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Die Ewigkeit und ein Tag

Originaltitel: Mia aioniotita kai mia mera
  • 1998
  • 12
  • 2 Std. 17 Min.
IMDb-BEWERTUNG
7,9/10
15.446
IHRE BEWERTUNG
Die Ewigkeit und ein Tag (1998)
Drama

Alexander, ein berühmter Schriftsteller, ist sehr krank und hat nur noch kurze Zeit zu leben. Auf der Straße trifft er zufällig einen kleinen Jungen, der illegal aus Albanien eingewandert is... Alles lesenAlexander, ein berühmter Schriftsteller, ist sehr krank und hat nur noch kurze Zeit zu leben. Auf der Straße trifft er zufällig einen kleinen Jungen, der illegal aus Albanien eingewandert ist, und begibt sich mit ihm auf eine Reise, um ihn wieder nach Hause zurückzubringen.Alexander, ein berühmter Schriftsteller, ist sehr krank und hat nur noch kurze Zeit zu leben. Auf der Straße trifft er zufällig einen kleinen Jungen, der illegal aus Albanien eingewandert ist, und begibt sich mit ihm auf eine Reise, um ihn wieder nach Hause zurückzubringen.

  • Regie
    • Theodoros Angelopoulos
  • Drehbuch
    • Theodoros Angelopoulos
    • Tonino Guerra
    • Petros Markaris
  • Hauptbesetzung
    • Bruno Ganz
    • Isabelle Renauld
    • Fabrizio Bentivoglio
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,9/10
    15.446
    IHRE BEWERTUNG
    • Regie
      • Theodoros Angelopoulos
    • Drehbuch
      • Theodoros Angelopoulos
      • Tonino Guerra
      • Petros Markaris
    • Hauptbesetzung
      • Bruno Ganz
      • Isabelle Renauld
      • Fabrizio Bentivoglio
    • 44Benutzerrezensionen
    • 29Kritische Rezensionen
    • 80Metascore
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 9 Gewinne & 4 Nominierungen insgesamt

    Fotos25

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    Topbesetzung43

    Ändern
    Bruno Ganz
    Bruno Ganz
    • Alexandros
    Isabelle Renauld
    Isabelle Renauld
    • Anna
    Fabrizio Bentivoglio
    Fabrizio Bentivoglio
    • The Poet
    Ahilleas Skevis
    Ahilleas Skevis
    • The Child
    Lazaros Andreou
    Lazaros Andreou
      Aristotelis Aposkitis
      Aristotelis Aposkitis
        Despoina Bebedeli
        Despoina Bebedeli
        • Alexandros' Mother
        • (as Despina Bebedeli)
        Iris Chatziantoniou
        Iris Chatziantoniou
        • Alexandros' Daughter
        Dimitris Fotsinos-Safrantzas
        • Kid
        • (as Dimitri Fotsinos-Safrantzas)
        Eleni Gerasimidou
        Eleni Gerasimidou
        • Ourania
        Rony Gianari
        Milena Giannakidou
          Mihalis Giannatos
          Mihalis Giannatos
          • Ticket Inspector
          • (as Mihalis Yanatos)
          Themis Gousoulis
          Themis Gousoulis
          • Kid
          Yorgos Halaris
          • Kid
          Maria Hatziioannidou
            Giannis Karabinis
              Vassilia Kavouka
              • Regie
                • Theodoros Angelopoulos
              • Drehbuch
                • Theodoros Angelopoulos
                • Tonino Guerra
                • Petros Markaris
              • Komplette Besetzung und alle Crew-Mitglieder
              • Produktion, Einspielergebnisse & mehr bei IMDbPro

              Benutzerrezensionen44

              7,915.4K
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              Empfohlene Bewertungen

              10Ricky-37

              A true masterpiece of human emotion

              This film was such a pleasurable experience to watch. I was expecting a considerably depressing venture but the end left me filled with a variety of conflicting emotions, including a hint of rapture and a dash of melancholy. There are times where Angelopoulos left me contemplating about the life I have led. To many critics, the pace of this film was too slow, on the other hand I felt that it flowed beautifully, taking its time to arouse the audience's emotions. The music by Eleni Karaindrou touched my soul for it was able to guide the actors to make a truly magnificent tale from the heart.
              varkaris

