Know Your Enemy - Japan

An American propaganda film made during World War 2, during the height of the conflict with Japan. Shows Japan's history, culture, people, politics industry and military weapons and tactics, and how Japan came to be at war with the US.

Interesting. No pretence of being a 'documentary' film this is clearly a propaganda film - the anti-Japanese sentiment is laid on quite thick at times. Can be quite slanderous at times, and viewed in modern times and without the benefit of context, could even be viewed as racist.

Yet the context is important. The US had a war to win and the best way to keep your soldiers and civilians motivated is to paint the enemy as evil monsters of the highest order.

Not that it's all fabricated - far from it, most of the atrocities the Japanese are accused of are true.

It's not all anti-Japanese sentiment though. There are some interesting passages covering Japan's history and this is fairly neutral in its tone. Therein lies the skill of the director (the great Frank Capra, no less) - mixed in with genuine history is pure propaganda, and it's sometimes difficult to tell the two apart.

Know Your Enemy - Japan (1945)

*** (out of 4)

This WWII documentary was part of the "Why We Fight" series and this one here was co-directed by the one and only Frank Capra. With added narration by Walter Huston, John Beal, Knox Manning and Howard Duff, this documentary tries to explain to Americans who exactly Japan is.

KNOW YOUR ENEMY - JAPAN is pretty much what you'd expect from a propaganda film of this era. Obviously America was deep into the war so countless documentaries were made to try and explain to the people at home what was going on, why we were fighting and, in this case, who we were fighting. Obviously there's a lot of material here that might not pass the truthful test but when viewing something like this it's important to remember when and why it was made.

As you'd expect, there's some pretty brutal war footage shown here including various scenes showing the horror of war, which means dead bodies. Some people might just want to skip this film and the series because of this footage and that would be understandable. I'm sure some might object to how this film shows Japanese people but, again, this was a propaganda film trying to rally support for the war so that is to be expected.

There's certainly nothing here that is greatly made and it's certainly not one of the greatest documentaries ever made. With that said, as a history piece it's quite interesting and well worth watching if you're interested in the subject.

It is a very good documentary about American views of the Japanese at the time. Of course, it is biased; that is why it is called a propaganda film.

Frank Capra has mentioned that he considers his army propaganda films as among his most important work. No doubt he was speaking more about their purpose than their content. Nonetheless, "Know Your Enemy: Japan" has some very compelling scenes. This work has many, effective fast contrasting cuts. In one of the best, Japanese war atrocities, such as graphic shots of dead babies, is alternated with euphoric Japanese soldiers at a rally. This is an extremely effective propaganda piece, perhaps the best of the many Capra did for the US Army.

`Know your enemy – Japan' is an American propaganda film from 1945. It was directed by Frank Capra on behalf of the US War Department. The film is made up of sequences from documentaries with narration and music. There are bits that clearly are re-constructions of passed events but are presented as though they are real news footage. Animated sequences exist. Walter Huston and Dana Andrews do the narration. The film is 60 minutes long. It was shown to allied soldiers serving in the Pacific region during World War II.

The purpose of the film was to inform the allied soldiers about the last enemy that remained in the war after the fall of Italy and Germany: Japan. The idea was that increased knowledge about the history and culture of Japan would create an understanding of the current situation that would cause a positive effect on the allied war effort. Every chance to condemn the Japanese and their ideologies are used in the course of the film. When watching this film, it is crucial to be aware of the state the world was in at the time or else one might draw inaccurate conclusions about the nature of the people who made it.

Early on, the film explains how the Japanese of today are a mixture of races that originally stem from the Ainu (described as "a hairy barbarian") with a touch of Mongolians and Malaysians. Their claims to be a pure race are put down and they become "a well-mixed plasma cocktail". The Japanese social classes and their development for 2000 years are summarised. The endless civil wars between local warlords are described as well as the Samurai system. The Samurai code, bushido, is referred to as "the Art of Treachery".

The film goes on in much the same way.

Frank Capra made films about Germany that were similar to this one. The attitude there is as hateful and uncompromising as in 'Know your enemy – Japan'. It is fascinating to compare these works with other Capra creations from peacetime. Those films are often about ordinary people who love life (`You can't take it with you', 1938; 'Meet John Doe', 1941), people who fight for the right to live life their own way ('American madness', 1932; `Mr. Deeds goes to town', 1936) and good people who fight the establishment ('Mr. Smith goes to Washington', 1939; 'It's a wonderful life', 1946). The contempt for the Japanese individual in 'Know your enemy – Japan' is so striking that it is hard to admit that it is made by the same man. The purpose of it all is obvious. Any thoughts of racism can be discarded by watching Capra's 'The Negro Soldier" from 1944, (this was also made for the US War Department) which is an attempt to ease the friction between the races within the American troops. That film is as loving as 'Know your enemy – Japan' is cruel.

'Know your enemy – Japan' is a very skilful propaganda film. Most of it is comprehensible, direct, informative, brutal and frightening but there are clever sections with fairly advanced symbolism. Frank Capra sticks to the truth but chooses to view the issue in such a way that the purpose of the film is fulfilled. Watching it half a century after it was made allows you to be amused by the style and techniques and be alarmed by the brutality; but the audience it was made for was no doubt very taken by it.