Devil 666

This weirdo Hong Kong offering is a strange amalgamation of the traditional kung fu movie, the outrageous Chinese horror yarn and the typical 'edgy' dark thriller, so popular in the '90s in the advent of SE7EN and THE SILENCE OF THE LAMBS. The latter two movies are directly referenced in this mix-up of a movie, which throws in a little bit of all genres to keep things entertaining – the only thing missing is typical Cat III style sex and nudity. Instead, we get a bizarre, barely-makes-sense kind of plot involving an evil cult (or man) named Judas, who's convinced that a female police officer is the daughter of Satan. Lots of chases down rain-washed alleyways and kung-fu action ensue, along with some light gun battles and an over-the-top finale which is worth the wait.

Chingamy Yau is the attractive girl who just might be the daughter of Satan, and tends to get caught up in lots of weird visions and sees herself with horns in the mirror. Stealing his scenes is one Donnie Yen as the ultra-cool bespectacled police officer, an extremely violent man who shows off his martial arts skills in a handful of decent fights. Altogether the pacing of this film is slow and it tends to be a case of style over substance, with not much in the way of drama or action unfolding despite the relative excitement that the plot promises. It actually tends to be a low budget kind of movie, with the only big-style action at the end, complete with chainsaws, crucifixions and explosions. It's worth the wait. Something else worth waiting for are the hilariously incorrect English subtitles, which turn many mundane moments into comedy situations.

"Satan Returns" was actually a better movie and a better experience than I had anticipated it to be, as Hong Kong cinema are not really famous for their supernatural thrillers. Much less a supernatural thriller with Donnie Yen on the cast list.

The story is about a satanic zealot named Judas (played by Francis Ng) who is killing women in his search to find Satan's daughter. And hot on his trail are the police with Mo Tin Nam (played by Donnie Yen) and Ka-Ming (played by Chi Wah Wong) leading the investigation. And Judas's next target is Chan Shou-Ching (played by Chingmy Yau).

I will say that it was nice to see a story like this from the Hong Kong cinema vault, and they actually pulled it off well enough, despite the story being sort of religious rubbish. But still, it is only entertainment, and in that aspect it worked out well enough. Sadly, though, then the movie wasn't particularly thrilling or fascinating, it was downright predictable.

The movie had some really good names to the cast list. And it was nice to see Chingmy Yau stand out from that semi-erotic shadow of "Naked Killer" that she have been casting for a long, long time. It was sort of odd actually to see Donnie Yen in a movie of this type, as it is not normally what he makes. And the movie was really carried by Francis Ng's performance, and he really outclassed Donnie Yen acting-wise by miles.

If you are fed up with the typical action movies that comes from Hong Kong and enjoy supernatural thrillers, then "Satan Returns" might be right what you are looking for. Just bear in mind that the movie is predictable and sort of fails be build up much excitement and thrills.

And as for the title of the movie, "Satan Returns", what was up with that? Where did he return from? Vacationing? But more importantly, he didn't return to make an appearance in this movie.

For this supernatural serial killer flick, director Lun Ah not only adopts the grainy, rain-soaked style of David Fincher's Se7en (a big box-office hit the previous year), but also applies every clichéd technique available to him in the Hong Kong film-makers' bag of tricks. However, no amount of blue lighting, swirling smoke, slow-motion action, canted framing, and fluttering fabric can disguise the fact that Satan Returns is a cheaply produced, poorly considered piece of garbage that not even the presence of Hong Kong hottie Chingamy 'Naked Killer' Yau and top martial arts actor Donnie Yen can save from failure.

The plot, from the pen of prolific writer/producer Wong Jing, sees a murderer named Judas abducting women born on the 6th June 1969 and removing their hearts to see if they are the daughter of the devil (apparently, having no heart makes little difference to a spawn of Satan). Whilst this silly story does allow for the occasional scene of light gore and unimpressive action, the focus of the film is on dull police procedure infused with lame comedy. Only towards the end of the film, do proceedings get a little livelier with the introduction of a couple of zombie cops and a touch of power tool mayhem, but by then it's definitely a case of 'too little, too late'.

A touch more madness throughout, a couple of decent moments of tension, and a lot more gore certainly would've helped matters immeasurably, but as far as I am concerned, the key to success was under the director's nose all along: if he had made better use of Yau's smouldering sexuality (the only time she gets really horny, it is way too literal!), and hadn't allowed poor choreography and bad editing to prevent Yen from successfully displaying his awesome fighting skills, then Satan Returns would have been a whole lot more entertaining.

Hyped as China's "answer" to Fincher's SEVEN; there's a scene where The Law run down a rain-soaked alley, a killer making use of a Biblical Motive and - well, that's about where the "connection" ends. Occult Scholar (??) seeks series of women with 6/6/69 birthdates in order to remove their hearts - any victim who survives the surgery, proves herself to be The Devil's Daughter. Usual HK buffet: martial arts (snore...), slapstick, noxious women, and, when all else fails, throw in some genital humour. It must be said, that zombie cops cut apart via chainsaw & a nailgun crucifixion are a tad more exciting than Paltrow's head in a box. Plus, a bonus "shock" ending. Basically, a feature length indictment of Chinese Law Enforcement. As one subtitled villain quips "Damn It! Go Eat S***!" Translation: rent a Cat III title instead.

This Hong Kong film combines horror and cop genres as a killer, going by the name of Judas, is targeting women born on the 6th of June 1969. He believes that the Devil's daughter was born on that day and the only way to identify which woman born on that day is the Antichrist is to cut out their hearts and see which one still lives. Ching, a beautiful officer in the Royal Hong Kong Police Force, was born on that date and has been having recurring nightmares about the crimes... before the first body is found. Judas starts contacting her, telling her that she is Satan's daughter. Officers Nam and Ka-ming are put in charge of the case and quickly realise that the killer is inspired by the Book of Revelations.

I rather enjoyed this film; I particularly liked how it combined horror and cop genres. It is clearly inspired stylistically by 'Seven'... something acknowledged by a character; it may not be as technically good as that film but it is perhaps more enjoyable. This is because there is a fair amount of humour and quite a bit of action; sometimes at the same time. The story is solid enough for the genre. Actress Chingamy Yau, does a fine job as Ching, Donnie Yen impresses as Nam and Francis Ng is good as bad guy Judas. The action scenes are enjoyable and a bit gory at times but not excessively so. Overall I'd say that this is not a film to be taken seriously but it is fun enough; I'd certainly recommend it to fans of horror movies who also enjoy Hong Kong cinema.

These comments are based on watching the film in Cantonese with (poor) English subtitles... strangely the version I saw also had Chinese subtitles which I couldn't turn off!