Füge eine Handlung in deiner Sprache hinzuPresenting high-lights from the history of sound pictures. Included are such history-making episodes as Al Jolson's first audible words on the screen, Ethel Waters singing Am I Blue?, and ot... Alles lesenPresenting high-lights from the history of sound pictures. Included are such history-making episodes as Al Jolson's first audible words on the screen, Ethel Waters singing Am I Blue?, and other milestone events.Presenting high-lights from the history of sound pictures. Included are such history-making episodes as Al Jolson's first audible words on the screen, Ethel Waters singing Am I Blue?, and other milestone events.
- Regisseur/-in
- Autor/-in
- Stars
Fotos
Art Gilmore
- Self - Narrator
- (Synchronisation)
James Cagney
- Self
- (Archivfilmmaterial)
- (segment "Yankee Doodle Dandy")
- (Nicht genannt)
Gary Cooper
- Self
- (Archivfilmmaterial)
- (segment "Sergeant York")
- (Nicht genannt)
Sheldon Jett
- Self - Audience Member
- (Nicht genannt)
Joan Leslie
- Self
- (Archivfilmmaterial)
- (segment "Yankee Doodle Dandy")
- (Nicht genannt)
Harold Miller
- Self - Audience Member at 'Don Juan'
- (Nicht genannt)
Benito Mussolini
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Edwin Tuttle
- Self - Audience Member
- (Nicht genannt)
Albert Warner
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Harry M. Warner
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Jack L. Warner
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
Sam Warner
- Self
- (Archivfilmmaterial)
- (Nicht genannt)
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7tavm
The Voice That Thrilled was pretty good while The Voice from the Screen not so much
This Warner Bros. documentary short tells of their contribution to sound films which started with late sibling Sam's championing the Vitaphone process which contributed to the development of The Jazz Singer's success and the first all-talking picture Lights of New York of which a pertinent clip is shown. I'll just now say that this was quite an educational experience even though it was biased toward this particular studio's efforts. I'd now like to move on to another short on The Jazz Singer DVD that's not listed on this site: The Voice from the Screen. Hosted by Edward B. Craft, executive vice president of the Bell Telephone Laboratories, Inc., he presented before the New York Electrical Society on Oct. 27, 1926, the Vitaphone method of recording sound for film that-as filmed here-now looks very boring especially when there no cuts or different camera angles depicted even when having a director demonstrate filming the guitar-and-ukulele singing duo of Witt & Berg. At least that same duo is later in close-up when singing their next song. That one gets a two while the other short's rating is above...
Not Quite
Here's a short subject from Warner Brothers which tells the story of how Warner Brothers invented sound movies.
Well, not quite. Although Art Gilmore narrates the story of how experiments with sound began in France in the middle of the 19th Century, it wasn't Sam Warner who came up with the idea of talking pictures. Edison talked about them even before his laboratories came up with movies; Dickson offered a sound film in 1895. Regular production of sound films began in 1900, and there were dedicated theaters for sound films in Paris and Berlin from 1906 through 1914.
While it's true that these efforts dribbled away, and that Warner Brothers' Vitasound process was the beginning of regular and unbroken sound films -- along with Fox Movietone production -- some of us are fascinated by earlier efforts. And it makes the achievement of the Warner Brothers even more impressive. After all, they succeeded.
Well, not quite. Although Art Gilmore narrates the story of how experiments with sound began in France in the middle of the 19th Century, it wasn't Sam Warner who came up with the idea of talking pictures. Edison talked about them even before his laboratories came up with movies; Dickson offered a sound film in 1895. Regular production of sound films began in 1900, and there were dedicated theaters for sound films in Paris and Berlin from 1906 through 1914.
While it's true that these efforts dribbled away, and that Warner Brothers' Vitasound process was the beginning of regular and unbroken sound films -- along with Fox Movietone production -- some of us are fascinated by earlier efforts. And it makes the achievement of the Warner Brothers even more impressive. After all, they succeeded.
Jazz Singer Disc 3
Voice from the Screen, The (1926)
* 1/2 (out of 4)
Historically important yet deadly dull documentary was made by Vitaphone and Warner so that they could explain how they were going to add sound to movies. The man talking and explaining all of this is deadly dull, which leads to a pretty boring short but he also explains everything in circles, which makes the information quite confusing as well.
