Beefcake

I was a male physique model in the 60s in LA and this film brought back so many memories of the time. In those days you weren't totally exposed. Yes, I made centerfold! However, in my frontal shots my hand was casually at the right place although my backside was completely in view. I was an actor, new in town and to earn extra cash I modeled for Young Physique Magazine. I never met Bob Mizer although I certainly heard of AMG then. One of the scenes of this film I enjoyed was interviewing such guys as Joe Dallesandro [of Warhol's FLESH and TRASH]. He still has his looks and sense of humor. Almost making fun of himself. I also enjoyed seeing Jim Lassiter, whom I knew, and Russ Warner. The role of Mizer, played by Daniel MacIvor was well played making him human and at times a bit overbearing. Also liked the acting of Josh Peace [Neil] and Jack Griffin . They both seemed natural and not uncomfortable with the nudity. But that mother of Mizer was too much. I still have some of the films of those times, including one with Jim Lassiter. The combination of the documentary look and today's look worked. Hat's off to Thom Fitzgerald the writer/director of this flick. I remember when I had stripped all my clothes off, having a certain feeling of control as others watched me strut my wares. You find yourself in a quiet place of feeling your body being in a state all by itself. It was quite thrilling. The shoot was done on a rooftop in Hollywood. I also remember thinking at the time, of those who were watching the shoot from their neighborhood windows. You could clearly see apartment buildings surounding us. I hope they were saying, "Another star is born".

The makers of this film set a bit of a challenge for themselves. How to make an interesting movie about the world of magazine photography. The subject in this case is one that hasn't been comprehensively covered before: male physique photography. Generally speaking, in 30s the emphasis was on art, in the 40s on fitness, in the 50s on sensuality, and in the 60s on sexuality. The film explores all aspects of this industry by focusing on a few of the top photographers and their models. Surprisingly, not all participants had the same ideas or experiences about their work, nor the same recollections. In fact, these folk seemed to rather enjoy their work, which did emphasize a healthy, fit body. The relationships of the models emerges as congenial and brotherly, and the photographic activity as engaging. As in any "entertainment type industry" there were some over-the-top kibitzing, which in some cases digressed into rather kinky goings on. Still, the makers of this film manage to remain light hearted about most of it, while allowing some top models and fitness stars to share their memories in short commentary episodes.

For those who were not into this area, they could simply not buy the magazines nor be concerned about the whole matter. For those who found this an area of interest, they were free to make their own choices. What caused problems were conflict with the law, which itself may be controversial. These clashes are also presented here in enactments. It was interesting to see Joe D'Allesandro, well remembered from some of Andy Warhol's films, being interviewed--and what a candid, down to earth personality he is.

The fellows, though, come across as having a good time. While it may not be the most ambitious of professions, modeling at least keeps one off the streets -- that is, almost everyone.

Beefcake is a decent 'mock'u-mentary of the life and times of Bob Mizer, founder of the 'Athletic Model Guild' in the early 50s - and precursor to todays muscle mags and also the Playgirl type of magazine. Sure, the storyline is predictable (but, so was 'Titanic') but the characters are all but priceless! And, many of the actors playing the models when young look a lot like the actual models did! This was a great use of stock original footage and 'made to look like' stock original footage. The interviews with the models are priceless, if only for the reality they provide. The acting is spot on, the sets are great and (when viewed in comparison to the original films) quite spot on! One of the other great aspects of the film is the recreation of the AMG original title styles for the credits for this film. All around, a good movie which chronicles the rise and fall of the beginnings of the 'Beefcake' magazine industry!

Watching a doco about male physique models whilst eating a bag a chips makes you think twice. That aside, this is a reasonably interesting film that blends original archive footage, interviews and places them along side recreations of events of the AMG Studios, set up by Bob Mizer to capture the male physic. The recreations are okay to a limit, there is too much flipping between black and white and colour and some of the actors playing the models have less than defined bodies which goes against all the images we are bombarded with that show strong ripped muscular bodies. Some of the acting is also heading to Hamsville. There are some clever scenes where they have melded archive footage with new scenes and this works very well.

There are some interesting, if brief, interviews with some of the people that came through AMG: models including Joe Dallesandro, as well as other photographers and fans. Then there is a vast array of archive footage of models-and yes there is plenty of flesh on display-and it does have a sense of beauty to it, because despite the obvious homoerotic nature of some of the photos and films made and the fact that these were taken for publications that were really the beginnings of pornography, there is an innocence to some of it and perhaps that was the 40/50/60's backdrop which was an all together different time.

The film wins on its old footage and the telling the story of an age gone by, but is let down by trying to have too many ideas at once. Now I have to go do some sit ups.

More of my reviews at my site iheartfilms.weebly.com

This film is about the struggle of gay porn in the 50's USA, in the disguise of "physique magazines". It is based on a book of the same name.

This film cleverly mixes archive footage with new footage shot for the film. The film flows seamlessly between the past and the present. The interviews with the physique models are very insightful. I am particularly impressed by these interviews, and the effort to hunt these men down.

There is a lot of male nudity in the film, and yet it feels fresh and healthy, without a erotic or pornographic feel to it. I also liked the acting, Bob Mizer is portrayed very well in the film. The pleads for understanding and tolerance in the film is also very effective.

The sexual controversy is toned down a lot in the film as compared to the book. In addition, the book has more history in it, while the film strips all of these away. That's my only complaint.

As one of the models states in the interview, if these events are not written down, they will be lost forever. I am hence very glad that this piece of history is transcribed (albeit dramatised) from the book into a film.