Radiance

It's a curious thing that a death in a family brings out in the survivors a need to tell the truth about the deceased and each other. Family history is re-written and relationships re-adjusted (or laid waste). The worst peril of a funeral is not the emotional upheaval but the thought that the way you feel about your family might never be the same. Why confess, when we're all much better off believing in the lone stranger, or "black prince" as here? Well, there is a reason, according to this film. If you can survive the shock of finding out the truth, you will come out of it the stronger, and so will your most important relationships. Party girl Nona returns to her Queensland coastal home to find her mother has just died. Her famous opera singing sister Cressy arrives also. Their stay at home sister Mae is pretty morose but it takes a while to find out why. After the funeral, attended only by the sisters, the story starts to emerge. There is a night of booze and catharsis. The next day the sisters find themselves both bonded and liberated.

"Radiance" originated as a stage play, and it shows. Against that the director, Rachel Perkins has made full use of the Hervey Bay, Queensland, coastal landscape. The three sisters are aboriginal Australians, but this is almost incidental. As Nona, the party girl, Deborah Mailman is full of vigour and fresh sexuality. Rachel Maza plays the worldly opera singer Cressy with a complementary languidness. Stay at home Mae radiates resentment, yet in the end it is she who is the agent of liberation for them all.

A fine drama beautifully realised.

I saw this film at the Bermuda Independent Film Festival in 2002. And, I keep waiting for it to come out on video so I can buy it.

This movie starts out a bit slow, but before you know it, you're so captivated by the characters and story. It will make you laugh, it will make you angry and it will make you cry. Once it gets going, mostly it will make you laugh.

Three sisters go home for their mother's funeral. Sounds like a "girl's movie" but it's not. Each one has a strong personality and has her own issues with herself and each of her sisters - not to mention her deceased mother, who has passed away before the movie begins.

I don't want to give too much of the plot away - but this is a movie worth seeing several times, and sharing with friends.

Tells the story of three estranged Indigenous sisters who reunite to grieve at their mother's funeral in Northern Australia.

Bringing different backgrounds together, the sisters experience trying to understand their differences, tears for each other, celebrating their lives, prejudices faced in the world, adventure and unveiling family secrets.

Eldest sister Cressy, an opera singer, doesn't particularly want to be there for certain reasons; middle sister, Mae, feels she has done enough and is bitter about life; and the youngest sister, Nona, is the free spirit who wants to have fun.

Fine story and Nona is a delight to watch on screen. Actor Deborah Mailman won the 1998 Australian Film Industry (AFI) Award for Best Actress for Radiance, with the film also being nominated for Best Film, Best Achievement in Direction, Best Adapted Screenplay, Best Editing, Best Original Music Score and Best Production Design.

Good movie to watch with your sisters.

I was enchanted and romanced by three lovable wicked sisters. I love the one liners. I love the crude remarks. I love the clashes and I love the final outcome. You could say I enjoyed this film. The Luis Nowra play transported nicely onto the screen with the help of an observing eye from Rachel. Please throw more money her way, I can see this filmmaker maturing with every work she may create.

Radiance is a powerful Australian drama, set against beautiful rural backdrops, but it is the visuals within the story which leave the strongest impression. The intense scenes within the film are strengthened by their beautiful depiction on camera, as if the movie is an artwork. The music is also a major player here, with operatic arias being used unconventionally, yet effectively, against the rural scenery. The performances are spectacular, with Deborah Mailman, Trisha Morton-Thomas and Rachael Maza playing the sisters, separated, but brought together through the death of their mother. Maza is particularly touching as the musical talent in the family, now a successful opera singer, but bitter at having to return home, to her traumatic and troubled roots. A beautiful, heart-tugging 'artwork', well worth the effort.