              year 98:dedicated to dionysios solomos,the national poet of greece

              Thessaloniki this day. A very sick bearded man leaves his seaside house to go to the hospital for the few days remaining. Suddenly he decides to search the area. He rescues a small Albanian boy chased at the traffic lights by the police while cleaning car windows for a living. He saves the same kid when ready to be sold to foreigners. This happens in Greece but it can happen anywhere. He makes a tour with the kid. He visits the frontier looking like a Nazi camp with spectators watching while hanging on the wire fence. He speaks with Dionysios Solomos,the poet of the 'Hymn to liberty' and 'Free begieged'.A poet that used to pay people in Zakynthos to buy a word for poetic exploitation. Theo Angelopoulos plays an important sociophilosophical role as a very talented director in expressing the human relation,the national language and many other concepts. Angelopoulos purports to open a new road for understanding the world,life,death,love,poetry,music,child innocence,a man to die very soon,a wedding with the married couple dancing in circle movements. This movie has a faster mode than previous ones by the

              same director. First prize in Cannes in competition with Benigni's 'life is beautiful'. A film with the warm performance of Bruno Ganz. A film with the magnificent music of Eleni Karaindrou. A masterpiece for 10 out of 10.
              pmaniatis

              Theo Angelopoulos Philosopher / film-maker

              Review of the film eternity and a day – mia aiwnioteta kai mia mera By Peter Maniatis

              THEO ANGELOPOULOS THE PHILOSOPHER / FILM MAKER

              The issues that this film addresses are "time" and "logos". The question "how long is tomorrow" involves the concept of time.

              Since by the expression of "tomorrow" we understand both, the day after today and an eternity, we require the force of "logos" to resolve this chaotic situation. For Alexandros, the use of logos, the accumulation of word-wealth, brings order to his troubled world. It sheds light to his past, present and future.

              Defining time as A-series and B-series We can look at the concept of time as Past, Present, and Future. Lets call this an A-series, Past Present Future. Alexandros' past is when he was young, his wife, his friends, his young family, his job, his present is that he is old, and alone, and his future, his tomorrow, is death.

              Now let us look at P. P. & F. in relation to each other. The arrival of Captain Cook in Australia is a past event. The destruction of Earth or the Second Coming if you wish, is a Future event. But there was a time that the arrival of Captain Cook was a Future event, and there will be a time that the destruction of the Earth will be a Past event. So we can say that Past Present and Future can be viewed in relative terms, without defined boarders.

              In the film, we see Alexandros in his present form, with his rain coat and seemingly old, intermingling with people in spaces of his past, in the form of the time that the events took place at a present time.

              With this perspective, we view past, present, and future, relatively to our position in space that we find ourselves at the time (space time). Alexandros does just that.

              DEFINING TIME BY WAY OF CHANGE:

              Dimension of change in the sense of coming to be and passing away.

              Alexandros came to be, he was born, he grew old (changed from young to old) and then tomorrow he will pass away. It is the same with everything in nature. The young child is young at the present time, he too will get old and eventually pass away.

              Changes in space, variations we experience in space. When we say that the road changes from being narrow to become wide we speak metaphorically. Philosophers connected with the theory of relativity do not see that there is a difference in the change of the road becoming wider and in the changes of the person becoming older. Events deemed past in one frame of reference are deemed future in other frames. The difference is only subjective, experiential, rather than reflecting an ontological fact.

              Events of Alexandros past are viewed from a spatial position in the present, and according to Agelopoulos, those past events are at the same time present events. Alexandros wears the same raincoat and is the same age. Past events are present in his mind. One can say that looking at time, from space time perspective, time is static.

              Static view of time: According to Parmenides and Zeno, appearance of temporal change is an illusion.

              Dynamic view of time: Heracletus and Aristotle, held that future lacks the reality of present and Past. Reality continuously is added to as time passes.

              The theory of relativity allows that some events are past or future no matter which frame of reference is selected. The relativity of simultaneity, looking at past present and future at the same time, only requires us to revise our conception of the present.

              Alexandros, I think, does just that. He revises is conception of his present situation relatively, from space –time perspective.

              THE THREE BIKE RIDERS DRESSED IN YELLOW

              The Fates, Klotho, Atropos and Lachesis, the daughters of Necessity, are the three forms of time out of which human life is woven. In the film, the three bike riders we see in the distance and dressed in yellow represent them.

              In the ancient Greek myth, there is a cosmic spindle where all strands of human life exist separately. In the film, Alexandros', Ana's, his mother, his daughters', and the child's lives all exist separately.

              Klotho spins them together at some present time, the wife with the husband, the father with the children in their young years, the old man and the child refugee.