Finding His Voice (1929)
** 1/2 (out of 4)
Co-directed by Max Fleischer, this cartoon short has an animated figure learning how to speak on film. Once again, the main purpose here is to explain how sound has been added to film and this one here is pretty entertaining and it also doesn't take itself too serious, which makes it easier to understand.
Voice That Thrilled the World, The (1943)
*** (out of 4)
Documentary short about how sound came to movies and what it has led to. This Warner short features clips from many of their films and really centers on Yankee Doodle Dandy since it had just won the Oscar for Best Sound. We also get clips from The Jazz Singer, Don Juan and The Lights of New York, which was the first all talkie.
OK For Sound (1946)
** 1/2 (out of 4)
Documentary covering the 20th Anniversary of sound films once again shows clips from all the big movies and tries to explain why sound was so important. The documentary loses points for making fun of the silent film but this was the attitude of the time, which is why so many silent films are now lost.
When the Talkies Were Young (1955)
*** (out of 4)
Documentary taking a look at the early sound pictures from Warner. The film shows off all of Warner's hot stars including Cagney, Tracy, Robinson, Davis and Stanwyck. This is basically a long trailer compilation but they do pick out some good and so far unavailable titles on DVD.
* 1/2 (out of 4)
Historically important yet deadly dull documentary was made by Vitaphone and Warner so that they could explain how they were going to add sound to movies. The man talking and explaining all of this is deadly dull, which leads to a pretty boring short but he also explains everything in circles, which makes the information quite confusing as well.
Finding His Voice (1929)
** 1/2 (out of 4)
Co-directed by Max Fleischer, this cartoon short has an animated figure learning how to speak on film. Once again, the main purpose here is to explain how sound has been added to film and this one here is pretty entertaining and it also doesn't take itself too serious, which makes it easier to understand.
Voice That Thrilled the World, The (1943)
*** (out of 4)
Documentary short about how sound came to movies and what it has led to. This Warner short features clips from many of their films and really centers on Yankee Doodle Dandy since it had just won the Oscar for Best Sound. We also get clips from The Jazz Singer, Don Juan and The Lights of New York, which was the first all talkie.
OK For Sound (1946)
** 1/2 (out of 4)
Documentary covering the 20th Anniversary of sound films once again shows clips from all the big movies and tries to explain why sound was so important. The documentary loses points for making fun of the silent film but this was the attitude of the time, which is why so many silent films are now lost.
When the Talkies Were Young (1955)
*** (out of 4)
Documentary taking a look at the early sound pictures from Warner. The film shows off all of Warner's hot stars including Cagney, Tracy, Robinson, Davis and Stanwyck. This is basically a long trailer compilation but they do pick out some good and so far unavailable titles on DVD.
WB short
This WB short presents the development of sound in film. Of course, they glorify their own successes and they deserve it as one of pioneers in the field. It's been a decade and a half since The Jazz Singer. I don't know all the other movies. It's still interesting to see the clip show. This is a nice pat on the back even if it's from themselves.
A nice overview of sound movies.
This short was included with the DVD set for "The Jazz Singer"--with two of the three DVDs containing wonderful extras about early sound films. This 1943 short essentially covers most of the material that is covered more in depth and in a more interesting manner in "The Dawn of Sound: How Movies Learned to Talk"--a truly wonderful 85 minute film about the history of sound films. This short is only about 20 minutes and seems a bit rushed and superficial--but it does show a few really nice clips from the earliest sound films--more even than were in "The Dawn of Sound". My advice is that if you must see one film, see "The Dawn of Sound" but if you are a crazy film nut like me, see them both--they are both exceptionally interesting and important films.
Wusstest du schon
- WissenswertesVitaphone release number 1179A.
- PatzerThe zoom shot on the newspaper headline "FIRST ALL-TALKING PIC STARTS" (with the subhead '"ONLY A FAD," SAY EXPERTS') shows the text, 'Warner Brothers are starting the first all-talking picture with Al Jolson in the "Jazz Singer." The production being put on in an elaborate scale is said by some of those in the know to be only a passing fad.' This statement is incorrect as Der Jazzsänger (1927) was the first feature-length part-talkie film. As shown just after the newspaper fades out, Lights of New York (1928) is the first all-talking picture.
- VerbindungenFeatured in The Soundman (1950)
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