dinnerladies

I absolutely love this show! It's the highlight of my week, watching it on a Friday night. It has me in hysterics from start to finish. I've heard a lot of people say they don't like it, but I just can't see why. It captures men and women perfectly, and that's REAL men and women, not just stereotypes. The way Tony just gives up when the girls start talking about PMS or blokes, the way Dolly criticises Jean in practically every other sentence, the way Bren and Tony never quite get together and you really want them to, the way Stan won't go in the ladies loo... Hilarious every time! Ok, it hasn't got MUCH staying power, as they talk about mostly current issues, but I hope it goes on for a good long time. I f every comedy was as good as this, the world would be a much happier place. Victoria Wood is a comic genius and totally underrated. She totally understands real people's thoughts and feelings! If only Friends was this good...

A whimsical observational comedy from Victoria Wood. As another contributor said, not a million miles away from the works of Allan Bennett. It featured a mixture of Wood's 'repertory company', familiar from her other shows such as Duncan Preston and Celia Imrie and talented Northern English character actors such as Sue Devaney and Thelma Barlow (both veterans of the long-running soap 'Coronation Street') The main characters were richly detailed, the lesser ones caricatures, but very recognisable types. The one false note, I feel, was struck by the character of the heroine Bren's alcoholic, fantasist mother who made occasional raucous appearances. She was a grotesque figure, out of the wilder reaches of Charles Dickens, and seemed to have been included merely to give an opportunity for Wood's old pal Julie Walters to overact shamelessly. Victoria Wood bravely decided to end this popular show after only two series while it was still fresh (like the dinnerladies' bacon butties).

I have watched on DVD hundreds of times All the episodes of Dinner Ladies. Those who did not like or maybe not quite understood some of the humour, check it out again, there are a great many hidden gems as to the brilliant mind of Victoria woods writing. "He played my body like a pinball machine. I lit up, paid out, and no tilting" was the brilliant line of Bren (victoria wood) mother (Julie Walters) describing her relationship with her young man. It was everyday folk, talking about everyday issues. Hidden behind the charm and the humour the show showed its emotional side, with Bren giving up her holiday to help her mother financially, single mothers, and redundancy. The show lasted two series. I look with great hesitation Victoria Woods next project.

Dinnerladies is uniquely british and unsurprisingly does not travel well beyond these shores. There is little physical humour and the references are primarily based on UK culture and the north of England in particular. However, it is also the best example of its type I've ever seen. Victoria Wood's dialogue is fantastic, (Alan Bennett is the only other writer in her league in this regard). The staging is restricted (effectively one set, two rooms) the plots are secondary and contrived because they are of no real significance. It is all merely backdrop for the characters Ms Wood creates and the way they speak to, across and around each other.

A superb example of intelligent writing managing to survive in a world of slapstick

'dinnerladies' (sic) was a short lived but concise series which was a delight to watch. The scripts were quite simply charming. Victoria Wood's attention to character detail is so well refined, there is little like it elsewhere in the land of situation comedy. Even series which clock up over a hundred episodes do not have the brilliance or depth of character as can be seen here.

A lot of the credit also goes to the performers. Particularly Anne Reid and Thelma Barlow as the bickering friends Jean and Dolly respectively. We had seen aspects of Thelma Barlow's comic timing when she was in Coronation Street but it is brought to great fruition here.

It may not be as 'in your face' or as loud and bumptious as a lot of nineties comedies and I feel it is sad that 'dinnerladies' is often compared to these others. This is a series of pure classic comedy writing - showing off a great knowledge of idiolect and pathos.

Victoria Wood kept the series short to leave on a high note, and she certainly did. The second series proved just how brilliant a writer she is. I certainly hope she pens another sitcom of an equal standard sometime in the future.