work overcomes good facilities.

My biggest gripe is the amount of devastation absorbed by the characters in the final fight without dying!

I saw this movie in my local Book Off store here in NYC. It had Bolo Yeung on the cover of the DVD and being a huge fan of Bolo, I was immediately intrigued and I purchased it.

Overall, it's rough with the language because it's in Asian so I had to watch it on English subtitles. Starts off a little slow but if you hang in there, you'll get rewarded with a great fight scene between the main hero of the film and the main villain which is Bolo. Not a bad action film.

As a kid, we considered this movie as one of the funniest things ever, and it was a neighborhood sensation for about half a Summer. Essentially a direct (and abysmal) clone of "Bloodsport," "Bloodfight" was made the same year, and features the same bad guy: Bolo Yeung. (Who, strangely enough, plays the same CHARACTER as he did in "Bloodsport"). I hadn't seen this movie in 15-years and was pleased to discover that it remains as cheesetastic as my memories....Anyway, the movie is dreadful, almost continuously incoherent rubbish, but has its moments as an unintentional comedy. The acting is TERRIBLE, and some of the film's more dramatic sequences are laugh out loud funny. (Some segments had me questioning whether the lameness was intentional, but I don't think it is). There are some definite pacing problems, and the editing is so bad that the story is essentially broken and unnavigable, but there are a few pretty classic parts. If you appreciate the sublime comfort of late-vintage, bottom-of-the-barrel Hong Kong actioners, and need an easy one to laugh at, this one's OK. You'll have to fast-forward through some parts, but just know there is funny in here, friends. LONG LIVE THE KUMATE! ---|--- Reviews by Flak Magnet