Molokai: The Story of Father Damien

This was a magnificent film. I had heard that there were some creative differences between director Paul Cox and other people involved in the film.

But this does not seem to affect the film in total. I found it a very moving uplifting film that presents the best the human species can aspire to. Like Mother Teresa and Gandhi Father Damian was probably a pain in the rear to the authorities civil and religious.

But that is the way of people who are so sure of their beliefs.

David Wenham, who is well known to Australian audiences, showed yet again what a talented actor he is.

The international actors who provided cameo roles were all excellent, particularly Peter O'Toole.

I've enjoyed Paul Cox's films many times over the years. They often win awards but are rarely major box office winners, But he has the ability to present the best of the human experience. He portrays real emotions and real people.

I saw this in a film festival just yesterday. It was not really the sort of film I would go to normally (I'm not really into religious themes in film). I already knew a little of Father Damien's story, and I had a fair idea of how the story would end but I was glad I saw it just the same. I wouldn't say I "enjoyed" it because the subject matter was in many ways depressing but in a way it was an inspiring story. It showed what one man can do to improve the lives of 1000-odd suffering people that the rest of the world has all but forgotten. Damien had a will of iron and he needed it to counter the resistance of the government and his superiors in getting the help he needed.

If this sort of theme appeals to you I'm sure you will appreciate the film, if you definitely don't like religious themes then it's probably better that you don't see it.

While I hate schmaltzy inspirational films, I must say that "Molokai: The Story of Father Damien" doesn't fall into that category. Sure, it is inspirational...but there is no schmaltz...just the true story of an amazing man.

The film is set in Hawaii during the 19th century. Leprosy has hit the islands hard and since there was no cure yet for Hansen's Disease, the sad suffering folks were dumped on the island of Molokai...essentially to rot and life like animals. Learning of their plight, the Church decides to send priests there temporarily...staying briefly but hopefully not long enough to contract the dreaded illness. Little did they know that the first man sent there, Father Damien, would stay...until he, too, was overcome by the illness after being there many years.

It's obvious that the story must have been a labor of love to several actors. After all, Peter O'Toole, Leo McKern and Derek Jacobi didn't need the money and the first two actors were all but retired. And, I am glad they did, as the film was a nice end piece to their careers. Very well made, fascinating to watch and be sure to keep some Kleenex nearby if you watch it.

This is a surprisingly intimate look at some of Father Damien's experiences, but the dramatic structure of the film is often frustratingly fragmented.

Scenes of the authorities on O'ahu struggling with how to deal with the amazing man and his demands on behalf of his community seem to have been shot very hastily, and they fit poorly with the more carefully conceived segments from Moloka'i. Even there, the scenes with Peter O'Toole seem poorly integrated into the progression of the story.

Despite the participation of many top-flight actors and actual local victims of Hansen's disease, this film offers only fleeting, tantalizing glimpses of what could have been a tremendously powerful drama of the life of a man who may yet become an actual saint. In isolation, the leading performances are very fine, but the package failed to gel and the film is, finally, only a carefully-drawn series of vignettes.

This was an almost unrealistically ambitious co-production between Belgium and a whole bunch of other countries, but the many different sources of interference don't hurt the finished product as much as I thought it would. More funding brings more supplies, and that shows. Paul Cox may not be a particularly skilled director, but his country does appear to have a lot of money so it evens out. The visual style to this movie looks really professional, sometimes it'll give you a made for TV-vibe, but that will just be a sporadic feel. The screenplay has some pacing problems, but that doesn't mean it's slow. It just keeps randomly changing in pace, which isn't nearly as exciting as you'd think. There are bunches of scenes where there's nothing happening, but when father Damien ends up contracting leprosy, the movie suddenly looks like it's sick of itself and just takes every possible shortcut to the ending. I do like that very last line though, as corny as it may be, and it is very corny. The biggest plus this movie has is the performance by David Wenham. Hiring an Australian guy to play Damien sounds like the worst idea ever, but he's really authentic. He's pretty much why I kept watching. This movie is fairly well-made, but there's room for improvement.