              Atropos, the future, will unravel them as to give the illusion of freedom. The future of the child seems to be free. He does not go back to his grand mother, he goes of to seemingly freedom, but all the time his life is determined by Lachesis the Aloter.

              In this chaotic situation, it is only logos that brings order, that gives some sense to seemingly world of fate or chance.

              LOGOS:

              Logos in its multiple meanings, word, speech, dialogue, language, debate, account, etc. makes the above thoughts possible. It is the uniting force. In the chaotic world of change, logos comes to give some comfort by ordering things, by putting events and actions in their right place.

              Alexandros, in order to make sense of his life, wants as many words as he can find, to make sense of the time he spend being alive. And in the spirit of Capitalism, he is prepared to buy the words. He is prepared to buy them and gain his freedom, freedom from the tyranny of time, from the tyranny of death. Like his predecessor, Dionysios Solomos who was buying words to write the Ode to Freedom that became the Greek National Anthem.

              Alexandros, I think gained his freedom. At the end of the day he was making plans. "Tomorrow" after all, did not seem for Alexandros the end of time. It did not seem the end of his time.

              A very good film.
              8runamokprods

              Flawed, but moving and beautiful

              The most Bergmanesque of Angolopoulos's films. Simpler and less epic than most of his work, with fewer of his trademark breathtaking images and grand themes. Yet this story of a dying writer spending his last day before entering the hospital -- never to leave -- has a deeply elegiac melancholy, and his attempts to find meaning by saving an Albanian street urchin are often moving, if occasionally sappy. The same is true of Bruno Ganz' (unfortunately dubbed) relationship with his wife and family, told mainly in flashback, Much is moving, some is hokey and forced. But Ageloupolus' use of images to make film a poetic medium is always worth watching, even when flawed.
              Red"V"

              "Kolya" meets "L'Avventura"

              Not as heart-warming as "Kolya," nor as powerful as "L'Avventura," but still a movingly worthwhile experience. The leaps from one point in the hero's lifetime to another are poignant. Many of the directorial flourishes are quite memorable; the wedding sequence is not to be missed!

              Our hero, Alexos, exists in the present urban world in which the weather is gloomy and almost everyone wears black; but his mind wanders to the past, where the sun infallibly shines over the shore and nearly all wear white. Yet when Alexos imagines himself in his past, he's still shrouded in black; he can't even dream that he could be happy, until a street urchin appears to rattle him from his shell.

              This film does contain elements we've seen before, but arranges them in a fresh way. It reminded me how precious and fleeting each moment really is, and how wondrous it can be to share our moments with others.

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              Handlung

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              Wusstest du schon

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              • Wissenswertes
                Bruno Ganz delivered his lines in German and was dubbed into Greek.
              • Patzer
                When the child goes to see his dead friend Selim in the morgue, we can see Selim's right eyelid slightly blinking just after the child closes the door.
              • Zitate

                Alexandre: Why, mother, nothing happens as we wish? Why? Why does one have to rot in silence torn between pain and desire? Why did I live my life in exile. Tell me mother, why can't one learn to love?

              • Verbindungen
                Featured in WatchMojo: Top 10 Inspiring Immigration Movies (2017)
              • Soundtracks
                Asma asmaton
                Music by Mikis Theodorakis

                Lyrics Iakovos Kabanellis

              Top-Auswahl

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              FAQ18

              • How long is Eternity and a Day?Powered by Alexa

              Details

              Ändern
              • Erscheinungsdatum
                • 21. Januar 1999 (Deutschland)
              • Herkunftsländer
                • Frankreich
                • Italien
                • Griechenland
                • Deutschland
              • Offizieller Standort
                • Artistic License Films
              • Sprachen
                • Griechisch
                • Englisch
                • Italienisch
              • Auch bekannt als
                • Eternity and a Day
              • Drehorte
                • Thessaloniki, Griechenland
              • Produktionsfirmen
                • Paradis Films
                • Intermédias
                • La Sept Cinéma
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              Box Office

              Ändern
              • Bruttoertrag in den USA und Kanada
                • 107.178 $
              • Eröffnungswochenende in den USA und in Kanada
                • 24.221 $
                • 31. Mai 1999
              • Weltweiter Bruttoertrag
                • 107.322 $
              Weitere Informationen zur Box Office finden Sie auf IMDbPro.

              Technische Daten

              Ändern
              • Laufzeit
                2 Stunden 17 Minuten
              • Farbe
                • Color
              • Sound-Mix
                • Dolby Stereo
              • Seitenverhältnis
                • 1.66 : 1

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